On May 22, the first official live broadcast of Lynk & Co 08 Expressway NOA. That afternoon, Mu Jun, deputy general manager of Lynk & Co., Ltd., and Zhao Yi, founder of AutoLab, drove Lynk & Co 08., Ltd.
EM-P departed from Hangzhou and arrived in Shanghai, experiencing the excellent up and down ramp, active overtaking, voice lane change and other intelligent driving capabilities of high-speed NOA along the way.

　　ACC adaptive cruise, ALC autonomous lane change, TAA car active avoidance, APA automatic parking, RPA one-button remote control parking, TLA traffic light reminder and other functions are displayed

　　Recently, Lynk & Co 08
The NOA smart driving function has completed an important upgrade, and 12 new functions such as high-speed NOA, advanced safety capabilities, and convenient parking and pickup have been launched. During this trip, Lynk & Co 08 high-speed NOA escorted safe and smooth driving.

　　Lynk & Co 08 high-speed NOA has a full-stack self-developed smart driving capability, equipped with Yikatong ? Sky Dome Pro integrated intelligent driving computing platform, which integrates two black sesame intelligent Huashan A1000 chips, with a comprehensive computing power of 116
TOPS (INT8), single chip max computing power up to 58 TOPS
(INT8). The computing power fully meets the needs of high-speed pilot, automatic parking and other commonly used functions. It is currently a mass-produced chip that has completed all vehicle-level certifications and has cost-effective advantages, which provides the possibility for the popularization of high-speed pilot auxiliary driving functions.

　　Huashan A1000 chip performance

　　Huashan A1000 is the first mass-produced local chip platform that meets all vehicle regulations and certifications. At present, it is the only local chip platform that can realize a single-chip integrated domain controller that supports travel and parking. It has rich sensor interfaces and can support L2 +/L3-level autonomous driving solutions. It has built-in high-performance image sensors for vehicles and real-time computer vision and neural networks processors, with camera sensing and AI computing as the core technology framework. At present, Huashan A1000 has been adopted by many domestic leading car companies such as FAW Group, Dongfeng Group, Geely Group, and Jiangqi Group. In addition to Lynk & Co 08, mass-produced models also include Hechuang V09, Dongfeng eπ 007, etc.

　　In the intelligent competition of automobiles, NOA is one of the key technologies in the field of intelligent driving. Based on Huashan series chips and Wudang series chips, Black Sesame Intelligent provides cost-effective NOA solutions for OEMs and Tier1.

　　Huashan A1000 can provide vehicles with high-speed NOA pilot driving assistance, APA, RPA and other more than 20 ADAS function development. Based on this chip, Black Sesame Intelligent has realized the BOM cost control of the travel and parking integrated domain controller supporting 10V (camera) NOA function under the condition of 50-100T physical computing power within 3,000 yuan.

　　NOA brings people a smarter, safer, and more convenient driving experience. Black Sesame Smart will use both cost-effective and high-value NOA intelligent driving solutions to help OEMs and Tier1 achieve differentiation, allowing pilot-assisted driving to be implemented in a wider range of models, thus creating a better smart driving life for people.

1905 movie network news, recently,After the first roadshow of the movie after the opening of Harbin, the director Li Rengang led the lead and starring Wu Jing, Zhang Yi, and Jing Boran rushed to the second stop in Shenyang non-stop. From Zhang Yi’s main venue to Jing Boran’s hometown, the continuation of yesterday’s warm exchange and interaction atmosphere, in addition toIn addition to the content of "father’s love", there is also a lot of attention to the high-flaming action scenes in the film. Wu Jing also said: "I was filming the scene of flying over the ice crack, and I always wondered how I could fly over and nail the crampons at the same time. I remember I took 19 shots with my leg injury."

This time, when he returned to his hometown to promote the new film, Jing Boran said with a smile: "I have learned secret techniques from Brother Angjing and Brother Zhang Yi." To support the film, Jing Boran’s 12-year-old mother powder was brushed 4 times in a row, thanking Jing Boran for bringing positive energy to young people. Because Zhang Yi and Jing Boran are both from Northeast China, fans at the roadshow also asked them to restore the "treasure" clip in Northeast dialect, which caused the audience to laugh. The three of them had a good relationship outside the play, and they also summoned Hu Ge from the air at the roadshow, which triggered Hu Ge’s humorous response.

　

Shenyang station road show opened box office breaking 600 million Jing Boran training drama photographed spit Zhang translation Northeast language confession

On the fifth day of the release of "Climber", the box office has approached 700 million yuan. During the roadshow at Shenyang Station, Jing Boran, who returned to his hometown, also felt the enthusiasm of his relatives in his hometown and the love and support for the movie. When it came to the shooting of the training ground in the film, some audiences were curious about how the real scene was completed. Jing Boran said that in order to create a sense of fatigue and realism, more than a dozen rounds of tire-towing training were carried out during the shooting of the scene, and then the sandbag equipment on the back of the weight exceeded 40 kilograms. Wu Jing also added: "The scene made Jing Boran vomit, and it took more than four hours to recover." The audience was distressed.

More viewers were moved by the "treasure" lines of the two mentors and apprentices in the film. Zhang Yi and Jing Boran, two Northeasterners, were also asked to restore the scene in Northeast dialect. Jing Boran opened his mouth: "What are you targeting me for?" The strong sense of contrast and authentic tone caused the audience to laugh. At the event, many young viewers took their parents to watch the movie together to feel the emotions of their parents’ era. Some viewers said: "I originally watched the first game in Beijing, but later took my parents back to Shenyang and went to the second brush." More mother fans who accompanied Jing Boran for 12 years, shouted excitedly on the spot, watched it four times, and were moved every time they watched it: "Thank you Jing Bao for filming such a work, which brings young people this positive climbing spirit."

　

Wu Jing Zhang Yi Jing Boran summons Hu Ge to "fit" "two captains" 13 years of reunion

The return of Jing Boran on the Shenyang roadshow of the movie "Climber" also means the integration of the two generations of climbers. Wu Jing, Zhang Yi, and Jing Boran also took photos with Hu Ge’s poster on the way to the roadshow, and remotely issued a call to fit. The three of them left messages on Hu Ge’s poster "He hasn’t come yet" "He hasn’t come again" "I’m here again, you still haven’t come", and the soul question finally got Hu Ge’s humorous response "It’s not easy for Hu to come", which also made netizens full of expectations for the four-person fit.

The cast of the whole film is super powerful, and it has also been well received and recognized by netizens after the release. In the film, Wu Jing and Zhang Yi’s two sparkling rivalry scenes also depict the emotional collision between Fang Wuzhou and Qu Songlin. Zhang Yi’s sentence "I respect you, I hate you" explains the "regret" and "entanglement" between the two people across 13 years. Regarding this scene, Zhang Yi also named it on the spot and said that it was the most memorable scene he had filmed: "When I saw Jing Boran lying there, and then I walked up to Brother Jing step by step, I was really sad." The enthusiastic audience at the scene also said: "You are also the climbers among the actors."

The film "Climber" was released simultaneously in North America and the United Kingdom. The film was produced by Tsui Hark and Zeng Peishan, written and directed by Li Rengang, and written by Alai. Wu Jing, Zhang Ziyi, Zhang Yi, Jing Boran, Hu Ge, Wang Jingchun, He Lin, Chen Long, Liu Xiaofeng, Qu Ni Tsering, Lavan Robb, and Dobj starred, and Jackie Chan starred in a friendship.

The control of cinema leader Wanda Film (002739) may change.

On December 6, Wanda Film announced that the company’s indirect controlling shareholder, Beijing Wanda Cultural Industry Group Co., Ltd., and its wholly-owned subsidiary, Beijing Hengrun Enterprise Management Development Co., Ltd., and the company’s actual controller, Wang Jianlin, intend to transfer their combined 51% equity in Beijing Wanda Investment Co., Ltd. (hereinafter referred to as "Wanda Investment") to Shanghai Ruyi Investment Management Co., Ltd. (hereinafter referred to as "Shanghai Ruyi Investment").

Wanda Investment is the controlling shareholder of Wanda Film. Wanda Film said that if the above matters are finally implemented, it will lead to a change of control of the company.

In view of the uncertainties in the above matters, Wanda Film will suspend trading from the opening of the market on December 6, 2023 (Wednesday), and it is expected that the suspension time will not exceed 2 trading days. On the morning of December 6, the Shenzhen Stock Exchange has announced that Wanda Film plans to plan a change of control, and the stock will be temporarily suspended from the opening of the market on December 6. Trading will resume after the company discloses relevant announcements through designated media.

Shares have been transferred several times this year

Since the beginning of this year, Wanda Film has undergone several equity changes. According to the 2022 annual report, Wanda Investment directly holds 38.99% of Wanda Film’s shares.

In March, Wanda Investment’s concerted action, Wanda Culture Group, reduced its holdings of Wanda Film 43.5653 million shares through the block trade system, accounting for 1.999% of the company’s total share capital. In April, Wanda Investment announced a reduction plan to reduce its holdings of Wanda Film shares by no more than 65.38 million shares, accounting for 3% of the company’s total share capital.

Entering the second half of the year, Wanda Film’s equity transfer accelerated.

On July 10, Wanda Investment signed a share transfer agreement with Lu Lili, agreeing that Wanda Investment will transfer its holding of Wanda Film 180 million shares to Lu Lili, accounting for 8.26% of the company’s total share capital.

On July 17, Wanda Investment and its acting party, Xinxian Rongzhi Industrial Management Consulting Center (Limited Partnership) (hereinafter referred to as "Xinxian Rongzhi"), signed the "Share Transfer Agreement", and Wanda Investment transferred its holding of Wanda Film 177 million shares to Xinxian Rongzhi, accounting for 8.14% of the company’s total share capital.

After the transfer of the above agreement is completed, Wanda Investment holds 436 million shares of Wanda Film, with a shareholding ratio of 20%. Wanda Investment and its concerted actors together hold 673 million shares of Wanda Film, accounting for 30.9% of the company’s total share capital.

Before the proposed transfer of 51% of Wanda’s investment, on July 20, 2023, Wanda Culture Group had signed an Equity Transfer Agreement with Shanghai Ruyi Film and Television Production Co., Ltd. (hereinafter referred to as "Shanghai Ruyi Film and Television").

Wanda Cultural Group intends to transfer its 49% stake in Wanda Investment to Shanghai Ruyi Film and Television. After the transfer is completed, Wanda Cultural Group indirectly holds 222 million shares of Wanda Film through Wanda Investment, with a shareholding ratio of 10.2%. Wanda Cultural Group and its concerted actors directly and indirectly hold 460 million shares of Wanda Film, with a shareholding ratio of 21.1%.

According to Qichacha, as of December 6, Shanghai Ruyi Film and Television held a 49% stake in Wanda Investment, Beijing Hengrun Enterprise Management Development Co., Ltd. held 29.8%, Wanda Culture Group held 20%, and Wang Jianlin personally held 1.2%.

Wanda Film Industry Leader

Wanda Film has long been a leader in domestic theaters.

Lighthouse data show that since 2023, the national film box office has reached 51.45 billion yuan, of which Wanda cinema box office 8.94 billion yuan, far more than the second 4.481 billion yuan. Wanda cinema attendance 190 million, with an average of 15 people per game, all in a leading position in the industry.

Wanda Film also ranks first in the country all year round. Wanda Film’s cinemas and screens rank first in the industry. Since 2023, 9 of the top 30 cinemas in the country have been Wanda Studios.

According to the third quarter report of 2023, from January to September this year, Wanda Film’s domestic theaters achieved a box office of 6.22 billion yuan (excluding service fees), an increase of 67.6% year-on-year and 5.2% over the same period in 2019; the number of people watching movies 150 million, an increase of 68.7% year-on-year, an increase of 3.7% over the same period in 2019.

As of September 30, 2023, Wanda Film had 877 open theaters and 7,338 screens in China, including 709 directly-operated theaters, 6,159 screens, 168 light-asset theaters, and 1,179 screens. The company’s cumulative market share in the first three quarters was 16.5%.

"Post-80s" Colliming takes over

Shanghai Ruyi Investment, which plans to take over 51% of Wanda’s investment, and Shanghai Ruyi Film and Television, which previously took over 49% of Wanda’s investment, are both controlled by Ke Liming.

Shanghai Ruyi Film and Television is a subsidiary of China Ruyi Holdings Co., Ltd. (hereinafter referred to as "China Ruyi" 00136.HK), a Hong Kong-listed company. China Ruyi owns 100% of Shanghai Ruyi Film and Television. Tencent is one of the major shareholders of China Ruyi.

On December 6, Chinese Confucianism rose more than 9% in intraday trading, and its market value rose to HK $22 billion.

"Confucianism" can be called a dark horse in the film industry in recent years. According to Lighthouse data, Shanghai Confucianism Film and Television has produced 43 works in recent years, with a total box office of 17.677 billion yuan and a total box office of 7.434 billion yuan. These include well-known works such as "Hello, Li Huanying", "Vanished Her", "Walking Alone on the Moon" and "Send You a Little Red Flower".

Ke Liming’s other main body, Beijing Ruyi Xinxin Film Investment Co., Ltd., has also produced 5 works, with a total box office of 1.438 billion yuan, including "To the Youth We Will Eventually Die", "Small Times 4", "Old Boy’s Raptor Crossing the River" and other well-known works.

According to the financial report, Colliming is a post-80s generation, now 39 years old.He worked as a senior analyst at a hedge fund management company. He graduated from Griffith University in Australia with a bachelor’s degree in risk management in 2005 and a master’s degree in money and banking in 2006.

According to the delisted Shanghai Fukong previously disclosed, Ke Liming himself led some project personnel to join Huashi Film and Television Investment (Beijing) Co., Ltd. in March 2011. Ke Liming served as the general manager of Huashi Film and Television and filmed film and television works within the main body of Huashi Film and Television.

It was during this period that Ke Liming and his team participated in the planning and production of the movie "To Youth", the TV series "The Woman of the Swordsman Family", and the movie "Tiny Times 1 and 2" and many other works. In December 2012, Ke Liming left China Vision Film and returned to Ruyi Film as the general manager. Since then, Ruyi Film’s business has developed rapidly. It began to plan the TV series "No War in Peking" and the movie "Old Boy’s Raptor Crossing the River" that year, and achieved good responses.

　　On March 18th, Wang Jiequn, Party Secretary and Director of Beijing Radio and Television Bureau, led a team to () Group Co., Ltd. for investigation. On behalf of the company, Xie Guangcai, director and executive vice president of the company, made a report and exchange on the company’s situation, contents and technological development in the field of network audiovisual.

　　Director Wang Jiequn and his party visited the Chinese online exhibition hall, listened to the reports of Chinese online on micro-short drama business, short drama going to sea, IP derivative, AIGC big model, etc., and learned about the problems and demands of the enterprise in detail, and had full exchanges with responsible comrades of relevant departments of the company.

　　Director Wang Jiequn summed up and put forward hope for the development of the enterprise. First, explore the transformation of excellent IP movies and TV plays. Many scripts of excellent TV dramas and miniseries come from online literature. Chinese online should give full play to its advantages, sort out and explore excellent IP, and also contribute to the development of the industry. Second, pay attention to creating fine content, and pay more attention to the depth of works, the spread of stories and the value of culture. The third is to give full play to the empowerment of science and technology to provide strong support for the fine and high-quality development of micro-short plays. Fourth, the Radio and Television Bureau should provide good services and actively assist in solving the difficulties of enterprises within the scope of policies. On behalf of the company, Xie Guangcai thanked the Municipal Bureau of Radio, Film and Television for its guidance and concern, and said that he would continue to play the leading role of digital content enterprises and promote the healthy development of the industry.

　　Wang Zhi, deputy director of the party group of Radio and Television Bureau, Zhang Nan, director of the office, Xia Fei, director of the network audio-visual management office, and Xia Chao, deputy director of the network audio-visual management office, accompanied the investigation. Yang Ruizhi, Vice President and Chief Operating Officer of Chinese Online, Li Kai, Senior Vice President, and Wu Jiang, Chief Technology Officer attended and reported the exchange.

The cultural connotation and characteristics of Chinese modernization reflect the profound influence of China traditional culture on the modernization process. Comprehensive development, cultural self-confidence and innovation, and the integration of socialist core values make Chinese modernization not only have economic and technological modernity, but also have cultural depth and uniqueness, which not only helps China to cope with various challenges in the process of modernization, but also provides a solid cultural foundation for the all-round modernization of China society.

Cultural Foundation and Characteristics of Chinese Modernization

Chinese-style modernization is not only the modernization of economy and science and technology, but also a multi-dimensional comprehensive modernization process. This comprehensive development feature reflects the importance of China’s traditional culture to all-round development, and also highlights the uniqueness of Chinese-style modernization and the difference from the western model.

Emphasize comprehensive development. Chinese modernization emphasizes comprehensive development, which means not only economic and technological modernization, but also political, cultural and social modernization. This concept originated from the core idea of China’s traditional culture, and these values have been playing an important role in China society. Traditional culture emphasizes balance and harmony in all fields, reminding people to consider all aspects of society comprehensively to ensure social stability and prosperity. In the process of modernization, this comprehensive development concept is embodied in government policies. Political, economic, cultural, social and other fields must develop in harmony to achieve the goal of comprehensive modernization.

Strengthen cultural self-confidence and innovation. Chinese modernization advocates maintaining cultural self-confidence in the process of modernization. The root of this view can be traced back to the traditional culture of China, which emphasizes the importance of culture and confidence in one’s own culture. Chinese modernization emphasizes that while absorbing the essence of western culture, we should also stick to our own cultural foundation and maintain cultural self-confidence. Cultural self-confidence is not only respect for traditional culture, but also cultural innovation. Chinese modernization emphasizes the inheritance and innovation of traditional culture and encourages the creation of modern culture that integrates traditional elements.

Spread the core values of socialism. Chinese modernization emphasizes the spread and practice of socialist core values. Socialist core values include patriotism, collectivism, social fairness and justice and other important values, which have been strengthened and developed on the basis of China traditional culture. Socialist core values are not only the cultural heritage of China society, but also the moral and ideological pillar of Chinese modernization. In the process of Chinese-style modernization, socialist core values have been integrated into various fields, including education, media, law, etc., which is helpful to maintain national stability and social harmony and ensure that the modernization process is not only material development, but also accompanied by the promotion of culture and morality. Socialist core values emphasize civic responsibility and social responsibility, which is helpful to solve practical problems in development.

The value of excellent traditional culture to the development of Chinese modernization

Excellent traditional culture has a positive significance to the development of China, which not only enriches the cultural heritage of China, but also provides a solid cultural foundation for the stability and prosperity of China society. At the same time, China’s traditional culture has also played an important role in the international arena, establishing a positive international image for China and promoting cultural exchanges and cooperation.

Conducive to cultural inheritance and innovation. China’s excellent traditional culture is the essence of China’s history and culture, including Confucianism, Taoism, Legalism and other ideological systems, as well as China’s outstanding achievements in ancient literature, painting, music, philosophy and other fields. The inheritance of these traditional cultures provides valuable cultural resources for China society and has profound historical accumulation. The inheritance of traditional culture not only helps to maintain the continuity of culture, but also provides profound cultural reference for modern society. For example, values such as benevolence, filial piety and etiquette are helpful to build social trust and cohesion, and provide stability and cohesion for China society. At the same time, traditional culture also provides rich materials and inspiration for cultural innovation. China’s traditional art, literature, philosophy and other fields have profound connotations and unique forms of expression, which can provide reference and inspiration for modern cultural creation. Many modern cultural creations incorporate traditional elements, creating creative and cultural works, which not only helps to inherit traditional culture, but also enriches the diversity of modern culture.

It is conducive to enhancing cultural self-confidence and influence. The inheritance of traditional culture makes China have stronger cultural confidence and international influence on the international stage. China’s traditional culture has profound historical and philosophical connotations, which has aroused extensive interest of the international community. China’s ancient literature, philosophy, painting, calligraphy and other traditional art forms have always been studied and worshipped by international scholars and artists. This cultural self-confidence is not only reflected in the cultural field, but also extended to other fields, such as politics, economy and science and technology. China’s traditional culture emphasizes values such as modesty, self-discipline and harmony, which have also had a positive impact on international cooperation and contributed to the establishment and maintenance of stability and peace in the international community. By promoting its own culture, China has established a bridge of cultural exchange, established closer ties with other countries and enhanced its international influence.

It is conducive to promoting the harmonious development of modern society. The excellent ideas contained in excellent traditional culture emphasize the core values such as harmony, human relations and social responsibility. These values have had a far-reaching positive impact on the harmonious development of China society. Chinese traditional culture encourages people to pay attention to the maintenance of interpersonal relationships and social order. This will help reduce social contradictions and conflicts and promote social harmony. Chinese excellent traditional culture emphasizes the harmonious coexistence between nature and human beings, while emphasizing the rule of law and the maintenance of social order. These ideological systems are conducive to building a harmonious society in different fields. Traditional culture also emphasizes social responsibility and public awareness, and encourages people to actively participate in social affairs and make contributions to society. This value concept is still of great significance in modern society and helps to establish a more fair and just social order.

The Path of Better Developing Chinese Modernization Based on Excellent Traditional Culture

Better development of Chinese modernization based on excellent traditional culture will help to inherit traditional culture and develop modern culture, at the same time enhance China’s international influence, promote cultural mutual learning and cooperation, and provide important support and opportunities for the all-round development of Chinese modernization. By actively exploring and practicing these paths, China can better cope with all kinds of challenges in the process of modernization and realize all-round economic, social and cultural modernization.

Promote educational development and cultural inheritance. Education is a key field for shaping a new generation of citizens and an important way to inherit excellent traditional culture. In the field of education, it is very important to strengthen the inheritance and education of excellent traditional culture. This includes not only the teaching of traditional culture, but also the cultivation of students’ cultural self-confidence and cultural identity. Schools can add more traditional cultural elements to the education curriculum, such as Confucian classics, ancient literature, traditional music and art, which will help students better understand and appreciate their own cultural traditions. It is very important to cultivate students’ self-confidence in their own culture, which can be achieved by improving students’ understanding of traditional culture and encouraging them to participate in cultural activities and practice of traditional culture. Traditional culture and modern education are not contradictory and can be organically combined. For example, emphasizing traditional values in education, such as filial piety and friendship, can cultivate students’ sense of social responsibility and moral values. At the same time, traditional culture can also provide inspiration for modern science and technology and innovation, and encourage students to create and explore in various fields.

Vigorously innovate and develop cultural industries. Cultural industry is an important part of Chinese modernization, and it is also one of the ways to combine traditional culture with modern society. Supporting the innovative development of cultural industries and integrating traditional cultural elements into modern cultural products can create more cultural values and economic benefits. The innovation of cultural industry includes the creation of new cultural products and the integration of traditional cultural elements into contemporary cultural products. For example, movies, music and literary works can learn from the theme and spirit of traditional culture to attract more audiences and readers. Cultural and creative industry is a field that combines traditional culture with modern creativity, including design, fashion, art and other aspects. It can meet different needs through the reinterpretation and innovation of traditional cultural elements. China is rich in historical and cultural heritage, and developing it into cultural tourism resources can promote local economic development. By providing cultural experience, cultural tourism routes and cultural festivals, more tourists can be attracted to visit and study.

Pay attention to international exchanges and cooperation. Chinese modernization is not only a domestic challenge, but also an opportunity for international cooperation. Strengthening cultural exchanges and cooperation with other countries will help China’s culture to go global, and at the same time absorb the advantages of other cultures and realize mutual learning. Cultural exchanges with other countries can be strengthened through international cultural festivals, art exhibitions, academic seminars and other forms, which will help China’s culture spread more widely on the international stage and enhance the international community’s awareness and interest in China’s culture. By jointly promoting cultural cooperation projects with other countries, cultural mutual learning and cooperation can be promoted, including joint creation of cultural works, joint holding of cultural activities and exchange of cultural delegations. Besides, absorbing the advantages and experiences of other countries’ cultures can enrich China’s culture. For example, introducing foreign art forms, educational methods and cultural festivals will inject new elements and innovations into China culture.

Chinese modernization is closely related to Chinese excellent traditional culture, which provides an important cultural foundation and values for Chinese modernization. In the process of developing Chinese modernization, it is necessary to give full play to the positive role of traditional culture, maintain cultural self-confidence and realize cultural innovation at the same time, so as to promote the all-round modernization of China society. Through in-depth study and understanding of Chinese excellent traditional culture, China can better cope with various challenges in the process of modernization, while maintaining the uniqueness of its own culture. The inheritance and development of excellent traditional culture will promote Chinese modernization to be more balanced and harmonious, and provide strong support for the sustainable development of China society.

Author: Li Yun, Master, Associate Professor, School of Marxism, Xi ‘an Institute of Physical Education, Research direction: ideological and political education.

Source: Guangming Net