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The post-85s super-first-line small flower who urgently needs to be transformedZhao Liying, filming the new drama "Savage Growth",After nearly five months, after traveling to Ningbo and Harbin, it was announced that it was finished. Subsequently, the star Zhao Liying wrote that "it lived up to the dream in her heart and did not live up to the favor of the times".

The drama tells the story of a grass-roots heroine’s entrepreneurial growth. In the 1990s, the heroine Xu Banxia, who started a business from scratch, made a career in the steel industry where men gathered together with her unique vision and courageous personality. Finally, she achieved success.

Zhao Liying, who has been popular for so many years, is well known to everyone. She was born in a small rural area in Langfang, Hebei. Her cultural level is not high, and her family background is not superior in the entertainment industry at all.A true grassroots background, all the way to becoming the current top big starIn this drama, the heroine also needs to overcome obstacles all the way from scratch until she becomes an entrepreneur. Therefore, everyone is looking forward to Zhao Liying’s performance in this drama.What kind of drama-chasing experience can it bring?

So far, it can be seen from some of the content in the poster and Reuters photos taken by netizens.This show really has a lot of highlights.

The most eye-catching place is what everyone finds most intuitively from the stills and posters, each of which fills the atmosphere.

There is no need to deliberately check that the background of the plot is the 1990s, and the audience can see the unique texture and fabric of clothes belonging to that era.It is very reminiscent of the era that people remember.

In the poster released by the official for the first time, Zhao Liying kept a big retro wave, held a black umbrella, and wore a pure black coat. She looked into the distance thoughtfully, and her red lips were very beautiful. However, this character poster did not reveal more details, but from several other character posters, the audience could get more information. Vintage fan, lace tablecloth draped over furniture,It takes minutes to bring back the audience’s memory to the last century.

There are also many Reuters photos that have been exposed. It can be seen that each of Zhao Liying’s clothing styles has been restored to retro posters. Red berets and green coats are not worn by ordinary people now, but they are full of retro style.

The second bright spot was that the drama was adapted from a novel by Anai, and it was a popular topic of female entrepreneurship that fit the social hotspot.

The female theme is about to flood, but there are very few who can become various leaders. The drama defines itself as the entrepreneurial path of female entrepreneurs. The audience does not want to see the various choices of family and love contradictions, but wants to see the heroine focused on her career. Because the original novel has been read by many readers, the heroine in the book is an ambitious woman who grabs meat from the mouths of a group of men like wolves and tigers. She has feelings and righteousness, and more importantly, she values interests. Love is just an accessory in her life.This kind of feeling simply doesn’t satisfy the audience too much.

The third thing that made everyone stand out was definitely the actors they saw.

Among the old boys of TF, Lei Jiayin and Guo Jingfei have both become famous, and Li Guangjie is missing. Maybe this drama is his turning point. Liu Wei, Ke Lan, Ren Zhong, and Wang Jinsong are all good actors.

There is another more conspicuous place.It just takes a long time to shoot.The current number of episodes is tentatively set at 36 episodes, which is not a particularly long episode. It took nearly 5 months. They all say "slow work and meticulous work",If the filming takes longer, everyone feels that the crew is meticulously crafting.

But the problem is that every bright spot is always reassuring.

The first bright spot that everyone sees is about clothing.Exquisite clothing is too easy to put the cart before the horse, such as "Qingping Le", the legendary pearl makeup, a perfect replica of the Song Dynasty era, and what kind of state it finally presents is obvious to all.In recent film and television works, there are countless examples of people who have fallen into this excessive attention to detail and forgotten the true place to work.

The second bright spot is the so-called female theme, which was specially given to him as "China’s first female business war drama"…

Having installed the first installment means that you want to be the first in the industry. But everyone is well aware of this matter, it is easy to happen"The thunder is loud and the rain is small", "I took off my pants, but you only showed me this"The scene.

Moreover, the author of the original novel, Anai, has been adapted into several novels of film and television dramas, such as "Great Rivers and Great Rivers" and "Meet the Season", all of which give people a bad feeling.

The third one seems to be a good and reliable group of actors, but whether they can have a wonderful chemical reaction is another matter.

It’s not that you haven’t seen a TV series with good actors, but good actors don’t necessarily equal good dramas.A good actor is not a necessary condition for a good drama.

Everyone can indeed see that there are many bright spots in this drama. It is precisely because of its bright eyes that it always makes people feel worried that they can meet the standards. But at least, their existence means that even if this drama does not become a national hit, it will still be nominated for some awards.

No, the discount of Xingyue L’s 618 activity is really amazing! The motivation is good, and the price is so favorable. I feel that I can’t miss it! Let’s talk about this car. It’s a high-value responsibility and a million-dollar sales responsibility in Geely’s high-end series, and the double king is not a hollow reputation.

It is equipped with a 1.5T high-performance engine, with a maximum power of 120kW, a maximum torque of 255N·m and a maximum horsepower of 163 horses. Among them, Xing Yue L and He are the champions of China fuel SUV and car respectively, and their strength is evident.

As the representative of China Automobile, who wants to experience such a powerful car? I hesitated before, but now this offer is really attractive.

I think there is a super big benefit in the live broadcast room of the anchor today! If you replace the car in June, you can not only enjoy the replacement subsidy of 15,000 yuan provided by China Star, but also the government subsidy of 7,000 yuan. Calculate, you can enjoy a total of 22,000 yuan of government-enterprise dual replacement subsidies! This kind of preferential strength is simply exciting!

In mid-December, the expert demonstration meeting of domestic BIM whole-process application cases was held in Guangzhou. Academicians, experts and entrepreneur representatives from the field of engineering construction gathered at the Guanglianda Smart Construction and South China Headquarters Base Project (hereinafter referred to as "Guanglianda South China Headquarters Base") to demonstrate the value of the project as a domestic BIM whole-process application case and the industry can learn from the promotion and give high praise.

Ding Lieyun, academician of the Chinese Academy of Engineering, professor of Huazhong University of Science and Technology, chief scientist of the National Digital Construction Technology Innovation Center, Xing Feng, academician of the Chinese Academy of Engineering and vice president of Guangzhou University, Wang Tiehong, former chief engineer of the Ministry of Housing and Urban-Rural Development, Wang Guangbin, professor and doctoral tutor of Tongji University, Li Qiming, professor and doctoral tutor of Southeast University, Deng Mingsheng, chief expert of China Construction Eighth Engineering Bureau Co., Ltd., chairperson of the Building Information Technology Committee of Guangzhou Municipal Construction Science and Technology Commission, He Guanpei, chief engineer of the digital strategy of Guangzhou Pearl River Foreign-funded Building Design Institute, Chen Xianrui, chairperson and party secretary of AVIC Plaza Construction Group, Cui Guoyou, chairperson of Henan Wufang Design Institute, and other academicians and experts and entrepreneurs attended the demonstration.

Domestic BIM whole process application sharing

As a demonstration project of the National Digital Construction Technology Innovation Center for technology application and model innovation, Guanglianda South China Headquarters has piloted the development and application of domestic independent BIM platform software, actively expanded the application scenarios of domestic BIM software in the whole life cycle of engineering projects, and built a whole-process domestic BIM software product ecosystem, setting a benchmark and boosting confidence for industry enterprises to carry out the whole-process digital application.

Practice the digitalization of the whole process of BIM and develop its own and easy-to-use top software

The construction of Guanglianda South China Headquarters Base adopts the EPC (General Contracting) model and integrates BIM (Building Information Modeling), prefabricated, green construction and other construction technologies, which is a comprehensive practice of the concept of "digital architecture".

Yuan Zhenggang, chairperson and president of Guanglianda Technology joint stock company, said that this project is one of the few typical projects in the construction field that uses completely self-developed domestic BIM software and platform to empower the whole life cycle of the construction industry. The main purposes of the whole process of BIM application practice include: first, to solve the problem of data standardization and integration; second, to promote the refinement of project management through the structuring of the business; third, to continuously improve the value of products through the deep integration of the business team and the software team, and to polish the top software that belongs to the Chinese people. This is the responsibility of Chinese technology companies and the glorious mission of helping the digital transformation of the construction industry.

In the whole process application of domestic BIM in Guanglianda South China Headquarters Base, based on the analysis of the business essence logic of the whole process of the project, identify the core business scenarios and build models and data unit frameworks accordingly to ensure the consistency and smooth flow of business, data and models. Through the digital analysis of business, the design, cost, production, quality, safety and other information are exchanged and shared, the mapping is established and the circulation is realized, and the business value scenario based on the BIM model is designed.

Facing product design, the project drives the response of building functions and the design of building modules and systems through the analysis of building product requirements. Each professional design determines the corresponding building standards, system configuration standards, product standards, and composition practice standards according to the splitting of modules and systems. With the help of localized BIM software integrated design and cost model, different design schemes and cost data are linked to determine the optimal product composition scheme and cost subject standard, and realize integrated forward design to ensure that the owner’s needs are met.

Facing engineering construction, through the detailed analysis of planning, safety and quality management and public resource management, and taking engineering tasks as the basic unit, the construction management planning focusing on time, space and people based on BIM model is realized. During the construction process, the integration of IoT (Internet of Things), AI (artificial intelligence) and other technical means, real-time and dynamic collection of human, machine, material, method, ring and other element information, to create a digital command cabin of intelligent construction site with digital-model linkage and virtual-real combination, tracking the status of the project site, and providing support for project decision-making.

Facing the construction operation and maintenance, the project first identifies and analyzes the needs of each major under different operating conditions during the design process, and avoids redundant and unreasonable system configuration in the design of each major. At the same time, the building requirements and standards, system configuration parameters, operation logic and operation strategy are integrated into the BIM model to ensure the complete undertaking of the operation and maintenance stage and the effective execution of the design intention. During the operation process, the operation strategy is dynamically optimized through the feedback of the actual operation effect.

Taking the business value scenario of domestic BIM application as the main line, through the interoperability of the whole process, the whole business line, the whole professional model and data, the construction of Guanglianda South China headquarters base will eventually form a set of demand-oriented, design-oriented breakthrough point, supported by refined process management and control, and integrated with scientific management mode, advanced business practices and digital technology application.

Deep application of domestic design software empowers the digital transformation of the construction industry

According to Yang Wei, vice president of Guanglianda Technology joint stock company, the successful application of the whole process of digitalization in Guanglianda’s South China headquarters base stems from Guanglianda’s professional accumulation and technical accumulation for more than 20 years. Guanglianda BIM series software has covered most of the business needs of the whole process of engineering construction, and even made important breakthroughs in the field of engineering design software where foreign software has a significant advantage.

Data-driven integrated design solutions lay the foundation for the whole process of digital construction. In 2022, Guanglianda released a digital design product set. The product set is based on the independent intellectual property graphics platform and is a full-professional BIM forward design solution product. Guanglianda’s South China headquarters base adopts digital design software and collaboration platform. Through the "cloud + end" collaboration model, it realizes the forward design of BIM and multi-professional collaboration of architecture, structure, electromechanical and other majors from the scheme, construction map to the deepening stage. It realizes the flow of models and data at each stage of design-calculation-construction. Through the seamless docking of design models and calculation models, the matching mapping of design and cost at each stage is established, and the cost control from the design source is realized.

Localized BIM + IoT + AI to realize visual management. The project sets up more than 200 intelligent hardware to perceive the real information happening on site, and matches the corresponding management scenarios through information aggregation. Based on the model, time, space and people focus are realized. Through built-in AI rules, based on real-time and on-site records of the construction process, the progress, safety and quality of the project site are automatically identified. Through the combination of virtual and real on site and BIM model, the visual management and data-aided scientific decision-making of the engineering site are realized.

Digital and intelligent technology to support intelligent construction. For on-site public resources, such as tower cranes, vertical elevators, material yards, roads, etc., the project uses digital and intelligent technology to achieve fine control and ensure better and more efficient multi-professional construction distribution. Taking the tower crane as an example, the type of lifting objects and lifting actions are built into the AI algorithm to carry out ergonomic analysis. Through the time-consuming analysis of various materials in each link of hoisting, the subsequent use time of the tower crane can be reasonably anticipated to ensure the progress is controlled. The project also linked the progress plan with the BIM model to establish a quality management and safety management system based on engineering tasks.

Based on data-driven integrated design solutions, as well as localized BIM, IoT, AI and other digital technologies, Guanglianda South China Headquarters Base has opened up the digital chain of the whole life cycle of the project, allowing data at all stages to generate "chemical reactions", and building application scenarios for data-driven decision-making in the whole process, laying the foundation for fully empowering the digital transformation of the construction industry.

Reach the industry’s leading level and can be widely used

During the demonstration, the expert group conducted an on-site inspection of Guanglianda’s South China headquarters base and listened to the report on the "Domestic BIM Whole Process Application Demonstration Report". Experts attending the meeting fully discussed and reached a consensus.

The expert group believes that Guanglianda’s domestic independent BIM platform software functions meet most of the business needs of the whole process of engineering projects. Compared with the existing foreign related software, it is more in line with the actual management of domestic engineering projects and has the conditions for localization. At the same time, it has reached the industry’s leading level and has the conditions for promotion and replication. It is recommended to promote application in the industry.

The expert group gave high praise to the domestic BIM whole-process application of Guanglianda South China Headquarters Base, as a demonstration project of domestic BIM whole-process application, to achieve full-professional, whole-process business communication, data communication, and model communication.

The successful holding of the demonstration pointed out the direction for the digital application of the whole process of BIM in the construction industry, opened a new channel for the large-scale application of domestic BIM series software in the construction industry, and also established confidence for industry enterprises to promote digital transformation and start the digital application of the whole process of construction projects. With the large-scale implementation of this technology, it is bound to accelerate the development of new concepts, new technologies and new models in the industry, which will deeply empower the digital transformation of the construction industry and help the high-quality development of the construction industry.

"We are like Apple in 1984, ‘when Apple had the revolutionary power to break IBM’s monopoly on the computing technology market.’ But now, ‘Apple is the behemoth it once accused of trying to control markets, stifle competition and stifle innovation.’"

The new payment system undoubtedly violated Apple’s App Store policies, and Apple responded quickly and aggressively by removing Fortnite entirely from the App Store. Epic was clearly well-prepared. Shortly after being taken down, Epic released a small video of "Fortnite", in which it mocked Apple from a former dragon slayer to a dragon, borrowing a meme from Apple’s famous 1984 MAC ad.

The classic 1984 Apple ad was about revolution and breaking IBM’s monopoly. But the video was more than a satire. Minutes after the video was released, Epic announced that it had filed a lawsuit against Apple.

The rivalry between the two sides is still escalating. Apple has taken down Epic’s developer account and iOS and MAC power builder. Epic claims this will prevent them from developing software for Apple’s platform, including Unreal Engine support for third-party developers on the iOS.

However, according to an annual survey called "All Things Valve Should Know 3.0": Since 2018, game developers, especially in the West, have become increasingly negative about Valve and Steam, and have begun to lose confidence in Steam. They do not believe that it is reasonable to pay 30% of the platform’s commission to the store.

Epic became the initiator of this battle for platform royalties. Previously, with the popularity of its games such as Fortnite, Epic established its own game platform, Epic Games Store, packaged all its games, and used ultra-low royalties as a means to attract game developers. From previous news, Epic did not intend to treat Steam as a competitor, but more to convey that it wanted to change the 30% cut of computer games (PC) platforms. From the original game developer Deep Silver’s announcement that "Metro 2033" would be exclusive to Epic for a limited time for one year, to the later announcement of a limited time exclusive to the Epic platform by popular game developers, and then to Ubisoft’s removal of "The Division Blockade 2" directly from Steam, game makers and platforms are using actions to demonstrate their views on the cut.

Is 30% reasonable?

The 30% platform commission is a traditional system, originally formulated by first-party console manufacturers such as Nintendo, Sony, and Microsoft. The financial resources of Nintendo, Sony, and Microsoft to operate platforms are unmatched by PC platform operations. They have also shown players that operating a PC-side platform, even a 12% commission, is also very profitable. Since the operation of the host platform and the operation of the PC platform are completely different from the difficulty level, it is indeed unreasonable for Steam to operate according to the platform commission of the host manufacturer.

Some netizens broke the relevant commission data of Tencent’s platform: if you just log in to Tencent’s platform, there will be a 30% commission; if you want to promote and use the server, the commission will increase to 50%~ 60%; if it is a mobile game, the commission will be 70%. In addition, the application treasure is 70%; the WeChat mini-game props internal purchase is 40%; the part of the single-day advertising revenue within 100,000 yuan, the developer can get 50% of it; the part of the single-day advertising revenue exceeding 100,000 yuan, the developer can get 30% of it. From this point of view, is the 30% commission not high?

In fact, this is not the case. In China, Tencent owns the vast majority of traffic, and even with a 70% cut, game developers or publishers earn more than many other platforms that take a 10% cut. The main reason why it is unreasonable to say that Steam’s 30% cut is that even in an ideal situation, the income of most profitable game companies is equivalent to the income of the platform, and even the income of the platform is higher than that of the game company. And online game platforms such as Steam,Neither do they have to bear the high costs associated with physical stores and logistics, nor do they have the obligation to help game companies promote their games, which has caused many game makers to be dissatisfied with the 30% cut in recent years.

For an indie game studio, such a high cut would pose a dilemma for the entire team.If the game is handed over to a large company for distribution, and the large company cooperates with Steam, it is equivalent to being drawn twice. And if the independent game team wants to log in to Steam by itself, it will encounter more resistance. On the one hand, Steam will not provide these studios with upfront funding, and it is difficult for an independent development team to complete the game independently without the help of the operating company. On the other hand, the promotion and marketing of the game is very important, and most independent studios do not have the ability to do the follow-up work themselves. In addition, for low-cost indie games, publishing on a high-traffic platform like Steam represents more opportunities, and the advantages outweigh the disadvantages than the high commission.

The fantasy video game website (IGN) has sorted out the sales data of major online sales platforms from dozens of information sources. Surprisingly, the data provided by the vast majority of sources is exactly the same, that is, 30% of the platform. Not only Steam and Apple, but also online sales platforms such as Microsoft, Sony, Google, Nintendo, and offline sales platforms such as Amazon and Walmart draw 30%.It can be seen that a 30% cut is a common practice in the industry and a major environment in the game business community.

In the eyes of most game developers, Epic played the role of a revolutionary pioneer, a "leading brother" who explicitly proposed that the 30% cut was unreasonable. However, in the eyes of players, this was not the case. Negative comments on Epic were widely circulated among players. In the eyes of many players, Epic was a speculator, doing things to occupy the market under the name of lowering the platform’s cut.

This phenomenon is very easy to understand, because the level of the platform does not affect the price of the game too much, players can not feel the intuitive benefits, and Epic as a latecomer, the player group is far less than the predecessor Steam, in the platform function and user experience are not as good as Steam, most Steam users are not surprising to Epic.

But there are still reasons to believe that Epic is determined to change the platform’s commission. A 12% commission will undoubtedly attract more and more games to the Epic platform, and Epic expands its player base through a large number of free games and benefits. The substantial benefits that low commissions bring to game developers will gradually emerge, and more outstanding studios in trouble can show their talents on the Epic platform.

In the new game market system, a model full of reform and innovation may be vacated, and Epic has become the person who raises the revolutionary banner, but whether it can become the ultimate winner remains to be seen.

(Li Meng is a master’s tutor at the School of Animation and Digital Art, Communication University of China; He Yucheng is a graduate student at the School of Animation and Digital Art, Communication University of China)

In recent years, whole-house customization and custom home furnishings have become very popular in the home improvement industry. There are significant differences between the two, but many small partners are confused. What are the differences between whole-house customization and custom home furnishings? Next, I will take you to understand.

The difference between whole house customization and custom furniture

Whole house customization is a home customization solution that integrates furniture design, customization, installation, and other services. Whole house customization is the exclusive furniture of consumers manufactured by furniture companies on the basis of large-scale production and according to the design requirements of consumers, and is aimed at hard-fitting.　

Customized furniture refers to the process of home decoration, combining the house decoration style in advance, designing wardrobes, wall cabinets, bookcases, shoe cabinets, decorative cabinets, cabinets, and other furniture, and communicating according to customer preferences. The size is reserved in advance, and the perfect size combination is achieved after decoration and furniture size, and then produced and installed by professional furniture manufacturers.　

From the above, we can see that the whole house custom furniture is worth a complete solution. Second, custom furniture is more biased towards a process, from appointment to door-to-door installation of the entire customization process. So the two are different.

Misunderstanding of whole house customization

Myth 1: Since it is customized, you don’t need to worry about anything.

Many owners and friends have absolute trust in custom manufacturers, thinking that custom furniture is omnipotent. In fact, this is just one link in your entire decoration. It cannot exist in isolation, but must match all the items such as walls, walls, tops, floors, doors, door covers, etc. Therefore, when customizing wardrobes, it is necessary to visit the scene in person and communicate with the designer about the relevant details to avoid size mismatches in the later stage. Although the manufacturer will solve it later, it will still cause some trouble to itself, waste time or delay check-in.

Misunderstanding 2: Zero formaldehyde = no formaldehyde

Many custom wardrobe brands like the expression "zero formaldehyde" when describing the environmental friendliness of the board. In fact, this is not accurate enough, and it is easy to mislead consumers. Many users think that "zero formaldehyde" is equal to "no formaldehyde", but in fact they are two concepts in themselves. At present, there are two international standards for formaldehyde emission: E0 level and E1 level. China’s E0 level standard is basically equal to the European E1 level standard, which is equivalent to only 0.05 milligrams of formaldehyde per cubic meter. After high-quality boards are sealed, the formaldehyde inside is basically impossible to release, so zero formaldehyde is actually zero formaldehyde emission, not that the material itself has no formaldehyde.

Myth 3: Customization means unimaginative　

Many consumers believe that since it is customization, it should be done whatever they want. In fact, custom wardrobes, called customization, are actually dancing in shackles. Although they can solve problems such as irregular space and strict space utilization, they must still follow the production specifications. Take customizing a European-style sliding door wardrobe as an example. Choose the material + choose the color + choose the door panel shape + choose the line shape + choose other decorations + choose the space utilization plan in the cabinet + choose the hardware accessories. Basically, the whole wardrobe comes out, and the product cannot escape the shackles of the existing craftsmanship and shape.

Myth 4: The larger the wardrobe, the stronger the storage　

Many owners are prone to falling into the misunderstanding when customizing wardrobes: the larger the wardrobe, the more powerful the storage function. Although the volume of the wardrobe will affect the storage, we cannot unilaterally pursue large size, and it should be determined according to the size and characteristics of the room. Moreover, volume is not the only factor affecting the storage of the wardrobe. It is directly related to the structural design and component matching inside the wardrobe. When customizing the wardrobe, we should also pay attention to the structural design of the wardrobe.

Therefore, whether it is good or not, there are various opinions, but since custom home furnishing can become the mainstream, and even the trend that has been developing for more than 10 years, it shows that it is still very good!

If you want to inquire more about whole house customization, please continue to pay attention to China Whole Wood Network, or call the national unified service hotline: 400-850-0866.

The control of cinema leader Wanda Film (002739) may change.

On December 6, Wanda Film announced that the company’s indirect controlling shareholder, Beijing Wanda Cultural Industry Group Co., Ltd., and its wholly-owned subsidiary, Beijing Hengrun Enterprise Management Development Co., Ltd., and the company’s actual controller, Wang Jianlin, intend to transfer their combined 51% equity in Beijing Wanda Investment Co., Ltd. (hereinafter referred to as "Wanda Investment") to Shanghai Ruyi Investment Management Co., Ltd. (hereinafter referred to as "Shanghai Ruyi Investment").

Wanda Investment is the controlling shareholder of Wanda Film. Wanda Film said that if the above matters are finally implemented, it will lead to a change of control of the company.

In view of the uncertainties in the above matters, Wanda Film will suspend trading from the opening of the market on December 6, 2023 (Wednesday), and it is expected that the suspension time will not exceed 2 trading days. On the morning of December 6, the Shenzhen Stock Exchange has announced that Wanda Film plans to plan a change of control, and the stock will be temporarily suspended from the opening of the market on December 6. Trading will resume after the company discloses relevant announcements through designated media.

Shares have been transferred several times this year

Since the beginning of this year, Wanda Film has undergone several equity changes. According to the 2022 annual report, Wanda Investment directly holds 38.99% of Wanda Film’s shares.

In March, Wanda Investment’s concerted action, Wanda Culture Group, reduced its holdings of Wanda Film 43.5653 million shares through the block trade system, accounting for 1.999% of the company’s total share capital. In April, Wanda Investment announced a reduction plan to reduce its holdings of Wanda Film shares by no more than 65.38 million shares, accounting for 3% of the company’s total share capital.

Entering the second half of the year, Wanda Film’s equity transfer accelerated.

On July 10, Wanda Investment signed a share transfer agreement with Lu Lili, agreeing that Wanda Investment will transfer its holding of Wanda Film 180 million shares to Lu Lili, accounting for 8.26% of the company’s total share capital.

On July 17, Wanda Investment and its acting party, Xinxian Rongzhi Industrial Management Consulting Center (Limited Partnership) (hereinafter referred to as "Xinxian Rongzhi"), signed the "Share Transfer Agreement", and Wanda Investment transferred its holding of Wanda Film 177 million shares to Xinxian Rongzhi, accounting for 8.14% of the company’s total share capital.

After the transfer of the above agreement is completed, Wanda Investment holds 436 million shares of Wanda Film, with a shareholding ratio of 20%. Wanda Investment and its concerted actors together hold 673 million shares of Wanda Film, accounting for 30.9% of the company’s total share capital.

Before the proposed transfer of 51% of Wanda’s investment, on July 20, 2023, Wanda Culture Group had signed an Equity Transfer Agreement with Shanghai Ruyi Film and Television Production Co., Ltd. (hereinafter referred to as "Shanghai Ruyi Film and Television").

Wanda Cultural Group intends to transfer its 49% stake in Wanda Investment to Shanghai Ruyi Film and Television. After the transfer is completed, Wanda Cultural Group indirectly holds 222 million shares of Wanda Film through Wanda Investment, with a shareholding ratio of 10.2%. Wanda Cultural Group and its concerted actors directly and indirectly hold 460 million shares of Wanda Film, with a shareholding ratio of 21.1%.

According to Qichacha, as of December 6, Shanghai Ruyi Film and Television held a 49% stake in Wanda Investment, Beijing Hengrun Enterprise Management Development Co., Ltd. held 29.8%, Wanda Culture Group held 20%, and Wang Jianlin personally held 1.2%.

Wanda Film Industry Leader

Wanda Film has long been a leader in domestic theaters.

Lighthouse data show that since 2023, the national film box office has reached 51.45 billion yuan, of which Wanda cinema box office 8.94 billion yuan, far more than the second 4.481 billion yuan. Wanda cinema attendance 190 million, with an average of 15 people per game, all in a leading position in the industry.

Wanda Film also ranks first in the country all year round. Wanda Film’s cinemas and screens rank first in the industry. Since 2023, 9 of the top 30 cinemas in the country have been Wanda Studios.

According to the third quarter report of 2023, from January to September this year, Wanda Film’s domestic theaters achieved a box office of 6.22 billion yuan (excluding service fees), an increase of 67.6% year-on-year and 5.2% over the same period in 2019; the number of people watching movies 150 million, an increase of 68.7% year-on-year, an increase of 3.7% over the same period in 2019.

As of September 30, 2023, Wanda Film had 877 open theaters and 7,338 screens in China, including 709 directly-operated theaters, 6,159 screens, 168 light-asset theaters, and 1,179 screens. The company’s cumulative market share in the first three quarters was 16.5%.

"Post-80s" Colliming takes over

Shanghai Ruyi Investment, which plans to take over 51% of Wanda’s investment, and Shanghai Ruyi Film and Television, which previously took over 49% of Wanda’s investment, are both controlled by Ke Liming.

Shanghai Ruyi Film and Television is a subsidiary of China Ruyi Holdings Co., Ltd. (hereinafter referred to as "China Ruyi" 00136.HK), a Hong Kong-listed company. China Ruyi owns 100% of Shanghai Ruyi Film and Television. Tencent is one of the major shareholders of China Ruyi.

On December 6, Chinese Confucianism rose more than 9% in intraday trading, and its market value rose to HK $22 billion.

"Confucianism" can be called a dark horse in the film industry in recent years. According to Lighthouse data, Shanghai Confucianism Film and Television has produced 43 works in recent years, with a total box office of 17.677 billion yuan and a total box office of 7.434 billion yuan. These include well-known works such as "Hello, Li Huanying", "Vanished Her", "Walking Alone on the Moon" and "Send You a Little Red Flower".

Ke Liming’s other main body, Beijing Ruyi Xinxin Film Investment Co., Ltd., has also produced 5 works, with a total box office of 1.438 billion yuan, including "To the Youth We Will Eventually Die", "Small Times 4", "Old Boy’s Raptor Crossing the River" and other well-known works.

According to the financial report, Colliming is a post-80s generation, now 39 years old.He worked as a senior analyst at a hedge fund management company. He graduated from Griffith University in Australia with a bachelor’s degree in risk management in 2005 and a master’s degree in money and banking in 2006.

According to the delisted Shanghai Fukong previously disclosed, Ke Liming himself led some project personnel to join Huashi Film and Television Investment (Beijing) Co., Ltd. in March 2011. Ke Liming served as the general manager of Huashi Film and Television and filmed film and television works within the main body of Huashi Film and Television.

It was during this period that Ke Liming and his team participated in the planning and production of the movie "To Youth", the TV series "The Woman of the Swordsman Family", and the movie "Tiny Times 1 and 2" and many other works. In December 2012, Ke Liming left China Vision Film and returned to Ruyi Film as the general manager. Since then, Ruyi Film’s business has developed rapidly. It began to plan the TV series "No War in Peking" and the movie "Old Boy’s Raptor Crossing the River" that year, and achieved good responses.

1905 movie network news On December 3, the Film Bureau of the State Administration of Press, Publication, Radio, Film and Television announced a new issue of the project approval notice. Among them, two popular reality shows, "Run, Brothers" and "Where Are You Going, Dad 2", have been officially approved, but the former belongs to feature films, while the latter is classified as documentaries. In addition, "Eat, Eat, Love" filed by LeTV Pictures, which is written by the famous Taiwanese host Cai Kangyong, also appeared in the public notice.

The reality TV screen fever is intensifying, and the plot of the movie version of "Running Man" is exposed

A few days ago, it was reported that the movie version of the popular reality show "Running Brothers" has been launched in Hainan, and it is planned to be released on the first day of the new year. The starring role is still the original cast of Chen He and Angelababy. In this project announcement, the plot of the movie version of "Running Brothers" was also exposed: the legendary Nian beast "Nian" woke up and kidnapped the "Ben Mei’er" of the running group in order to make dumpling stuffing for the illusion of human form. The next day, the other six members embarked on a journey to rescue "Ben Mei’er". Finally, in the lair of "Nian", they discovered the shocking truth and still worked together to defeat "Nian". It seems that it is very in line with the festive atmosphere of the Spring Festival.

At the same time, another reality TV show, "Where Are We Going Dad 2", was also officially approved. Like the one released during the Spring Festival in 2014, the film was still a graft of TV shows, so it was divided into the documentary camp. The stars of "Where Are We Going Dad 2" are the five groups of cute baby star dads in the second season of the show. Sister Grace, Huang Duoduo, etc. took over the positions of Kimi, Shi and others, and will be filmed in Fiji to complete tasks such as "skydiving" and "desert island survival".

LeTV shoots Cai Kangyong’s big screen debut, and Kimbo Landau pushes the co-production again

It has been rumored on the Internet that the famous variety show "Kangxi is Coming" is about to stop broadcasting, which includes the news that the host Cai Kangyong will move to the big screen. In this public announcement, "Eat and Eat Love" written by Cai Kangyong has officially appeared, and the filing unit shows LeTV Pictures. Interestingly, the heroine of the film is a "bright and beautiful female star" named "Shangguan Didi", which makes people think of Cai Kangyong’s old partner Xiao S Xu Xidi. If Xiao S really will play the heroine in Cai Kangyong’s film debut, then the film’s attention must not be low.

In the co-production section, "Spider’s Nest 3D," written by Kimbo Landau, a former director who once directed "Spider’s Nest 3D," a disaster movie with a thrilling plot and crude visual effects that has a very modest reputation after its release in China. Judging from the synopsis of "Spider’s Nest 3D," this will be another "disaster blockbuster" that focuses on 3D visual effects, but "Jaws" has been replaced by "Big Spider."

All kinds of screenwriters launched new works, and the series of animated movies developed steadily

It is also worth noting that the two new films filed by Yindu are "The Wicked Are Not Bad," written by Gu Dezhao, and "Moonlight on the Fifth Day of October," written by Ye Nianchen. The former tells a story in an old community in Hong Kong, and the latter takes place in Macau. The story synopsis reflects the focus on the joys and sorrows of the little people, which is more in line with the style of Yindu movies.

In terms of fantasy themes, there are "Eight Immortals" written by Wei Junzi and other screenwriters, "Wood Armor Love" written by Qiu Chuji; small and medium-sized thrillers include "Dish Immortal"; in addition, the series of cartoons "Pig Man’s End Battle" and "Sale Movie 5" have also been officially established, and children have no shortage of movies to watch.

1905 movie network news According to Cat’s Eye data, with the box office breaking through 140 million, Deng Chao’s personal film has accumulated more than 10 billion yuan and successfully joined the actor’s "tens of billions of box office club".

"Galaxy Tutoring School" has nearly 100 million yuan at the box office in the previous large-scale screening. After the official national release today, it has successfully helped Deng Chao’s total box office to pass the 10 billion mark. Deng Chao is the 9th 10 billion filmmaker in the Chinese film market, and the 4th Chinese 10 billion filmmaker after Wu Jing (12.209 billion), Shen Teng (11.013 billion) and Huang Bo (10.043 billion).

Deng Chao starred in the top ten films at the box office as follows:

1.33.86 billion

2.10.46 billion

3.8.13 billion

4.6.65 billion

5.6.48 billion

6.6.29 billion

7.5.39 billion

8. (voice) 324 million

9.3.05 billion

10.2.86 billion

Deng Chao has been in the film industry for 13 years since he participated in "Assembly" in 2007, and his film genres cover comedy, love, science fiction, plot and other dimensions. Among them, the release of "Mermaid" in 2016 became an important node in his box office history. The film had won the success of 3.386 billion that year.

In addition to the four Chinese male movie stars, the Marvel actors who have made tens of billions of box office in the Chinese market are: Scarlett Johansson (12.533 billion), Robert Downey Jr. (11.975 billion), Chris Evans (10.805 billion), Chris Hemsworth (10.28 billion), Mark Ruffalo (10.207 billion).

As of press time, the total box office of "Galaxy Tutoring School" has reached 143 million. The film is co-directed by Deng Chao and Yu Baimei, and tells the story of a father and son who span a long time to protect love and family.

"Running Man" ("Running Man" for short) was undoubtedly a shining star in the Chinese variety scene. From its first broadcast in 2014 to becoming a source of laughter after countless families’ dinners, "Running Man" has allowed audiences to witness a series of exciting, funny and touching moments. However, recently, another veteran member announced his withdrawal, causing countless fans to sigh. The joining of White Deer and Fan Chengcheng failed to prevent the star’s gradual decline. Is "Running Man" really reaching a bottleneck period?

1. The members withdrew again, causing the fate of the show to rise sharply

It is reported that the announcement of the retirement this time is one of the old members of "Running Man", whose humor and enthusiasm have greatly enhanced the show. The news quickly spread on social media and caused a huge response. Viewers expressed their disappointment and reluctance: "I feel that something is missing from the departure of the old member," one loyal viewer wrote on Weibo. Many people worry that such a change will leave the show with a lack of chemistry and a less natural atmosphere than in the past.

2. The show goes from peak to gradual cooling: there are obvious traces of personnel changes

The success of "Running Man" is no accident. Its core charm lies in the interaction and tacit understanding among the members. However, over time, the original members gradually withdrew and were replaced by fresh faces. However, these new members, although unique, have never been able to completely replace the old members in the hearts of the audience. Fan Chengcheng and Bailu are undoubtedly powerful entertainers, and they also contributed many highlights in the show, but overall, the show seems to have lost its original purity and joy.

3. The charm of old members: the reluctance of the audience

The veteran, who has announced his retirement, has become a classic in the hearts of audiences over the years of "Running Man." Every time he appears, he always provokes a burst of laughter and applause. His unique sense of humor and affinity make him a "seagogue needle" in the show. Audiences have deep feelings for these familiar faces, so when they leave, it is not just a blow to the show, but a test of audience emotions.

4. Bailu and Fan Chengcheng: Fresh blood is not enough to save established shows

The production team of "Running Man" had hoped to inspire new vitality by introducing young idols such as Bai Lu and Fan Chengcheng. Bai Lu won the love of many fans with his bright personality and solid acting skills; Fan Chengcheng’s addition also added a lot of freshness and excitement to the show. However, it turns out that relying solely on the personal charm of the new members is not enough to fully make up for the vacancy caused by the departure of the old members. In the face of huge variety show market competition, such adjustments seem to be a drop in the bucket.

5. The talent turnover of variety shows: a hidden concern that cannot be ignored

The replacement of artists is the norm in the entertainment industry, but for a long-running variety show, the frequent change of core members is undoubtedly a huge challenge. On the one hand, new members need time to break in with the show, and on the other hand, the audience also needs time to accept and like these new faces. However, when the audience has become accustomed to the existence of old members, the addition of new members often brings discomfort and resistance, rather than expectation and joy.

6. Social media reverberations: Audience calls for authenticity

On social media, many viewers expressed concern about the current state of the show: "I hope the program team can plan the lineup of members more stably and in the long run, and do not treat the audience’s emotions as child’s play." Such voices reflect the audience’s appeal for the production idea of the show – hoping to maintain the original style and characteristics of the show, rather than changing frequently to meet the rapidly changing needs of the market.

7. The future of Running Man: How to regain lost luster

How to maintain the vitality of the show through the replacement of new and old members is a major challenge for the production team of "Running Man". Perhaps through more careful planning and production, the new members can build a deep emotional bond with the old audience, which is the key to the resurgence of "Running Man". Variety shows need freshness, but more importantly, they need a stable core team to support their long-term development.

8. Implications for the entire variety show industry

The phenomenon of "Running Man" has also triggered deep reflection on the entire variety show industry. Will frequent member changes have a negative impact on the overall quality of the show? Does the high mobility of stars mean that the life cycle of variety shows will be shortened? These are all questions that need to be reflected and discussed by industry insiders.

9. Rise and Fall: The Reality of the Variety Show Life Cycle

Every variety show has its own life cycle, from the initial novelty and popularity to the gradual lackluster and fall back, which is an inevitable process. The key lies in how to continuously innovate and debug during this process to maintain the audience’s interest and attention. For "Running Man", how to regain the lost innocence and enthusiasm will be the key to whether it can continue to attract audiences in the future.

10. Conclusion: Audience expectations and future prospects

Although "Running Man" faces many challenges, we still hope that it can rediscover the happy time that once accompanied countless audiences through continuous adjustment and innovation. After all, a successful variety show is not only a stage for stars, but also the emotional sustenance of the audience. I hope that in the days to come, we can continue to see the infinite joy and surprises that "Running Man" brings to us on the screen.

In this case, viewers must be patient and continue to support their favorite shows and stars. Mindful production and audience engagement may be the key factors that will make "Running Man" work out of its predicament.

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