In the [car home Shihezi Preferential Promotion Channel], we brought an exciting car purchase message: the high-profile models are in full swing in Shihezi area with unprecedented preferential activities. The highest discount rate reached an astonishing 0.7 million yuan, which made the starting price of this luxury SUV drop to 152,700 yuan. This is an opportunity not to be missed to buy a car. Friends who want to experience the excellent performance and value-for-money ratio of Xingyue L Zhiqing must seize this opportunity. Click "Check the car price" in the quotation form, and you will have the opportunity to win higher preferential treatment. Act quickly and let Xingyue L Zhiqing become your ideal car!

The exterior design of Xingyue L Zhiqing is full of modernity and strength. The front part adopts exquisite matrix air intake grille with streamlined body lines, creating a strong visual impact. The overall style is stable, the proportion of the car body is coordinated, and the details reveal the sense of advanced and scientific elements, which fully shows the luxury and intelligence of the Zhiqing series.

Xingyue L Zhiqing outlines the smooth body contour with exquisite side lines. Its body size is 4795mm long, 1895mm wide and 1689mm high, and with the wheelbase of 2845mm, it creates a stable and spacious interior space. The front and rear wheel tracks are both 1610mm, which ensures good handling performance and stability. Tyre size is 235/50 R19. The choice of tires not only ensures the driving grip, but also complements the car side design, which together shapes the appearance aesthetics of this car.

The interior design of Xingyue L Zhiqing is dominated by luxury and sense of technology, creating a spacious and comfortable interior space. Exquisite leather steering wheel provides delicate touch and supports manual up and down+forward and backward adjustment, which is convenient for drivers to adjust according to their needs. The 12.3-inch central control screen stands in the center, which is clear and easy to operate, and integrates multimedia system, navigation, telephone, air conditioning and skylight control to show the intelligent configuration of the vehicle. The seat is made of imitation leather, and the main and passenger seats are equipped with 4-way adjustment, including front and rear, backrest, height and waist support, to ensure the comfort of riding. The driver’s seat also has additional heating and ventilation functions, and is equipped with electric seat memory, while the second row of seats supports backrest adjustment and the rear seat supports proportional tilting to meet the needs of multiple scenes.

Xingyue L Zhiqing is equipped with a 1.5T turbocharged engine with a maximum power of 120kW, which can provide excellent power output. The maximum torque of this engine reaches 255 Nm. With the 3-speed DHT transmission, the ride comfort and fuel economy of the vehicle in daily driving are ensured.

In summing up the sharing of car home car owners, the exterior design of Xingyue L Zhiqing undoubtedly won praise for it. Its dynamic and fashionable modeling, atmospheric front face design and smooth body lines all reflect its unique charm. Car owners especially appreciate the sharp design of LED headlights, which not only enhances the visual impact, but also provides reliable lighting protection when driving at night. Therefore, the appearance of Xingyue L Zhiqing is not only the embodiment of aesthetics, but also the perfect combination of practicality and beauty, which makes people feel better about it.

　　Zhang Laifu, an order-taking champion of an online car-hailing platform, wipes the vehicle between waiting for customers. Xinhua News Agency reporter, photo by Luo Xiaoguang

　　Recently, the news that drivers of a certain online ride-hailing platform cannot withdraw cash has been hyped up, and the discussion on who will protect the labor rights and interests of online ride-hailing drivers has also become heated.

　　The sharing economy is surging, and the "threshold" for providing labor services has been lowered to the extent that everyone can participate. How to protect the rights and interests of workers under this "flexible employment" has reached a level that cannot be ignored.

　　What is the relationship between Internet platforms and workers? There is still much debate

　　Mr. Yu, a Beijing-based taxi driver, has been taking orders through a well-known online ride-hailing platform for the past two years. Talking about why he wanted to work as a taxi driver, Mr. Yu said that he was in his 40s and could not find a good job in his hometown in Hebei. He felt that the income from driving a car was not bad, so he went to Beijing to work. "The situation like mine is very common among the car drivers I know."

　　Master Yu told reporters that when he first arrived, he was employed by a certain online car-hailing platform. After signing an employment contract, his monthly salary was about five or six thousand yuan, and the company paid five insurances and one housing fund for him.

　　"But after all, it’s still someone else’s car," so Master Yu gritted his teeth and took out a loan to buy a private car worth more than 200,000 yuan. Master Yu said that now as a full-time car driver, "after deducting various operating costs, the monthly net income is about 7,000 to 8,000 yuan."

　　But Master Yu also has troubles. After the labor relationship with the last online car-hailing company was terminated, the new platform was not responsible for paying five insurances and one gold for it, and Master Yu was not willing to spend the money himself. "Now I don’t pay social security anymore."

　　Drivers like Mr. Yu are facing problems with their way out when Beijing’s online car-hailing platform begins to implement the "Beijing Citizenship and Beijing License" policy on May 1. Since there is no labor relationship with the online car-hailing platform, he has not yet figured out what to do next. "The platform has to take about 20% of the fee for each order." Mr. Yu said that discounts and subsidies for drivers have also been cut a lot in the past two years. "It is unreasonable that the platform is only responsible for taking a percentage, but it does not have any obligations to the special car."

　　Online car-hailing has worn the halo of "sharing economy" since its inception. However, for such a brand-new thing as "sharing economy", the current laws and regulations have not clearly stipulated the relationship between Internet platforms and workers, and there is still a lot of debate among academics and the public.

　　At present, the most important basis for the management of online car-hailing is the "Interim Measures for the Management of Online Booking Taxi Business Services" (hereinafter referred to as the "Interim Measures") implemented on November 1, 2016, which stipulates: "Online car-hailing platform companies… In accordance with relevant laws and regulations, according to the characteristics of working hours and service frequency, sign various forms of employment contracts or agreements with drivers to clarify the rights and obligations of both parties."

　　The regulation does not explicitly define the labor relationship between the two parties, but rather gives an open-ended option to "enter into various forms of employment contracts or agreements."

　　In this regard, Liu Xiaoming, Vice Minister of Transport, said at the press conference of the State Information Office last year that in the process of soliciting opinions on the "Interim Measures", the relevant content of the original exposure draft clearly requires the signing of employment contracts has been revised, and according to the special circumstances such as part-time in the online car-hailing, the current regulations have adopted more flexible employment methods.

　　"At present, there is no conclusive and consistent international opinion on online car-hailing," Mr. Liu said. "Even in the US, where online car-hailing originated, different states have implemented different management strategies, and their positioning, labor relations, price management and other aspects are still in the process of exploration."

　　The standards for judging labor relations should be further observed and no haste should be drawn

　　In fact, shortly after the "Interim Provisions" were issued, the Beijing Haidian Court heard the first online car-hailing traffic case in China. In this case, when a car-hailing car picked up a single passenger, it caused damages due to a traffic accident between the passenger opening the door and others. The Haidian Court held in the first instance that the driver of the online car-hailing car was assigned by the platform to perform the passenger contract between the platform and the passenger. The driver belongs to the party providing labor services, so the platform should bear the corresponding tort liability as the party accepting the driver’s labor services. Experts said that identifying the platform company as the carrier and the order assigned by the platform as the passenger contract between the platform company and the passenger actually implied that the court affirmed that there was a certain labor relationship between the online car-hailing driver and the platform company.

　　In traditional labour law theory, the determination of whether there is a labour relationship is mainly based on the theory of subordination, that is, whether it has organizational subordination, management subordination and economic subordination. Today, the basis for determining labour relations is mainly the "Notice on Matters Related to the Establishment of Labour Relations" issued in 2005. "But in the past two years, various new business models have emerged one after another, and relying solely on the" Notice "can no longer meet the practical needs." Professor Jiang Ying, dean of the law school of the China Institute of Labour Relations, said.

　　Jiang Ying analysis, the current network about the car is mainly divided into two categories: one is the B2C model, the platform company and the network about the car driver signed a formal employment contract, making it a regular employee of the company; the other is the C2C model, the network about the car driver has considerable autonomy, not fully affiliated with the company, so in defining its labor relations, the "Interim Provisions" adopted a cautious attitude.

　　Jiang Ying mentioned that in the US judicial and legal precedent, the judgment standard of labor relations mainly depends on the actual degree of control of the platform company for the driver. Through setting a number of standards for comprehensive judgment, if the degree of control is strong, it is determined that there is a labor relationship. "As for how to judge labor relations under the new sharing economy model, we should further observe and do not rush to conclusions," Jiang Ying said.

　　It is recommended that relevant departments introduce policies as soon as possible to provide stable expectations for relevant industries and enterprises

　　"However, the public needs to clarify a misunderstanding in understanding, that is, only the existence of labor relations can protect the legitimate rights and interests of employees." Jiang Ying said that it is not to protect the rights and interests of employees that they must be included in labor relations to protect them.

　　Jiang Ying said that first of all, the rights and interests of online car-hailing drivers can be protected through the relevant provisions of the employment relationship in the civil law. Second, the "Interim Regulations" allow online car-hailing drivers to sign various forms of employment contracts or agreements with platform companies, and workers can stipulate corresponding rights and obligations in the employment agreement. "Of course, the power of individuals is relatively weak, so on the one hand, government supervision and guidance are very important, and on the other hand, we must also rely on the power of market regulation." Jiang Ying believes that in order to retain a stable and excellent driver group in the market competition, enterprises need to offer more favorable conditions, which is the bargaining chip that the market may provide for negotiations.

　　"Enterprises excluded employment from the scope of labor law norms, and it did not start with the sharing economy." Wang Xiangqian, a lawyer at Shuangli Law Firm in Beijing and a director of the China Labor Law Research Association, believes that whether to incorporate this new form of employment into the field of labor law is a public policy choice that can only be made after weighing the pros and cons. Wang Xiangqian said that the main body of this game includes workers, enterprises, society and the state, and needs to balance the potentially conflicting values such as labor rights and interests, employment factors, economic vitality, social costs and so on, and make choices.

　　"It is recommended that the relevant departments investigate as soon as possible and come up with corresponding policies." Wang Xiangqian said that if this form of employment is already widespread in various industries and fields, it will hurt the bones if you want to regulate it. "By giving relevant industries and enterprises expectations as soon as possible, they can avoid the policy and legal risks in development, which is not only conducive to the development of enterprises, but also conducive to the protection of workers’ rights, and social responsibility can also be fully guaranteed." (Reporter, Zhang Cheng)

Special feature of 1905 film network Chen Feiyu is a little busy during the National Day holiday this year. In addition to starring in "Meteor in the Day", he also acted as the voice for the first time, giving voice to the character "A Jun" in the animated film.

For him, this is a very special experience, but also full of challenges. "I’m not a very fast-paced person in my daily life.However, A Jun is a young man with extremely fast speech speed, high tone and great vitality.

Screaming wildly and panting desperately, this is the most difficult part of his dubbing process, which almost made him scream his throat.

　

Chen Feiyu in reality is also very different from the energetic teenager "A Jun". In the interview, he spoke easily and calmly in the face of any problems.Less than 20 years old, he has a kind of composure that is not in line with his age.

Born into a family of performing artists, his father Chen Kaige is a director and his mother Chen Hong is an actor. Chen Feiyu said that he was born with the gene of loving art. For the profession of actor, he is very clear:Be a serious, hardworking and sincere actor.

　

He likes contemporary art and usually goes to see art exhibitions and museums. He also loves fashion, watching fashion shows, collecting shoes and painting his own designs.If he doesn’t become an actor, he has a clear career plan for himself — —Become a fashion designer.

Slow personality, but good at making friends.

　

In 2010, Chen Feiyu entered the film and television circle because of his participation in movies. Later, he successively appeared in "The Night Will" and My People，My Country, and gradually became known to the public.

Chen Feiyu starred in the work

The film "Abominable" gave him a chance to try dubbing, which also opened up his performance field as an actor.

　

A Jun, the voice role, is an urban teenager who loves to boast, but pays attention to the outside world but is very kind at heart. Chen Feiyu was deeply impressed by two scenes: one is that A Jun falls from a height, and the other is that he gets lost alone and running all the way in the forest. Both of these two scenes need Chen Feiyu to shout and scream at the top of his lungs, but he usually speaks slowly, which has caused him a lot of "torture".

Ah Jun’s liveliness and extroversion are also in great contrast with his own personality. "In life, my personality is more introverted, more shy, and I am not very familiar with this person at the first meeting. I am a slow fever myself, and I hope I can get to know someone I didn’t know through time."

In fact, introverted personality does not prevent him from making friends in real life. In April this year, Chen Feiyu entered the Beijing Film Academy and became a freshman in the performance department. "The atmosphere of the school is very good, and the professional courses are also very interesting. I can also get to know different students from various provinces, and I get along with them."

　

"I can talk more when I get to know them. I like to act collectively with them, eat together, and go to class together.I hope it is a classmate who is close to them.Talking about college life, he described himself as a person who can make friends.

　

Even if the work is full, he tries his best not to delay classroom study. "Can I do it? cut class, go to every class.No matter what you have planned the day before, you must arrive at the classroom on time or even in advance the next day. "

Chen Feiyu used to be a big fat man, weighing more than 200 Jin when he was fattest. Later, he tried to lose weight and succeeded in losing weight, which he said was the most inspirational thing he had done so far.

　

Although many people think that he is thin now and his face value is high, he is not as boastful and narcissistic and pays attention to appearance as A Jun in the movie. "Looks and appearances are given by my parents. I won’t say what I am satisfied with or dissatisfied with my appearance. After all, it’s not up to you."

Opportunities for actors are rare, and pressure comes from seriousness.

Chen Feiyu talked to us most about his love of art and his thinking as a new actor. Between words and manners, you can clearly see his maturity and stability.

He said that he likes shoes as much as Jun, and he will take them off and hold them in his hand to prevent them from getting wet in rainy days. He likes to buy many pairs of shoes with the same brand, the same style and different colors. "One pair is casually worn, one pair is kept, and the other pair is just for viewing."He explained that the reason why he likes shoes is not because of material dependence like A Jun, but because he has great interest in art and fashion.

　

“I think there are cells in my genes that love art."The family environment also exerts a subtle influence on Chen Feiyu." What kind of movies I watch at home, what kind of music I play, and how I communicate at home, my living habits are slowly changing with my living habits at home. "

He said that he usually likes to watch art exhibitions, visit museums and watch fashion shows. Recently, he also appeared at Paris Fashion Week to personally modify and design his own clothes. We asked him what he wanted to do if he didn’t want to be an actor, and he replied firmly, "Designers, fashion designers."

Chen Feiyu also cherishes the identity of an actor. He said: "Choosing to be an actor is a rare opportunity. I feel too sorry for myself if I don’t give full play to my potential in a role. It is one thing to have experience, but it is another to work hard."

　

He told us that there would be times when he was under great pressure, but it all came from seriousness. He will be strict with himself and have a strong initiative. "This is a responsible part."He doesn’t care about the definition from the outside world and the eyes of others."As long as I don’t do anything wrong to myself, as long as I don’t do anything against my own values, I don’t think anything I do will be wrong."

"What kind of actor do you want to be in the future?" We asked.

　

"A serious, hardworking and sincere actor. Whether it’s good or not, others have the final say, but whether it’s serious or not is their own decision. "

　

Chen Feiyu & Ask and answer quickly.

1. Are you a mobile phone controller like "Jun"?

Chen Feiyu:He’s addicted. I’m fine.

　

2. Do you like taking selfies?

Chen Feiyu: I don’t like taking selfies.

　

3. What is the most painful thing in the process of losing weight?

Chen Feiyu:What is it? Dieting.

　

4. What’s the secret?

Chen Feiyu:Shut up.

　

5. Are your eyes your most attractive part?

Chen Feiyu:Whether there is charm or not is up to others, because your parents give you looks and appearances. I think it depends on the charm. For example, I changed a pair of shoes, and I think these shoes are so attractive!

6. Fans want to ask who is your ideal type?

Chen Feiyu:Ideal type … not found yet, not found.

　

7. How many adjectives can you describe it?

Chen Feiyu:Don’t use adjectives, maybe just like my mother.

At 2am, China football once again became the focus of controversy, and this time it was even pushed to the forefront. It originated from a report in Beijing Youth Daily that Song Kai, president of the China Football Association, had a clear understanding of the problems faced by women’s football after watching the women’s football match between China and South Korea. However, this report not only did not calm the fans’ arguments, but also triggered more controversy and discussion.

What is the reason for it It turned out that some fans questioned that Song Kai had a comprehensive understanding of the team’s problems through one game. This doubt is not groundless, because there are many factors that affect the outcome of a football match, including the player’s state, tactical arrangement, game mentality and so on. It seems a little hasty to jump to conclusions just through one game.

Of course, the reaction of the fans is even more enthusiastic. Some fans are skeptical about what Song Kai has done, thinking that he may not have a deep understanding of the real situation of women’s football. Other fans want to see more professional solutions, not just superficial observation. Some fans hit the nail on the head and pointed out that understanding the problem does not mean that we can solve the problem. What we need is real change and progress.

In fact, the development of football in China has always attracted much attention. However, as the fans say, the key to the problem is how to solve these problems. What we need is to dig deep into the root of the problem, find the crux, and then prescribe the right medicine. This requires professional ability, dedicated attitude and long-term patience.

In this regard, fans and friends: What do you think of Song Kai’s statement after watching the game? Do you think he can lead China football out of the predicament? Welcome to leave a message in the comment area to share your views!

At the same time, we expect you to continue to pay attention to our reports, and let us witness the rise of football in China!

"The producers of Love Language City once again gave outsiders a little shock."

For example, just a few minutes after the live broadcast of the 6th anniversary of the official account of the game was launched last night, the related topics of # Love and Producer 6th Anniversary # rushed to Weibo and bilibili. As of today, there have been six hot searches in Weibo in one day:

At the same time, the producers’ active discussion also made the popularity of Weibo’s super talk of Love and Producer rise continuously, and it rushed to the position of Top1:

As a product that has been on the line for 6 years, it is really amazing that it still has such a strong influence today.

However, if you are interested in "archaeology", you will find that it is common for the topic of "Love and Producer" to be searched in major communities in recent years; The sales of surrounding flagship stores have been on the list of e-commerce platforms for many years; In the offline scenes that many people can’t see, the ladies of the city of love are even more active.

For a long time, people in the industry will naturally attribute the success of Love and Producer to the first-Mover advantage and the gift from the blue ocean market of National B in that period, which can explain its phenomenal explosion in that year, but it cannot explain the consistent enthusiasm and actions of players today after many years.

With the opportunity of the sixth anniversary of Love and Producer, it’s time to find the real answer.

Get on the train in the name of love

I have to say that this anniversary live broadcast provides a textbook example in providing emotional value for female players:

The theme of the whole live broadcast was "Love, Travel and Destination", and the players boarded the sixth anniversary commemorative train with the characters and seiyuu teachers.

At the beginning of the game, the characters in the game "showed their magical powers" in the small theater in the waiting room with the gesture of hand puppets, and took the players to start this love journey with a relaxed, humorous, warm and loving atmosphere. Players can not only see Zhou Qiluo’s and Li Zeyan’s "the name of the dish", but also the "cooperative magic" between Professor Xu Mo and Ling Xiao’s college students, and even have an impromptu RAP with active blood.

Then seiyuu teachers appeared as train attendants, accumulated train energy through interactive games, and took the players to recall the bits and pieces about the characters.

As the journey continues, more surprises come to the players. The game characters have prepared fairy tale books, telling stories about courage and love in the form of fairy tale variants.

In this romantic and touching atmosphere, the train arrived at the terminal and set off the climax of the whole live broadcast:

The five characters personally arranged their own confession platforms, and the tokens representing precious memories and everything about the producers were displayed in this exquisite and romantic platform. In the personal songs of the characters, they slowly tell the past with the producers and express their eternal love and initial heart.

The sense of atmosphere, ceremony and immersion are all taking care of the players’ rich and delicate hearts. Gyro Jun, who watched the whole process, also saw what is called a barrage like a mountain call and tsunami:

This cross-dimensional two-way trip not only gave me a concrete experience of the sincere and profound feelings between the characters and the producers, but also gave me a more intuitive feeling of the attitude and operational ability of the team of Love and Producer.

It is self-evident that major product nodes such as anniversary are critical to product operation, especially for female-oriented games where players have invested a lot of delicate emotions, its position is more prominent.

It can be seen that the "Love and Producer" team went all out in this activity: it lasted for 120 minutes, and the combination of hand puppet performances, animation scenes, live shooting and other forms brought a rich viewing experience. The link between each link constantly promotes the player’s mood, and the beautiful scenery and the orchestra’s passionate performance create an unparalleled audio-visual feast.

Therefore, it is not so much a live broadcast as a grand party with a lot of resources and careful preparation, which just echoes the hot search # Love and Spring Festival Evening # last night.

Looking through the discussion of players related to Love and Producer, I found that their comments on it are often "initial heart" and "Bai Yueguang".

Even many people think that they are "enough" and "tired" and unload the game, but they will involuntarily return to the love language market every once in a while; There are not a few players who have survived since the opening of the service.

From the player’s point of view, Li Zeyan, Xu Mo, Bai Qi, Zhou Qiluo and Ling Xiao are too attractive to give up. From the perspective of the industry, the source of high loyalty is the absolute grasp of the shaping of diagonal colors and feelings, which is inseparable from the long-term insight into female users and the self-innovation of products that keep pace with the times.

Love women’s long-term operation requires the professionalism of "temperature"

"Now the ladies are eating better and better."

Whenever "Love and Producer" has a big update, it will always receive such comments from players, especially this year. Among the nicknames given by the player group to the paper folding game, "roll paper" (meaning too big) is also quite loud.

In fact, the quality of the sixth anniversary live broadcast is the epitome of the professional ability of the team of Love and Producer. Looking back at the update and development of the game content, I prefer to call it "professionalism with temperature".

The content iteration direction of Love and Producer has always been linked to the increasing demand of female players for diversified aesthetic, emotional and interactive dimensions.

In terms of content shaping, an intuitive performance is that the role card is getting better and better. On the premise that the charm of the characters remains unchanged, the card face of Love and Producer has gradually completed the evolution of 2D→Live2D→ Interactive Live2D, so the charm of the characters has become stronger with the improvement of technical expression.

Another performance is the increasingly rich gameplay in the game. The cute and fat baby image newly launched this year will also accompany the players to spend their leisure time here:

In narrative, the team has been boldly trying to seek breakthroughs in theme, content, form and other aspects to create a sense of freshness for players.

Take this year’s update as an example, there are both ethnic minority themes that reflect the cultural collision and are full of exotic customs, such as Chinese Valentine’s Day’s "Ni Trace in the Mountains and Seas", and western fantasy themes that create an epic and fatalistic sense, such as Halloween’s "The Death of Power".

As far as emotional experience is concerned, the story of a mountain and a sea is more like a cookie, while the story of the disappearance of power is serious, even with a strong tragic color-the former "sends sugar" and the latter "sends knives". Thanks to the profound narrative skills, the two diametrically opposite emotional experiences have won the same high praise among the players, and some players even send videos to study and taste them.

In terms of long-term operation, the "Love and Producer" team also has their unique understanding.

For example,Each character has a unique Weibo account.It has been updated since 2018 and has never stopped. Here, you can see them sharing their daily lives, and it has also become a channel for players to express their love outside the game, and the sense of companionship that lasts for a long time arises spontaneously:

What’s more, the characters will even write clues about future activities in their blog posts, creating a surprise for players who are aware of it and suddenly realize it:

The foreshadowing of the grass snake gray line brings the echo of the experience inside and outside the game, which invisibly enhances the realism of their existence and the sense of trust with the players.

In addition, the meticulous care for players’ emotions is also the advantage of the tour operation.

In the mature interactive form of the game character calling the player, the team of Love and Producer continues to polish the details and strive to improve the player’s experience. For example, in this interactive phone call for the sixth anniversary, they innovatively provided players with 15 seconds of free interaction time-making it a real call that can express their hearts with the characters; Even the last number of the call number is buried with the egg of the character’s birthday, which makes many players feel such "useful details".

On the one hand, all of the above reflects the accumulation and deep cultivation of Love and Producer at the content level, on the other hand, it reflects the team’s deep grasp and care for the psychology, preferences and habits of female users: there is professionalism in temperature, nothing more than that.

Is time a killer? His arsenic is my honey.

To tell you the truth, in terms of age, Love and Producer, which has been online for six years, is really an old game.

However, judging from the marketing actions of this game in recent years, it is hard to say that it is really old. Even because of its solid user base, Love and Producer has taken the ladies to play more and more "wild" and always rushed to the forefront of the Internet trend. The new linkage plan for 2024 announced in this live broadcast includes intangible cultural heritage such as Jiaodong Huabo, cross-border cross-cultural IP such as Sherlock Holmes, and scenes of Xiamen travel, Baidu map, traffic card and COCO milk tea linkage involved in the daily life and work of producers.

In addition to the routine operations of major countries such as milk tea brand co-branding, you can even see that it is linked with the pink rabbit, and the funny and funny expression packs quickly spread among the players:

Or the "earth to the extreme" farmhouse activities, allowing players to achieve epic achievements such as witnessing Li Zeyan selling fish and Professor Xu Mo selling vegetables:

There are also cross-border linkages with high-end brands such as Longines to meet the needs of players at different levels:

There is also a cross-border linkage such as "Love and Producer" X Suzhou Arts and Crafts Industry Association X Suzhou Silk Museum, which brings unique aesthetic experience to players, but also moistens the intangible cultural heritage and the charm of traditional culture in the hearts of players.

Popular and extravagant, funny and serious, modern and traditional, bold and generous marketing planning again and again, repeatedly bringing fresh and interesting experiences to players, it is really necessary to reiterate:

"The ladies are eating better and better."

For many game products, time always plays the role of "killer". However, from "Love and Producer" and its players, I can see that the flow of time can’t erase the enthusiasm, but because of the precipitation of years, this feeling is more meaningful and profound.

In other words, in terms of products rooted in human emotional needs, time is by no means arsenic, or even better than honey-of course, the premise is that the product itself is excellent and deep enough to allow players’ emotions to continue, accumulate and grow. Love and Producer, which has spanned six years, is undoubtedly an excellent example.

tag

It is an acknowledged fact that "Love and Producer" opened the door to National B; Another fact is that due to the phenomenal achievements of this game, the national B track has long been in a "post-love and era".

This evergreen game, which has been online for 6 years, made me clearly realize that even the paper makers are not necessarily the more "new" the better for those players who infuse life feelings into their characters. They are still waiting for their next, next, eternal anniversary with the characters. The lethality of "Bai Yueguang" not only comes from the glimpse of youth, but also lies in the company and dedication in the morning and evening.