Special feature of 1905 film network The online drama "The Beginning" ended, and Douban scored 8.2 points.Are you satisfied with this ending? What is the ending in your mind?

　

In any case, The Beginnings has brought the audience into the "circular" world, especially after hearing Cannon, some viewers will have the same conditioned reflex as Li Shiqing (ornaments).

　

After three days of broadcasting, the broadcast volume has exceeded 100 million. So far, the broadcast volume has exceeded 1.2 billion, and the average number of hot searches for single episode updates has exceeded 20. Not only that, the series has been bought overseas for broadcasting rights, and there are even plans to shoot a film version through the Internet.

　

Undoubtedly, "The Beginning" is definitely an explosive drama series that opened in 2022.

　

The broadcast effect is good, and many viewers applaud it, even lamenting that the series is underestimated and should have a higher score, while digging deep into the details of the series one by one; However, some viewers have frankly praised this kind of circulating works, which is not as refined as the film, but now it makes the story drag on.

　

So, is the series "The Beginning" worth this score? We have invited Xiao Ke, an audience who likes the play very much, and Xiao Dou, an audience who thinks the play is overrated, to talk about the beginning.

　

"infinite flow"

"infinite flow" is an unavoidable topic in The Beginning.

　

The so-called "infinite flow" is actually that the hero and heroine keep returning to the original space and time in order to complete a certain task until the task is completed.

　

This concept setting is not new. Many viewers pointed out that movies such as this are all similar settings, and domestic movies and dramas also have corresponding attempts.

Although "The Beginning" does not completely conform to this setting in a strict sense, it cannot be denied that this high concept attracts the audience like a "hook" and makes some viewers immersed in it.

　

In Xiaoke’s view, this concept is not the focus of "Beginning". It is more like a suspense set by the creator, letting the audience find the murderer and the story behind the murderer.

　

Like movies with related settings, most of the previous films will be constantly circulating in a single space, strengthening the concept of infinite flow. "The Beginning" does not directly tell the audience that there is a bomb on the bus, but every time there is a new situation, from the so-called accident to the final confirmation that it was detonated for no reason when there was no accident, and it is more certain that the suspect is a passenger on the bus.

　

The progression of this story is to pave the way for the follow-up of the series, where Li Shiqing and Xiao Heyun (ornaments) interrogate the passengers on the bus and lead to the story behind the passengers.

　

Xiaodou thinks that this introduction has affected the narrative rhythm of the drama.

　

He agrees with the interesting spoilers of some viewers on the Internet. From the appearance of two well-known actors, Liu Dan, in the car, the murderer has been very clear. Not only that, from the very beginning, the series emphasized how the driver played by Huang Jue was appraised as advanced in the past, which was completely different from the reaction in the incident situation.

　

Of course, The Beginning didn’t deliberately hide who the murderer was from the audience. At the beginning of the fourth episode, when Li Shiqing shouted that there was a bomb in the car, the explosion developed immediately, and some framing processing was done in the lens picture, which showed that a pair of hands pulled the pressure cooker.

　

Fourthly, it integrates a turning point in the beginning, leading the so-called infinite flow to the topic of finding the murderer.

Although there are details, for the "spoiler" audience, there are fewer surprises in the following plot, and the overall rhythm becomes procrastinating. After all, the next turning point of "The Beginning" is in the eighth episode, when Liu Dan plays Tao Yinghong.

From the fourth episode to the eighth episode, and even the tenth episode behind, the protagonists are constantly circulating in the story, interrogating passengers from all walks of life, and the camera also digs their own human topics, which can be said to be a plus item, but for the main story, it seems a bit lengthy.

This view put forward by Adzuki Bean has indeed become a doubt for many viewers about the rhythm of the plot.

　

"Understanding" of Characters

In Xiaoke’s view, the case of "The Beginning" is not the focus, but the humanity behind it is the place where the play looks good.

　

Drama is different from movies, and the whole drama is single, which can involve more story content. It is precisely because "The Beginning" has a capacity of 15 episodes that it can spread more content and drive the audience to explore everyone in the car, and this kind of excavation of human nature is actually the place where the producer is best at noon sunshine.

　

After the discovery of the bomb and the murderer, The Beginning is to tell the story behind the humble people on the bus. This kind of narration is not single, but also serves the audience to explore the story behind the driver and Tao Yinghong.

　

The late development of the drama, including the quarrel between the man and the woman, actually embodies human nature. In fact, the choice of the male and female hosts in episode 8 is to "save their own lives" or "save the whole car", with the aim of highlighting this point.

　

Besides, in the 10th episode of the series, when the male and female hosts ask the passengers in the car for help, each character has a clearer personality display under the foreshadowing of the previous events, which makes their behavior more convincing.

　

But in adzuki bean’s view, this form does not seem to be the best presentation at present.

　

The narrative perspective of The Beginning, from the perspective of men and women, and then to passengers, tries to convey a concept, "understanding" to the audience in many ways.

Why did some people be indifferent when Li Shiqing cried for help at the beginning? For this reason, the creative team has a lot of details to deal with and explain. For example, the old farmer with watermelon was afraid to go to the police station at first, and it was not until his story line that the audience realized that his past experience would cast a shadow on him.

　

This understanding is also hidden in the confrontation between police officers and men and women. People in the real world naturally find it difficult to understand the concept of "cycle". The drama series relies on every telling of the story to make "understanding" itself have a soul.

　

The idea of the play is good, but the way of promoting it directly leads to the low narrative efficiency, and finally the story of each character can only be told in the middle of the drama in the way of approximate unit drama.

This narrative transition lacks sufficient impetus, which makes the tense atmosphere created at the beginning of the story turn sharply into a warm route, and the split style will also weaken the perception. If it can be shown by film narration, it will be far more compact than the narrative method of this traditional TV series.

　

This kind of rhythm is also missing in the hero and heroine as "circulators".

In the first ten episodes of the series, after more than 20 cycles, they didn’t really give enough useful information. But since the 11th episode, the whole rhythm has obviously accelerated, and this episode is also the key turning point for the third time.

　

But from here on, the story still leaves more than half of the problems unsolved.

Why do drivers and "Aunt Pot" bomb buses? Is there an answer to the story behind it? Can men and women get rid of the cycle? What kind of life will the passengers on the bus be after liberation?

　

After nearly five episodes of exploration, each character in the drama really found their value and acting position. The male and female host began to present the identity of "recycler" to the audience, and intervened in the whole incident, and began to solve these mysteries for the audience one by one.

　

Although "The Beginning" will have a lot to tell, and the current 15-episode series can also be seen to be striving for fine short plays, on the whole, there is still much room for refinement in the narrative mode and rhythm of the story.

　

In fact, both Xiao Ke and Xiao Dou think that The Beginning has many points worthy of recognition in its creative expression. Even if it still has some improvements, it does not affect that it is still a high-quality work in Chinese drama.

　

As for whether "The Beginning" is worth 8.2 points, every audience has its own score in mind.

Perhaps, it can provide proof for the later high-concept dramas, and how to better narrate and enter the audience’s heart. Then, it will be a good "start".

Recently, this newspaper brought the China Biennial List of Online Literature (2022-2023) to review the topic. After observing and summarizing the online literature of male frequency and female frequency, today it pushed a collection of short reviews of ten works of male frequency. About these ten online literature works, "good-looking" is their common feature, including both new shows and new works by established online writers, including Cthulhu, science fiction and fantasy.

Male frequency 10 works on the list:

Strange Fairy (Fox’s Tail Pen)

"We live in Nanjing" (Tian Rui Shuo Fu)

Red-hearted survey of the sky (what’s the feeling)

Guide to Crossing the Northern Song Dynasty (Wang Zijun)

I didn’t mean to be immortal (golden jasmine)

"Ten Days End" (member of the Pest Control Team)

A Record of Working in Stormwind (Another Torpedo)

Star spy family (under the ice)

My healing game (I can repair air conditioning)

Deep sea embers (far pupil)

Strange Immortals: There are different ways in the world, and the truth is cultivated on earth.

Text/wangxin

Fox-tail pen (hereinafter referred to as "Fox-tail"), whose real name is Hu Wei, is a new great god writer of Reading Group. He has worked as a substitute for games, a network administrator in Internet cafes, and an optometrist. At first, most of his creations were fans of games, and later he went to the theme of Cthulhu. He successively created Mysterious Earth (2020-2021) with classic Cthulhu temperament, and Strange Immortals (December 2021-May 2023) which combined the elements of cultivating immortals and folk customs. During the serialization of the latter, it ranked in the top five of the best-selling list, the top of the reading list and the top ten of the subscription list for a long time. With extensive discussion and secondary creation, it is a phenomenal online literary work.

Label: Quesulu’s folk tales of cultivating immortals

"mom! I can’t tell, I really can’t tell! "

Strange Immortals is a genre-integrated novel of "cultivating immortals+Cthulhu", while Li Huowang, who has not yet passed the college entrance examination, is a mental illness. He is suspended between the reality and the paradox, and his actions, words and deeds interact with both sides at the same time: the chocolate fed by his girlfriend will become a nail in the mouth of the enemy; A small warm fire can lead to a terrible disaster; The sentry tower that boarded one second will become a deck on the boundless sea in the next second … Time and space, events and situations are all separated, and they are all chaotic. In desperation, Li Huowang roared out this sentence. A word "mom" reveals his helplessness and panic to the fullest.

If it’s just high school student Li Huowang who is crazy, it’s just that. Brother Huozi, who lives in a mysterious world, is also a "mental illness". He has a special identity-mind element. Mind elements are a group of people who don’t distinguish between true and false. They are full of confusion in their hearts, but they have the ability to "think what is true and what is true". At this point, the authenticity of the so-called "real world" has also become suspicious: what if reality is just the brain supplement of the mind, and the paradoxical world is true? Or are both sides fake? Or are both sides true?

Li Huowang is really puzzled.

If only Li Huowang can’t tell-no matter which Li Huowang will do-that’s all. The strength of this novel is that readers can’t tell it apart. Because the fox’s tail will "face up" to the reader’s cognition. Use the simplest words to express the most thrilling confusion: "Li Huowang put his head on his neck and ran out"; "Long Mai" is the "Long Mai" in the physical sense, which is formed by successive emperors’ heads and feet; In a downtown scene that seems to be painted by AI, Li Huowang swallowed some chaotic color blocks and "felt warm" … Fowei may really be a genius. He got into all kinds of words, pictures, and even the materiality of rituals and customs, and shook the established meaning and ideographic way through concrete and sensible images, digging a physical channel. And in all kinds of sensory experiences that can’t be unified, it has completed a paradoxical task: accurately conveying chaos.

As a result, readers also deeply empathized with Li Huowang, and were forced to see and hear what he saw, understand his mental illness in succession, and sympathize with his pain. Li Huowang, who realized that he was struggling to squeeze out from the cracks between the two worlds and declared his existence in blood, may be the one who never existed among all sentient beings, but he was closer to "paradox". But it is this "paradox" that left an indelible mark in the story. There are different ways, people and ghosts are real, true and false, and what’s the harm-the heart is still here, and the story is still here.

This is the truth that Li Huowang repaired.

"We Live in Nanjing": Seal Youth with Doomsday

Text/Tan Tian

Tianrui Shuofu is a great writer of Reading Group. In 2014, he began to create online literature, tried a variety of themes, and finally became famous as science fiction. He is good at putting people in desperate situations, showing one or two sparks of life flashing in the grand and cold darkness, and forming a tragic and romantic writing style.

"We Live in Nanjing" was published on June 1, 2021 and ended on March 31, 2022. The full text is about 400,000 words. Guided by radio waves across time and space, the novel tells the story of two teenagers saving the world in doomsday and contemporary Nanjing. The author uses the lightness of light novels to touch the end of life, so that pure youth runs through the thick years, so that two people and two cities are full of life, bringing a lively atmosphere different from similar online works.

Label: science fiction eschatological youth

Radio waves travel through distant time and space, connecting the high-grade poplar in 2019 with the last survivor Pinellia ternata. With this fetter, the two launched an action to save the world.

Pinellia ternata lives in the last days, but this last days is not barren. Weeds grow from cracks in roads, deer play outside high-rise buildings, and nature has occupied the ruins of reinforced concrete vigorously. Pinellia ternata wandering in the meantime, vigorous and straight, dripping with vitality. After the demise of civilized society, the "last human" bloomed with youthful vitality.

Poplar was born in crowded Nanjing, with a weak body, familiar with the fireworks of civilization and lacking wild vitality. After knowing Pinellia ternata, Populus began to fear, fearing whether the crisis of extinction had already come quietly and ruined its cherished ordinary life. So he told the whole story to his father and his two close friends. Three middle-aged people were reported to the state after verification, and were allowed to set up a rescue headquarters to mobilize state forces to rescue the future.

The narrative center of gravity deflects, and the characters of Populus alba gradually fade away. There are more and more scenes of the three fathers, and the author often depicts their physical characteristics such as "baldness" and "beer belly" while making them make all kinds of passionate feats. The three fathers became the image of "old boys" and rekindled their youthful blood with middle-aged bodies.

However, their efforts backfired, and Pinellia ternata’s situation deteriorated and even died again and again, which just corresponded to the fading of poplar, and they were two sides of an organic whole. According to the novel, the end of the world took place in 2024, which was the time when senior three graduated from Baiyang University in 2019. At this point, metaphors are connected in series. The disaster from the sky is the end of youth. The shift in focus between Poplar and its parents coincides with the process of a student entering the society. Poplar is yesterday, but parents are now. Pinellia ternata, which is far away from time and at the end of civilization, is a frozen and crystallized youth, a sincere and pure juvenile heart, and a clear echo of poplars. She can’t be accommodated by adult society, and she can only survive in the end of a society without society. Once the "old boys" tried to absorb the passion of the past, it also destroyed the beauty of the seal.

Growth should be a combination of name and reality, with both physical and mental maturity. Looking back at the story, "old boys" is a middle-aged man with a mature body and a "second grade" in his heart, pointing to a state of idling in form and lacking in substance, so "growing up" naturally becomes a disaster. Maybe it’s time to imagine new growth, so that poplar and Pinellia can live and inhabit as they are …

A survey of the sky with pure heart: the dilemma between literary youth and refreshing feeling

Text/Li Zhongyang

From entity publishing to network serialization, the author always pursues "perfectionism in words", and his works are set to be precise and in-depth, with a sense of coolness, heaviness and literary youth. "Looking at the Sky with Red Heart" has been serialized since October 2019. Although it was not optimistic at first because of its "non-net writing", it finally stood out with its exquisite writing style, fierce and steep plot and sincere and simple persistence. The work begins with the counterattack and revenge of the protagonist Jiang Wang, and never forgets the chivalrous spirit of "red heart" and depicts a magnificent and magnificent picture of Xian Xia.

Label: classical Xianxia group like blood

In the context of online literature, "Wen Qing" is a mixed word, which can be used not only to criticize the melodramatic narrative posture, but also to refer to some unconventional excellent novels. Different from people’s expectation, the mature "Wen Qing Wen" will also be cool, and it will be more exquisite, resolute and natural. It is such a "literary" and refreshing road that "Red Heart Survey" takes, even more decisive than its predecessors’ works: why did you call a spade a spade to embrace the cool feeling from the beginning, thus jumping out of the fence of self-pity? The novel begins with Jiang Wang’s killing Fang Pengju, openly telling readers that this will be a cool article about counterattack and revenge.

However, there are too many similar plots in the male frequency network, and the essence of rejuvenating this old plot is to seek a fulcrum for the erection of the basic sense of coolness, so that it can be alive and well, and it can also stand scrutiny-this is the literary exploration of "Wen Qing" authors. Specific to the "Red Heart Survey", its fulcrum is the "red heart" in the fourth chapter. What is red heart? For Jiang Wang, being sincere is a behavior mode of being resolute and brave, being clear-minded and seeing nature: I know what I want, so I let my heart go and go on an impulse. Of course, this kind of freedom should be based on morality and compassion, and red heart must start from righteousness itself. In addition to the intensive plot, the most wonderful rhetoric of how to be true to the heart lies in intertwining it with the main line of revenge in the novel. The sense of urgency spread from the fall of Maple City always urges a heart to be more concise and pure.

But since it is rhetoric, it is by no means unbreakable. Jiang Wang’s red heart and revenge are in common, and when this main line ends, the protagonist is destined to turn from personal hatred to the national righteousness. When the sun cruises around Sunday, the red heart as an individual will is no longer so complete and flawless. After the volume of "All Become Today Me", the reader’s debate on the concept of pure heart became more and more intense. This contradiction is actually due to the dilemma of "Wen Qing" temperament and refreshing feeling. If Wen Qingwen, who is not refreshing enough, wants to convey his thoughts to readers, it must rely on some rhetoric, so that readers’ refreshing feeling is closely related to it. However, when this sense of coolness is derived to the extreme, it can no longer hide its self-interest, and readers will eventually find that the fulcrum on which the sense of coolness depends may be false, so the most fascinating part of the novel may become the biggest "poison" point that hinders reading.

However, isn’t this inherent defect the charm of "Wen Qing Wen"? A good article is fascinating and thought-provoking. The author’s task is to be fascinating, and he can leave the space for argument to readers. Moreover, absolute justice has no substance, and we need to compare and understand it with our own personal experience. In this sense, "Red Heart Survey" is still a sincere and pertinent masterpiece of Xianxia.

Guide to Crossing the Northern Song Dynasty: Father and son are United, not only breaking the "gold"

Text/Li Qiang

Wang Zijun, born in Zigong, Sichuan in 1987, is a great god writer of Reading Group. He was famous for writing urban "entertainment articles" and then turned to historical novels. The Guide to Crossing the Northern Song Dynasty was published on February 2, 2023, and the number of first subscriptions set a record for qidian’s historical novels. The setting of "double wear" in the Guide to Crossing the Northern Song Dynasty is quite innovative, and the rhythm control is also excellent. The author shows the social life, politics, culture and agriculture in the late Northern Song Dynasty in detail.

Label: Historical Song Dynasty wears double-wear farming.

The "novel guide" of "crossing to the Northern Song Dynasty" has a lot of fine works, and it is difficult to create new ones. The biggest innovation of the Guide to Crossing the Northern Song Dynasty is the setting of "double wearing" between father and son. Zhu Ming and Zhu Guoxiang’s father and son traveled to Hanzhong, Shaanxi Province 15 years before the Jingkang Revolution, accumulated their strength and finally reversed the historical trend. It is rare for online historical novels to adopt the protagonist’s "double wear" setting. When his wife died, Zhu Guoxiang raised his son hard, and his mission was to protect his son and live in peace. When he first crossed the Northern Song Dynasty, he and his son had an argument about the future road. The son wants to change the historical trend, while Zhu Guoxiang wants to be independent. In the end, Zhu Guoxiang listened to his son’s advice and "rebelled" with him.

Compared with other historical travel novels, the process of Zhu Ming and his son’s "rebellion" is not surprising, but more like playing a parent-child game called "Crossing to the Northern Song Dynasty". The highlight of this work lies in its slow rhythm and bright style. "Relaxation" is the secret of the success of "farming literature". Bright and lively, on the surface, it is a narrative style, and on the inside, it is a new way to imagine history. To be exact, this is a way of historical imagination with "juvenile spirit". There is little writing in the Guide to Crossing the Northern Song Dynasty, and the protagonist just fulfills the mission of crossing and creates a new world.

Many people believe that the reality of this big sauce jar will dye all high-spirited teenagers as "greasy middle-aged"-this is desperate, but literature that is good at making miracles was born in despair. What if the "young spirit" is guarded by the "middle-aged wisdom" to jointly create a refreshing and neat "historical fairy tale"? In this sense, the game clearance guide for "crossing to the Northern Song Dynasty" is not a "golden finger" like modern knowledge, but the simplest but most difficult "father and son are United".

Father and son are United, and their profits are broken. In the general "Song Chuanwen", "gold" is the culprit of "Jingkang shame". However, in the Guide to Crossing the Northern Song Dynasty, the great cause of going straight to Huanglong is only a "side task". The meaning of "breaking gold" is more complicated. It points to the guardian through time and space and the company in the deepest part of time. An inch of time is an inch of gold, and the end of gold is death. In this sense, the Guide to Crossing the Northern Song Dynasty reveals the potential of historical crossing novels-to eliminate people’s fear of inevitable death with probable historical narration. In a game called history, people use love, imagination and knowledge to resist the erosion of time inch by inch.

"I didn’t intend to become an immortal": "Let’s borrow a touch of Xiaguang to eliminate the long cold night."

Text/Ji Yunfei

Golden jasmine, the representative writer of "Daily Stream" novels. The works don’t win by the adventure of the plot, and rarely have the intense rhythm of ups and downs. Most of them tell one touching story after another in the course of narration, and they are connected into a patchwork of abundance. "I didn’t intend to become an immortal" was released in January 2023 and ended in January 2024. In this "classic fairy tale in the form of travel notes", the protagonist has no intention of becoming immortal and does not seek immortality. The reader is also like walking on a shady road, with mountains and rivers reflecting each other, which makes people dizzying and unforgettable.

Label: Daily Stream Classical Xianxia

The story is about twenty years of one person and one cat. Man is a Taoist priest who goes down the mountain, and the cat is a three-flowered goddess. For twenty years, he roamed, sang and drifted in the world, and he also watched the scenery, listened to books, experienced the world, made friends, reduced demons and punished gods all the way.

This classic "Road Story" with "Liaozhai Style" and "Fireworks Atmosphere" was put on qidian’s "Light Fiction" channel by the author. Indeed, "I didn’t intend to become an immortal" doesn’t meet the reading expectations of readers of mainstream immortal novels. Taoist Song You not only has no intention to become an immortal, but also has a lingering alienation from the whole world, and his body is as cold as the plot and text of the novel. However, although the temperament of the works is cold, the texture is not light, but it seems light and heavy, and it is classified into this category because of its uniqueness and difficulty in being accepted by the existing classification system. There are many labels that can be attached to "light novels", "strange stories" and "fireworks", but the core should be "highway prose", more accurately, "travel notes".

As a "post-1995" golden jasmine, it is more concerned about the transition from success to growth. The starting point of growth is a life that is relatively self-sufficient and seemingly needs no external help. In the Song Dynasty, it is a secluded life of mountain residence and house residence. For Song You, a traveler, he is far more alienated from this world than the aborigines. He didn’t have the will and motivation to explore and change the world. Because of the customs in Guan Zhong and the orders of Master, he went down the mountain at the age of 20 and had a 20-year journey. This shows the youthful image and growth process of I didn’t intend to become an immortal: how can self-sufficient and self-reliant young people establish real ties with others and the world, find and complete their mission, and thus get rid of the cold air and nothingness of life. In modern China, this is a brand-new classical "road text" of Xian Xia, but it secretly breaks through the tradition of heroic travel between ancient China rangers and immortals.

In this roaming, the most popular person/monster with the most cultural symptoms is the cat god, Sanhua Niangniang, who met with the golden wind and jade dew just after going down the mountain and traveled around the world with Song You from then on. There are many brilliant figures in the book, ranging from Jianghu chivalrous men and border generals to scholars and doctors, Buddhist emperors, and even monsters in the world and gods in the Heavenly Palace. Song You also has a touching story with many of them. Although Song You, who is bored in Benjue Mountain and the world is boring, was inspired by these dirty or beautiful people and things during his travels, and found something worth doing or even having to do, he met them in the Jianghu and forgot about them. Only the Three Flowers Empress broke his coldness and alienation, increased the warmth and joy of the journey, and made the daily life of the novel not repetitive and boring.

The End of Ten Days: A Free Platform’s "Old White" Work

Text/He Jian

He is a member of the Pest Control Team, a golden fan writer of tomato novels, and is good at suspense fantasy subjects. Due TOP1 the compact and lively story rhythm, interlocking plot progress, novel and rich background setting and shocking overall layout, Ten Million readers have read it in a year, and the number of people who catch up with it has exceeded 3 million. It has been a rare "broken circle" work in recent years.

Tags: suspense reasoning infinite flow

For Tomato Novel Network, the appearance of "Ten Days End" is reasonable, which proves that this barbaric free online literature platform has developed to this point, which is enough to incubate works with different content and temperament from the past. Many readers’ first reaction when they see this novel is to marvel at "this is not like what can be seen on a free website"-Although the reading threshold of The End of Ten Days is not high, it is really aimed at the "old white" rather than the "little white" group, more precisely, the readers who are transitioning from "little white" to "old white".

Although "Ten Days Ending" can’t be said to be a master of suspense decryption, it can be regarded as an example of by going up one flight of stairs standing on the shoulders of giants. The novel absorbs the advantages of this kind of literary works, especially the resources of Japanese animation and comics such as Alice in the Dying Country, Gambling Silent Record, and The Game of One Thousand Won a Thousand Dollars. The author uses other mountains as a stone to attack the jade of the national style, and combines the "exquisite puzzle" that Japanese works are good at with the "long structure" that China’s net works are good at. In the article, the grass snake is gray, the pulse is thousands of miles long, and the story is self-explanatory. Although the work is not finished yet, the author himself has shown such a strong plot control ability in millions of words, which is quite remarkable achievement.

The End of Ten Days begins with a series of puzzles, and the rhythm is tense and bright, followed by reversals. It creates a protagonist who is intelligent and close to demons, and always stays calm in the face of life and death crisis. "No matter which floor you are on, I will always be in the atmosphere", so that readers can get reading satisfaction when their IQ is crushed. Compared with many "small essays" that simply and rudely revolve around "upgrading", "power" and "opposite sex", this kind of works with "puzzle" and "suspense" as the core are more advanced in technique. Although the author has consciously reduced the unnecessary reading threshold in the novel to a minimum, such as adopting completely localized "Heaven, Earth and Man" and "Zodiac", and thus establishing the label of "national style", it is still more mature, more difficult to create and more demanding for readers.

The End of Ten Days is above the standard in setting, plot and language, and it is a wonderful suspense and decryption novel. However, I’m afraid the greatest value of this novel lies not in the work itself, but in the new changes in the production mechanism and industry ecology of online novels it embodies. In other words, it is the most worthy of attention and discussion that this work appears in the largest free reading platform of tomato novels and has topped the recommendation list and word-of-mouth list for a long time. It can be born from the tomato platform, but it may not be born from the seven cats platform. Therefore, the success of Ten Days End is not only the success of the work, but also the success of the author and the platform.

A Record of Working in Stormwind: The Adventure of Middle-aged Players

Text/Cai Xiangyu

Another torpedo, a popular author with a single reading platform, has been deeply involved in the fan fiction field of World of Warcraft, and became famous with the book A Record of Working in Storm City. This book began to be serialized in solo reading on July 14th, 2022. Up to now, it has more than 1,300 chapters. It is the undisputed masterpiece of this platform, and it is favored by readers because of its delicate description and nostalgic theme. The novel is set in the mainland of Azeroth, and the protagonist measures the continent step by step in the form of a road film, "lighting up" the towns that the game has set foot on, and calling on the old players to recall the lush time.

Label: World of Warcraft fan

Some readers say that The Record of Working in Storm City is a special attack on middle-aged social animals and Warcraft players, which can be said to accurately summarize its target audience. At the beginning of the novel, the protagonist Jess Sesso made it clear that his goal was to make money and buy a house in Stormwind to take over his parents. At this time, he was only seventeen years old-in a general novel, the protagonist of this age is either still learning to have fun in youth, or he wants to compete for the world because he is ambitious.

However, Jess is a typical middle-aged "social animal": he has lived in this world for seventeen years, and he has lost his ambition. He even doesn’t complain about his work. He just wants to take a job and make money. His biggest dream is to have a stable home-he passed the age of yearning for freedom early and put his eyes back to his family again.

The book was opened in 2022, which is the seventeenth year that World of Warcraft entered Chinese mainland. Jess is not so much a 17-year-old boy as a projection of thousands of players who first entered the mainland of Azeroth in Qian Qian in 2005. He is the window through which readers can substitute.

But Jess, after all, has the body of a teenager, or in a popular saying, "A man is a teenager until he dies." Another torpedo sometimes opens a chapter to explain his creative ideas and talk to readers. Once he said, "This book is an adventure story. When Jess becomes a character who can’t take risks, it will end." Therefore, while talking about making money, selling houses, and providing for the elderly safely, Jess actually enriched an adventure story: his "working" was not selling coolies, but risking his life again and again in the face of ferocious enemies, only to complete temporary tasks, get a generous reward, and even seek strength from the shadow for survival, groping his way on the warlock. This is the motivation for readers to continue reading, and it is also the return of their player status.

The most enjoyable thing about this book is its exquisite and vivid local customs, which often describe different local features in a few paragraphs, from geographical environment to characteristic food, and even vivid aliens and monsters, showing a very realistic world. This adventure story is a long journey. After more than ten years in a hurry, most of the old players have forgotten the details of the game, but Jess will start from Storm City and go to Flash Town, redridge mountains and Lordaeron … On his way to work, these readers and players will also salvage some of the past from their already vague memories and relive the fun of exploring Azeroth in rich details.

Spy Family: An Unpredictable Collision of Beliefs

Text/Chen Xiaotong

"Star Spy Family" is a transformation work of the starting point, which entered the sci-fi theme under the ice. It was serialized in qidian from February 21, 2021 to January 23, 2022, with a total of 2.07 million words, and it has an excellent reputation among readers. In addition to the constant description of Machiavellian and human nature under the ice, the book has bold and reasonable imagination of artificial intelligence, man-machine integration, metauniverse and other technologies that will reshape human life, surpassing the writing program of ordinary science fiction websites. The whole novel reveals deep thinking about the future in a cold and profound texture.

Label: Science Fiction Machiavellian

Although it is a sci-fi theme, The Star Trek Family begins with a typical "Machiavellian" narrative: after the eighth planet’s heir was killed, Lu Linbei, a fledgling spy, accepted an inexplicable task and was asked to play games in the rented house opposite the crime scene. No matter his partner, colleague or boss, it was hard to trust in the spy shadow.

As an old hand in writing tactics, Bing Lingshen skillfully uses restrictive perspective and objective description, so readers can’t know the psychological activities of characters outside Lu Linbei, and the role has been in speculation, calculation and game. The creation of this kind of extreme insecurity is rooted in the core presupposition of Machiavellian: people are selfish and profit-seeking, the essence of interpersonal communication is just the exchange of interests, others can’t trust, and friends in one second will be enemies in the next-in short, "others are hell".

However, the ice does not stop there, and the addition of "science fiction" elements has pushed his meditation to a deeper dimension. The villain of the novel, artificial intelligence "Gui Hai", attempts to set off star wars, integrate the thinking of all mankind, and let mankind "embark on a more grand road of evolution". The idea of "Guihai" points to a utopia where there is no "Machiavellian": the root of human struggle lies in the conflict inevitably caused by the differences between subjects. If individuals are integrated into the same whole, suspicion and game will disappear, and "Machiavellian" will end.

However, the appearance of Utopia is always accompanied by deconstruction and irony. Guihai spurns human nature, but its existence depends on human nature. It is precisely because it constantly absorbs human emotions and desires that it has an independent consciousness. It hopes to eliminate the power struggle and free mankind from individual selfish desires, but this goal itself is precisely its own selfish desires. Although human nature is profit-seeking, the question is: what do you regard as interest? Why is it regarded as an interest by you?

"Star Spy Family" doesn’t tell pure AI, because pure AI can’t create stories. "Gui Hai" is full of human passion and desire, so it acts and believes. Similarly, the protagonist Lu Linbei has an extremely rational brain, but if there is no fetter with his lover Chen Manchi, he will always be the indifferent teenager who started studying on the farm, and he can’t be the protagonist of a series of stories. Although the characters portrayed in "Star Spy Family" are fighting in secret, they have their own creeds and ideals. Machiavellian is not a meaningless struggle with each other, but a collision of beliefs. They are not cold rational machines, but changeable and unpredictable warm creatures.

It is through the perspective of "science fiction" that "Machiavellian" is once again regarded as human nature itself. In the communication and competition between "artificial intelligence" and "people", the sentence "others are hell, and hell is hot" is finally completed under the ice.

My Healing Game: Displacement Reaction of "Madness" and "Cure"

Text/Lei Ning

I can repair air conditioners. I am a platinum writer in qidian. I graduated from an engineering major and worked in an air conditioning factory. Now I am a representative author of suspense and horror net articles. My Healing Game was serialized from January 25th, 2021 to March 1st, 2023, with a total of 3.27 million words. The novel constructs a huge and stylized bizarre worldview, and introduces the theme of "cure", which is related to suspense types but rarely involved, and tells the story of a comedian who can’t laugh and goes deep into virtual reality games to cure ghosts, save the world and find himself. I will repair the air conditioner to grasp the genre narrative accurately and strictly, so that the new theme can be well integrated into the structure, rhythm and inherent core of the super-long mystery novel, and make great contributions to the maturity of this genre.

Label: suspense game warmth

Under the genre of horror suspense, I can repair air conditioning and achieve two pioneering works in succession. One is to properly handle the natural contradiction between the suspense of suspense theme and the strong feeling of long upgraded articles in I Have an Adventure House, and the other is to successfully explore the new theme of "cure" through My Healing Game.

Compared with Chen Ge, the protagonist in I Have an Adventure House, Han Fei, the protagonist in My Healing Game, still punishes evil and promotes good, but his sense of value is in chaos. Han Fei overcame ghosts and constantly accepted and understood ghosts, which not only challenged the ultra-high difficulty of the game, but also did not hesitate to choose sacrifice to save others. In Han Fei’s body, madness is the power source of violent aesthetics, and it is also the perversion of goodness. The more legitimate and urgent its purpose is, the more madness that follows will be "upgraded"-kindness is not a warm soup of suspense narrative, but an inner pool full of confusion. What is goodness? Given kindness, why are you still confused and miserable?

Madness is a metaphor for the truth. By tracing the two crazy signs of laughter and pain, Han Fei found that his "healing personality" was not a natural product, but originated from the experimental technology of "personality shaping" During the experiment, the personality "laugh wildly" first slaughtered all the personality slices representing self-distractions and evil thoughts, and imprisoned themselves in the subconscious "orphanage", and then the only "qualified product" of the perfect personality experiment was born, which represented pure goodwill and altruism. When goodness is equated with paranoia and deformity, madness becomes the by-product and necessary catalyst of the compound reaction of "doing good" at the same time. The violence of technology dismembered Han Fei and laughter, and the perfection and correctness of rational identification became the most deeply rooted symptoms and reasons of madness.

The existence of madness is a profound criticism of modern civilization, and the cure is not only crossing people, but also crossing ourselves. From this, the novel moves from symptoms to artistic sublimation. In the end, faced with the ultimate incarnation of all kinds of frightening oppressive order, Han Fei chooses to commit suicide to free himself from the bondage of laughter, and laugh wildly and choose self-sacrifice to recall Han Fei who has always been kind to him. Madness makes people forget the pain, the fear of the unknown and death, the fear itself and the nothingness. Han Fei’s liberated and repressed self climbed the rope ladder called madness, and finally ran to freedom and unity in a grand tragic ceremony.

Salvation is old-fashioned, but "return" is very healing. At the end of the story, Han Fei, a comedian who never learned to laugh, finally showed a heartfelt smile, which was a gift from the world.

Embers in the Deep Sea: Crazy World and Hymn of Mankind

Text/Wang Yuxi

From 2010, when sci-fi was still a niche theme of online texts, to 2024, when the craze of online sci-fi was flourishing, Yuantong always insisted on deeply cultivating the field of sci-fi. His works have distinct secondary characteristics, and the relaxed atmosphere between characters and the tragic sense of doomsday epic interweave to form a unique narrative style. "Deep Sea Embers" has been serialized since July 2022, which has excellent readers’ reputation and commercial achievements. The work tells a series of adventures experienced by Zhou Ming, a contemporary youth, after he was forced to enter another world and became ghost captain Duncan. While uncovering the mystery of his life experience and the truth of the doomsday crisis, Zhou Ming/Duncan and his friends along the way jointly sought the hope of the survival of civilization. Compared with the previous works, the writing and narrative of Deep Sea Embers are more sophisticated, which reflects the calm tolerance of the author of the mature online text.

Label: science fiction Cthulhu steampunk

"Our world is just a pile of dying embers."

Leaving the single apartment blocked by dense fog, Zhou Ming arrived in such an excessively bad world. The island of civilization floats in the vast and dangerous deep sea, and knowledge, like the deep sea, is always waiting for an opportunity to devour human reason and life, and the journey of pursuing truth is always accompanied by death.

Far Eye uses the popular Cthulhu setting in Deep Sea Embers in recent years, and the meaning of this setting is always the fragile rationality of small human beings, and the irreversible collapse and defeat in the face of the huge, secretive and crazy external world. The embers of the deep sea depicts such a world. Several worlds collided, incompatible cosmic laws destroyed each other, and all the old civilizations vanished in an instant. The chaos and conflict caused by the impact of the world have always been deeply rooted in everything, so the new civilization has been destroyed again and again. Today’s deep-sea era is also moving towards a long night, and all efforts made for the survival of civilization are too insignificant.

However, based on the irrational world setting, the narrative of Deep Sea Embers is highly rational, with interlocking plots and layers of foreshadowing. In line with this writing style, the theme of the whole work is not the defeat of human beings, but the hymn of human beings. Those who live in the deep-sea era, even though they are risking mental breakdown, still refuse to give up exploring the unknown with reason, still have the courage to raise their swords in the face of the most horrible enemy, and still trudge with hope when they see the gloomy road ahead-or refuse to stop knowing that they are desperate, no matter whether they finally arrive at dawn or long night, they deserve to win eternal glory with a moment’s attention.

In the stormy deep-sea era, Zhou Ming, who came through, was too strong, and the green flame that was lit at will could burn all threats. Although the work is not finished yet, Zhou Ming, who is invincible and unfavorable, will eventually bring new life to civilization. Zhou Ming is not so much the hero of the story, as he promised the readers the beginning, end and development direction of the story. Because of Zhou Ming’s existence, readers can concentrate on feeling the passion and sharpness of the real heroes who are still unyielding in the face of doomsday or trying to live hard. Thus, the glory of mankind will have nothing to do with whether it can win in the end, but only come from every moment’s thinking and action-even if it is defeated and fought repeatedly, it will be unyielding if it dies. It was on them that Zhou Ming saw "the resilience of civilization".

New Media Editor: Zheng Zhouming

Photo: published materials, photo network

Original title: "A quick review of 10 male-frequency online texts: after classicism, the theme of science fiction grows | New Criticism China Biennial List of Online Literature (2022-2023)"

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　　Recently, the video blogger "Sheep of Big Wolf" in Bayinguoleng Mongolian Autonomous Prefecture, Xinjiang, which has 8 million fans, posted a video on the Internet, saying that he was married and had children at the age of 19, and then he was abused by his husband and his account was taken away, resulting in depression. This incident caused widespread concern.

On January 11th, "Sheep of Big Wolf" forwarded a "Description of the Situation" signed by Bazhou Media Association in its Weibo account.

　　On January 11th, "Sheep of Big Big Wolf" forwarded a "description" signed by Bazhou Media Association on its Weibo account, which stated that the real name of the anchor of "Sheep of Big Big Wolf" was Ran Hui. Since November 2021, this account has been filmed and operated by himself. After its video content became popular on the Internet, many media companies and online brokers contacted and asked to operate on its behalf. Individual media companies, broadcasters and brokers take advantage of Ran Hui’s ignorance of network operation in order to create heat by rubbing traffic. Without clear authorization, they cheat the trust in the name of promotion, agency operation and broker, and make malicious speculation on accounts without authorization.

　　The "Description of the Situation" also said that "domestic violence between husband and wife", "Big Wolf’s sheep", "cheating broker", "high price claim" and "pursuing love thousands of miles away" circulated on the Internet are all hype, and the hype content exaggerates the facts, fictionalizes the plot and is vulgar, causing harm to the image and family of the parties, causing bad guidance and bad influence on the network. At present, the parties have applied for judicial procedures to safeguard their legitimate rights and interests through legal means.

　　According to the website of Xinjiang Uygur Autonomous Region government, on March 24th, 2021, the inaugural meeting and the first general meeting of Bazhou Media Association were held in Korla Media Center. The meeting read out the Convention on Self-discipline of Bazhou Media Industry, adopted the Articles of Association of Bazhou Media Association and the Convention on Self-discipline of Bazhou Media Industry, and elected the first president, vice president, secretary-general and supervisor of Bazhou Media Association. Tian Rui was elected as the president of the association. Xu Shenggui, deputy director of the Propaganda Department of Bazhou Party Committee, attended the inaugural meeting and delivered a speech.

　　On January 11th, a staff member of Bazhou Media Association told The Paper that the document was true and was an internal document, mainly to warn local media that the account of "Sheep of Big Wolf" was operated by Ran Hui himself, and the parties concerned had applied for judicial procedures to safeguard their legitimate rights and interests through legal means. They don’t know anything else.

　　The Paper privately wrote "Big Big Wolf’s Sheep" through Weibo, Tik Tok and other channels, but the other party did not reply before the press release.

　　The Paper previously reported that on January 30, 2022, Ran Hui sent a video claiming that she was engaged at the age of 18. At the age of 19, she came to Xinjiang from Shandong to raise sheep with her husband who was one year younger than her. However, after becoming popular, the husband’s family hoped that he could help bring goods to make money. Her husband took the children away and rejected his account, making rumors that he abandoned his family. Previously, "Big Big Wolf’s Sheep" became popular because it slaughtered a sheep in eight minutes, and many netizens teased her as "a girl with a goat".

　　Once the video was issued, it attracted the attention of netizens. Many people expressed sympathy for his experience, while others questioned that it might be hype. On January 3, a staff member of the Yuli County Women’s Federation in Xinjiang said that the relevant departments have paid attention to this matter and are learning about it. If necessary, they will give legal help.

　　Ran Hui’s husband, Wang Zhiao, responded by sending a video on January 3, saying that he had not committed domestic violence, had called the police and was cooperating with the investigation.

　　In the video, he said that he and Ran Hui were classmates in junior high school, and they confirmed their love relationship in junior high school. Later, they got married with the consent of both parents, and they had a daughter. It was a quarrel between normal husband and wife with Ran Hui. "On the contrary, she often hurts me when quarreling. This neighbor can testify and friends can testify."

　　Regarding the other party’s claim that he took away the account, Wang Zhiao said that the account was originally his own, and it was used to sell his own mutton at first, and cooperated with Ran Hui, and one appeared and one shot was taken. "Ran Hui is only known by the majority of netizens as a photographer. It is not an account that everyone thinks Ran Hui made himself."

　　On January 9th, "Big Big Wolf’s Sheep" was broadcast again, saying that it had moved away from home and denied the cheating agent. "I don’t have an agent. I’ve never signed an agent."

"Was born, mang kunlun, read all the human spring scenery.

Like three million white jade dragons in flight, You have chilled the sky through. “

Special feature of 1905 film network Twenty-three years ago, in the movie, the general Feng Shi and the scientist Lu Guangda sang Chairman Mao’s "Niannujiao Kunlun" emotionally, and the overflowing patriotism and revolutionary heroism touched countless audiences.

The film tells the story of several generations of national defense researchers and soldiers who took root in the northwest desert and overcame countless difficulties, and finally completed the first atomic bomb explosion in China. They won seven awards, including best film and best director, at the 20th Golden Rooster Award of China Film.

Although the box office performance of "Born Out" in that year was not ideal, it became a classic in the history of film in the precipitation of time, and became the highest-rated main melody movie with a score of 9.4, and many classic lines were talked about by the audience.

After a lapse of 23 years, at the 12th Beijing International Film Festival Li Xuejian Master Class, the cast of "Born Out" was pleasantly reunited.

Starring Li Xuejian and Li Youbin, together with the film director, screenwriter, photographer, artist Lin Chaoxiang and editor, chatted about the past filming and felt the great Malan spirit of "doing earth-shattering things and being anonymous" again.

Before the activity began, there was another detail that was particularly touching. Li Xuejian was the first to come to the scene early, gave a military salute to all the audience and media reporters, and kept bowing. As always, his modesty and sincerity won warm applause from the audience.

Starting from life

Play the "unsung hero"

Chen Guoxing, the director, first shared the origin of the film’s creation: Born Out of the Sky is a tribute to the 50th anniversary of the founding of New China, shouldering both political and artistic missions.

The film is adapted from Malanchao, an award-winning work of Xia Yan Film Literature Award. The story mainly revolves around two generations of the atomic bomb test base. After receiving the novel, Chen Guoxing, through a lot of data collection and in-depth interviews, decided to expand the perspective and pattern of the film, adding descriptions of the international background, national level and intellectuals at that time, and presenting the arduous struggle behind the first atomic bomb explosion in China in a panoramic way.

How to show such a grand movie theme? In the final analysis, it lies in the shaping of characters. Feng Shi and Lu Guangda, two leading men with distinct personalities and full colors, are the key to the success of the film, and the superb performances of Li Xuejian and Li Youbin also inject souls into the characters.

Chen Guoxing still remembers that he sent an invitation to Li Xuejian before there was a script. When he heard that it was this theme, Li Xuejian agreed without saying anything, and devoted himself to the creation of characters.

Li Xuejian said with emotion: "The workers involved in the nuclear test, whether they are famous or unknown, are all national heroes. It is my honor to participate in such a film."

Li Xuejian and director Chen Guoxing.

In order to interpret this group of "national heroes" well, the starring actors did a lot of "life under the sun" interviews before starting, communicated with the prototype characters, and collected many delicate and vivid life details.

Because the state of nuclear physicist is far away from life, Li Youbin was very uneasy at one time, "I still feel that I can’t play in the middle", and he also specially read a large number of biographies of nuclear physicists, looking for characters’ feelings.

Li Youbin

But what impressed Li Youbin the most was that when interviewing Academician Cheng Kaijia, he just asked: "Why did you choose to return to China at that time?" Academician Cheng couldn’t help crying.

"They have experienced the humiliating history of old China, and it is the spirit of patriotism that supports them. We all had a strong sense of mission when filming this movie, and this movie also changed my outlook on life, "Li Youbin said.

Li Xuejian said that in recent years, he has often seen young viewers relive the clips of the film on the online platform, which is very touching. "I think it is worthwhile for us to make this play!"

risen to challenges

Make the best theme movie

Born Out shows the arduous struggle of a group of "unsung heroes", and the film creation process is also not easy.

Because a lot of content involves confidentiality, Chen Guoxing and the screenwriter team can only try their best to collect information. For example, the "abacus" fragment that impressed many audiences is only described in a few words in the book, but the founders fully explored and used the contrast between the advanced technology of atomic bombs and the traditional abacus calculation to design this shocking bridge.

When shooting, I borrowed the reading room of Tsinghua University Library as the shooting location, found dozens of accountants as actors, and hung eight Chinese characters on the wall — — Do it yourself and start from scratch.

Lin Chaoxiang, an artist, revealed that he planned to shoot near Beijing at first, but he never found the desired image feeling until he came to the Malan Military Region in person and saw the vast and boundless sky before he found the real "born" temperament. In this way, from scratch, on the Gobi Desert, the engineers and soldiers of the Malan Military Region and the crew used 92 tons of steel to rebuild the scenery and completed the "impossible task".

Photographer Zhang Li interprets the image style of the film in this way. The khaki of the Gobi Desert echoes the golden color of Beijing, showing the vitality and nostalgia belonging to that era.

But what impressed him the most was the mental state of every actor when shooting a big scene: "When Li Youbin and Li Xuejian came out, there were often thousands of soldiers in the background. Those young voices and faces were warm, and every subject was very vivid. “

The on-the-spot shooting in the Gobi Desert brought magnificent images to "Out of the Sky", but the hard conditions were also a big challenge for the main creator. Chen Guoxing recalled that the conditions of eating and living on the set were poor, and there were no vegetables, and all the fruits were canned. "When shooting, the Gobi Desert was full of sandstorms, and Li Xuejian took the team, led the camels to face the wind, and the airplane heads blew against it, and suffered too much, but the actors never complained."

Due to the accumulation of a large number of wonderful materials in the early shooting, it has become a big problem for editor Zhou Xinxia, and has been unable to sort out narrative clues.

At this time, the photographer Zhang Li’s words woke her up, "Be bold and clean up carefully". "Chinese’s backbone and backbone shown in the roles played by Li Xuejian, Li Youbin and three people are the most touching to the audience, and my editing is also closely around these three people."

Chen Guoxing also recalled a detail. In the process of creation, the American bombing of China’s embassy in Yugoslavia happened. Li Xuejian was very angry when he learned about it, and the inspiring lines in the film also had practical significance:

"It should be said that the United States is a beautiful country, but he should not bully you as he is now, making you want to yell at him, NO, fuck you! I just can’t swallow this tone! "

Recalling the shooting more than 20 years ago, many details have been blurred, but the "Malan spirit" that I personally felt in the creative process is always in the hearts of every master.

"Born Out" is a film that truly shows Chinese’s "backbone" and Chinese’s spiritual essence. There are not many such films. Now there are some works with high cost and gorgeous production, but there are too few works that truly express the essence of national spirit, "said Zhang Li.

Li Xuejian said forcefully: "Malan spirit is summed up in two sentences: do earth-shattering things and be anonymous.". They did what no one in the world believed that Chinese could do. They really gave their youth and their children and grandchildren for the country and the people. Young people can go to Malan base to have a look, and they will definitely feel the same way with me, and tears can’t stop flowing. "

Finally, when asked how to create an excellent theme film, Li Xuejian said: "There is no need to conceptualize the theme film, carry forward the truth, goodness and beauty, lash out the false and the ugly, and carry forward the story of China, which is a good theme film."

Special feature of 1905 film network In 2023, he won the Magnolia Award for Best Supporting Actor for his role in Central Zhou Zhigang. The "old father" holding the trophy on the stage was filled with emotion, and several "Zhou family members" witnessed this glorious and warm moment together at the scene — — This makes the audience seem to be instantly pulled back to the northeast of the last century, which is not spacious, but always steaming and full of home flavor.

When the battle for the best supporting actor in the "Magnolia" was fierce, Ding Yongdai admitted that he didn’t want to win the prize. However, the netizens in the comment area unanimously gave a "deserved" evaluation, and some even left a message saying: You should have taken it long ago!

Recently, Ding Yongdai has become a new "national father" in the minds of many audiences because of his roles in The World, Coming from South to North and other works.

Before these "explosive dramas", he was also an "emperor expert" in nirvana in fire and Changfengdu, and the wicked Bai Baoshan who left a "psychological shadow" on many people.

In an exclusive interview with Film Network in 1905, faced with honors and praises, Ding Yongdai modestly attributed these to the help and good luck of people around him, but he laughed and said that he was "dissatisfied". In the face of every role and opportunity, Ding Yongdai still holds the momentum and sense of crisis of stepping out of the comfort zone.

Compared with being a "anchor needle" in a play, he feels that he should be a "pin" in more works in the future, not missing every good role and worthy of the recognition of the audience.

Actor Ding Yongdai accepted an exclusive interview with 1905 Film Network.

one　

The new "national father"

In "Going South and Going North", the character Ma Kui became a "difficult-to-understand" who earned everyone’s tears by sacrificing the ending. "As an audience, I also think this is a bit’ tough’." Ding Yongdai said, "But isn’t this the profession of police? In peacetime, they are the people closest to danger. I think this is what the teacher wants to express. "

Ding Yongdai is very grateful to the director and screenwriter for giving him a chance to experience and shape a police role that is close to reality and different from the past. Although Ma Kui also has many shortcomings — — Complaining, impatient and abusive, he is undoubtedly a railway policeman who is full of responsibility, devoted to his work and full of love.

It’s not just Marquis. Ding Yongdai has also become a new "national father" in the hearts of many audiences, especially young audiences, including his recent interpretation in such big-bang works as "In the World".

This title makes him nervous, but Ding Yongdai is very happy, and more and more young people are willing to learn about our parents through chronological dramas. As an actor, we need to show our predecessors better through performances, which is also a kind of inheritance.

"After I played these fathers, many young people left messages,’ You are too much like my father’ and’ I think of my father when I look at your play now’." Every time I read these, Ding Yongdai always felt quite touched. "I can feel that children nowadays may be a little lonely. Now people may have less living atmosphere like in the past, but they may be a little envious, which is part of the reason why chronological dramas are now accepted and even welcomed.

For Ding Yongdai, it is not difficult to find the traces of these fathers’ lives and condense them into their own performances. "I have experienced that era, so I fully understand that generation of fathers." He recalled getting along with his father when he was a child. "When I was young, my father was an engineer and he was not with me all the year round. But when I was a child, I was different from these children in the play. I was very happy at that time. I was very free when he was not at home. When my father came back, he was very stiff. "

But when he became a father himself, Ding Yongdai began to understand the silent and indebted love in "In the World" and "Going South and North". "I think they are still far away from me and much greater than me." He said with a smile, "Zhou Zhigang and Ma Kui’s generation are a great love, but our present situation is sometimes smaller."

2

Actor’s road

Ding Yongdai has long been used to performing on the stage. When I was a child, my mother, who was a teacher, would take him to movies and plays whenever she had time. On weekends, the curtain will be raised at home, and he and his sister will prepare programs and performances for uncles and aunts who come to visit according to their mother’s arrangement and requirements in advance. "That’s how I played it." Ding Yongdai said with a smile that his mother’s interest in art has deeply influenced him.

Later, Ding Yongdai occasionally got some opportunities to get in touch with performances at school. In the second year of junior high school, he was selected by Inner Mongolia Opera Troupe to play a minority boy. When the school propaganda team rehearses the dance, Ding Yongdai is always asked by the teacher to attend.

At that time, Ding Yongdai had not really realized what acting meant to him. He first became a worker, but the seed he had planted in his childhood always reminded him repeatedly in the most difficult time — — "At that time, you often associate your destiny with someone in movies and plays. It has inspired you countless times, and you will often have such and such assumptions. This has also become the driving force for me to choose this career later. "

Going around, the first batch of art colleges resumed enrollment. The teacher of Inner Mongolia Opera Troupe, who had invited Ding Yongdai to perform, found him again and encouraged him to take the exam. Although my father hoped that he could follow in his father’s footsteps and complete the career planning of science and engineering, with the full support of his mother, Ding Yongdai returned to his yearning artistic career.

Later, with the blessing of Bole’s teacher and Good Luck, Ding Yongdai had more opportunities to perform and gradually became the protagonist on the stage.

Ding Yongdai in Winter Solstice

three

Actors have no "comfort zone"

Several roles have been recognized in succession, and historical and chronological dramas seem to have entered Ding Yongdai’s performance "comfort zone", but he never dared to make himself feel comfortable. Life experience and accumulation enable him to control these roles and find the most accurate expression as much as possible. As an actor, Ding Yongdai hopes to perform different characteristics for each character.

"This is what professional actors should do. Of course, I can also’ lie flat’, how comfortable it is, but it is the same, which is irresponsible to the audience. "

At the age of 62, Ding Yongdai received the most challenging "task" in his career, playing Marshal Peng Dehuai in the film. Faced with such a great figure, he and the creative team hope to present a civilian, life-like and flesh-and-blood image.

To this end, Ding Yongdai not only thickened his teeth and lips in appearance, but also returned to a more ontological and life-oriented perspective to find and feel the characters — — For example, in order to restore the most natural walking form, Ding Yongdai walked around the community every night for a while. "Many people later asked me, Teacher Ding, what are you doing at night?" .

Before shooting, he still thought repeatedly, if I were an audience, would I like the actors to act like this? Is it acceptable? "We advocate heroes, and the general audience needs to admire themselves. I can feel it. The responsibility is great, and there is no reason not to do it well. "

In a previous recording, the host asked the audience if they knew the actor Ding Yongdai, and more people were familiar with the role than himself. Even recently, in the discussion of dramas such as "In the World" and "Going North and South", there are still many people who are obsessed with the classic image he created in the past.

Ding Yongdai said with a smile, as an audience, I will "n brush" the dramas I have participated in. The sparks from the impromptu collision with the opponent actors are still impressive. For example, filming "nirvana in fire", driven by the performance, Emperor Liang’s emotions are out of control. There is "In the World", the last moment of Zhou Zhigang’s life and the tender moments of his children.

But what he watched the most was "The End of the Road 1997" ("China Criminal Investigation No.1 Case"). Ding Yongdai, whose original appearance didn’t conform to the prototype, won the role by virtue of her ruthless temperament. After playing this "felon" for a long time, as soon as he went to the street, someone would chase him and call him "Bai Baoshan". It is this role that has influenced his performance style and made Ding Yongdai truly feel the meaning and happiness as an actor.

four

Recognition and sense of crisis

In 2023, Ding Yongdai won the "Magnolia Award" for Best Supporting Actor with his performance in "In the World" that touched countless audiences. Although in the face of honor and praise, he is always used to modestly attributing "winning" to the help and luck of people around him, in the eyes of many audiences, Ding Yongdai’s trophy is not only deserved, but also made them look forward to it for a long time.

Ding Yongdai said frankly that when he was young, he would have a stronger desire for fame and fortune. "I want an award and a play, and I always hope to be different overnight." But as we get older, these things gradually become less important. As an actor, happiness begins to come from the role, whether you are remembered or not.

"Still has something to do with the work. At that time, my own skills and so on have not yet arrived. Actors, some people may become famous overnight, and some people have been unknown all their lives. Let nature take its course, and when it comes, everyone may remember you. "

Nowadays, with more and more explosive works and roles, Ding Yongdai has obviously become a quality actor recognized by the audience. The wonderful performance dedicated in recent works has made many people praise him as the "anchor of the sea" in the crew.

But he still has a lot of "dissatisfaction" with himself. In Ding Yongdai’s view, he is a "stupid actor". Compared with the enviable aura of some actors, his thoughts and feelings about performance always need to be shown by slowly pondering the characters.

At the same time, Ding Yongdai always has a sense of crisis. At present, the source of this sense of crisis is "cruel time". "I used to play young people every day. In 1996, I played" Tuodao ",and I started playing at the age of 15; In 1998, when I filmed "The Ballad of War", my role was only 18 years old. Today, I can only play grandpa and dad. "

This time, Ma Kui has a lot of action scenes that need to be done by the actors themselves. "If you can’t reach it, you can’t play this character." Ding Yongdai hopes that he can always keep the performance required and never miss every opportunity and role.

Compared with "fixing the sea needle", he felt that it was enough to be a "pin": "Hold down the work and let the young people draw the latest and most beautiful pictures on it."

　　CCTV News:According to CPC Central Commission for Discipline Inspection’s website, this year is the year of transition, and it is a top priority to choose good people and use good people. Regarding the discipline of strict change, the work report of the Seventh Plenary Session of the Central Commission for Discipline Inspection requires: "Implement the Party Central Committee ‘ The opinions of the discipline inspection and supervision organs must be listened to, and complaints and reports with specific clues must be investigated ’ The request for a veto of a politically problematic vote. "

　　Political problems of cadres are no less harmful to the party than corruption.

　　General Secretary of the Supreme Leader said: "Political problems of cadres are no less harmful to the party than corruption, and some are even more serious than corruption."

　　In recent years, many cases have been investigated and dealt with, which show that party member’s cadres are politically incompetent and have political problems, which often do more harm to the party’s cause. Take the middle-ranking cadres investigated and dealt with in recent years, their most prominent and worst behaviors are often political problems — —

　　Huang Xingguo, acting secretary and mayor of the former Tianjin Municipal Party Committee, seriously violated political discipline and rules, discussed the central government’s major policies and undermined the party’s centralization and unity;

　　Lu Enguang, a member of the former party group of the Ministry of Justice and director of the Political Department, made a comprehensive fraud on his age, party membership materials, work experience, education background and family situation, and deceived the organization for a long time;

　　Yu Haiyan, former member of the Standing Committee of Gansu Provincial Party Committee and vice governor, organized a group to cultivate private forces, opposed organizational censorship, wooed corrupt discipline inspection cadres and patrol cadres, inquired about patrol information, and interfered with supervision and discipline work … …

　　It is also worthy of our vigilance that political issues and economic corruption are intertwined through interest transfer, forming interest groups and endangering the political security of the party and the country. For example, Chen Shulong, the former vice governor of Anhui Province, has long used his power and position to conduct business and profit-making activities, grabbing huge economic benefits, and bringing the principle of commodity exchange into the party’s political life, where political issues are intertwined with economic issues.

　　In view of this situation, the analysis of the Supreme Leader General Secretary hit the nail on the head: "Corruption and political problems often go hand in hand. Can’t we do these things, such as forming gangs and buying people’s hearts, without material means? If you can’t do it, you have to do crooked ways to find money. Conversely, if there is corruption, then you will think about how to find a safe passage for yourself and find an umbrella, you will engage in group gangs, and even want to influence the organization’s decision on the leadership team for your own self-interest. "

　　These cases also reflect that not talking about politics and engaging in political nothingness are the main contradictions facing the current political life within the party: disloyalty and dishonesty to the party, one set ahead of others, one set behind others, duplicity, and "two-faced"; The implementation of the central government’s major policies and decision-making arrangements is not resolutely in place, and the local area and the area in charge are regarded as private territories; Worship the pier and set up an antenna, choose people to be crony, engage in small hills and form a party for personal gain, which seriously pollutes the political ecology.

　　To solve these problems in inner-party political life, party member cadres are required to tighten the string of political discipline and rules at all times. Political discipline is the most fundamental and important discipline of our party, and observing political discipline is the basis of observing all disciplines of the party. When Ji Gang is abolished, why is nothing born? Since 2016, 51 middle-ranking cadres who have been disciplined by the Party for serious violations of discipline have been notified by the website of the Supervision Department of the Central Commission for Discipline Inspection, and almost all of them have violated political discipline and rules. The most common situations include: organizing gangs, forming gangs, opposing organizational censorship, engaging in superstitious activities, and so on.

　　It can be seen from this that no one can play with political discipline and rules, and those who violate them will pay the price, even senior cadres! For party member cadres, stressing politics is the first requirement. When we are serious about the political life within the Party and purify the political ecology, we must also examine and guard from the political height, always tighten the string of political discipline and rules, stick to our beliefs, stand firm, and always take the quasi-political direction.

　　This year, the party committees of provinces, autonomous regions and municipalities across the country will be re-elected, and the candidates for the "two committees" and party representatives of the 19th National Congress will be produced one after another. In order to choose the right people, the good ones and the best ones, we must strictly control politics and resolutely prevent people with political problems from entering the leadership team.

　　Strictly control the candidates for general election and put political standards first.

　　Some time ago, Li, a department-level cadre in Mengla County, Xishuangbanna Dai Autonomous Prefecture, Yunnan Province, was "rejected by one vote" in the change of county-level leadership. Li is very regretful: "I only reported personal matters based on personal memory and did not communicate with my family, so I underreported a piece of housing information. At that time, I thought that the organization was too busy to be found … …” Just because the report on personal matters was untrue, Li was reported by the real name of the masses and was verified, and finally lost the opportunity to inspect the candidates.

　　Is it serious that personal matters are underreported and concealed, and files are altered in several places? Sure! This is a test of whether party member cadres are loyal and honest to the Party organization and have a heart-to-heart disclosure. Loyalty to the party and political reliability will always be the first requirement.

　　The so-called "strictly controlling politics in the new term" means insisting on putting political standards in the first place, in-depth investigation of candidates’ political beliefs, political positions, political determination and political character, and understanding of candidates’ words and deeds and principles. In particular, we should pay attention to the performance of the candidates in maintaining a high degree of consistency with the CPC Central Committee with the supreme leader as the core, safeguarding the authority of the CPC Central Committee, implementing the decision-making arrangements of the CPC Central Committee, and safeguarding the party’s centralization and unity. Those who have problems in these areas must be rejected by one vote.

　　For example, in order to ensure the smooth transition, Xinjiang has refined the criteria for cadres’ political qualification into 22 specific manifestations in four aspects: political firmness, political acumen, political discrimination and political execution, and has implemented a one-vote veto on any problematic cadre.

　　"the first pass is not enough, and the rest is not enough." Recently, Tianjin used these eight words to let the city’s leading cadres realize how important political issues are. Tianjin strictly controls the candidates for re-election, puts political standards in the first place, and vetoes the one-vote vote of engaging in small circles and not being responsible and conscientious, and being a good man — — There are 86 bureau-level cadres who have not been listed as candidates for re-election due to poor political awareness; 1260 problematic delegates and Committee members were excluded.

　　Political issues are fundamental and big issues at any time. In the process of general election, leading cadres with strong political awareness, overall situation, excellent work style and courage to take responsibility can only be truly selected into the leading group if they are unambiguous about the existing problems, one-vote veto of political problems and resolute exclusion of serious injuries in integrity.

Special feature of 1905 film network In 2023, the film market was booming, and in 2024, the best films in the Spring Festival were coming — — Excellent domestic films such as "Huang Qi: God’s Cat from Heaven" are scheduled for the Year of the Loong New Year’s Day, and the 2024 Spring Festival movie market has been opened.

Help the Spring Festival movie cluster propaganda, and the "Six Princesses" and the Spring Festival main creation will be shot again! From January 29th to February 17th (the eighth day of Lunar New Year’s Eve), the film channel specially launched a 20-day series of planning activities for the Spring Festival of 2024, focusing on the film works, the main filmmakers and market performance of the Spring Festival in a full-time, all-round and multi-angle way, with multiple forms such as TV programs, live broadcast on the whole network of media, short videos of new media and graphic information.

A year’s plan starts with spring. In the booming China film market, the significance of the Spring Festival file is self-evident. Driven by well-received films, the Spring Festival in 2023 created a total box office of 6.758 billion yuan, and the number of people watching movies exceeded 129 million, laying a good start for the booming film market throughout the year. In 2024, the Spring Festival movies have distinct themes and diverse types, with high reputation and heavy filmmakers, and the audience expectation index remains high. The movie channel is duty-bound to do a good job in promoting the Spring Festival movies.

Breaking the communication mode of many films in previous years, the film channel will scan the 2024 Spring Festival movies in a matrix with a brand-new propaganda mode, and bring together the differences and diversification of each film into the complementary advantages of the whole schedule, so as to maximize the cluster effect of the Spring Festival as the "first schedule".

Like the diversified Spring Festival films, the planning sections with their own characteristics will attack all the lines in the series of activities.

The brand column "Blue Feather Living Room" is newly upgraded, which will run through the whole activity and play the communication channel of media live broadcast and TV broadcast programs. Lan Yu, the host of the movie channel, talked with the main creator of the Spring Festival movie at the round table, and discussed the cultural value of the Spring Festival movie with the "airborne" guests from different fields, and explored the original creative heart of the main creator, and will present a different Spring Festival experience in combination with the intangible culture.

The camera keeps turning on all the time, and the "Six Princesses" will always be on the front line of "live". No matter the new film conference site or the special announcement activities, the live footage of the movie channel will not be absent. The audience will not only be on the scene through live broadcast, but also have the opportunity to visit the scene and have a direct dialogue with the creators present in front of the camera.

What is the experience of spending the Spring Festival in the cinema? The film channel "Roadshow Log" has once again opened a new chapter in the Spring Festival, and the life-oriented documentary shows all the crews are behind the scenes of roadshows all over the country. Watching movies has become a "New Year custom" in Chinese for the Spring Festival. During the Spring Festival, filmmakers and movie channels that take cinemas as their home are ready!

Apart from the live footage, creative short videos don’t miss any details. The authoritative first-hand graphic information reports the movie market dynamics, and two ace programs, China Film Report and Today Film Review, will present a screen light and shadow feast for the national audience every reunion night during the Spring Festival holiday.

Chinese New Year movies are booming, and the family reunion is safe and sound. From now on, the planning activities of the 2024 Spring Festival file series of the "Spring Festival movie is booming" movie channel officially kicked off. From January 29th to February 2nd, the first stage of the event will be broadcast live, and film masters such as Pegasus 2, Boonie Bears: Time Twist, Article 20 and The Movie Emperor will take the lead in the Blue Feather Living Room, and bring press conferences, premieres and more special activities to the audience of the whole network. Please lock the movie channel into the whole network platform of media matrix, and cheer for the outstanding domestic films in the 2024 Spring Festival!

Cherry Maruko, a teenager from Italy

Special feature of 1905 film network "Crack, crack, beep, beep, beep, beep, beep, beep, beep, beep, beep, beep, beep, beep, beep, beep, beep, beep, beep, beep, beep, beep, beep, beep, beep, beep, beep, beep, beep, beep, beep, beep, beep, beep, beep, beep, beep, beep, beep, beep, beep, beep, beep, beep,

"Cherry Maruko" was born in RIBON, a Japanese girl comic magazine in 1986. Based on the childhood life of the author, Cherry Maruko (whose real name is Miura Miki), it tells an interesting story about Maruko’s life with her family and classmates in Shimizu City, Shizuoka Prefecture, Japan in the 1970s.

The original author Cherry and her cartoons.

"Cherry Maruko" was animated for the first time from 1990 to 1992. So far, there have been more than 1,000 episodes of TV animation, and it is still being serialized and broadcasted in Japan. The characteristic of "Cherry Maruko" is that when the character is embarrassed, there will be a trademark expression of black line, and sometimes there will be a cold wind blowing from behind.

The 1990 version of Maruko and her unique black line

　

Unlike Doraemon, Detective Conan and other cartoons, there is a theatrical version every year. The Boy from Italy is the third theatrical version of Cherry Maruko, which was made to commemorate the 25th anniversary of TV animation. The film was written by the original comic author Sakura himself, and the animated version was directed by Jun Takagi.

　

The 1990 theatrical version of friendship days and the 1992 theatrical version of My Favorite Song.

Although "Cherry Maruko" is actually 30 years old, in the world of animation, she has always been the third-grade pupil in our memory. It seems that she will never grow up, always with a small head, a round face, a constant hairstyle, and a classic dress of white coat, red skirt and yellow hat.

The classic shape of Maruko for 30 years

She has many small faults: she is lazy, doesn’t like sports, doesn’t like studying, doesn’t like cleaning, loves to take advantage, is careless, always gives up halfway, and often quarrels with her sister. But we still love her, because she is innocent and lovely, lively and kind, and she is very real, just like us, every ordinary and ordinary child enjoys a carefree childhood.

Twenty-five years have passed, when we have all grown up, we gradually lost our last childlike innocence in the crowded crowd and busy life. When we first saw her in the cinema, we might be surprised to find that although the appearance is still the same, the small ball has grown!

Maruko and Andre

This time, "Cherry Maruko" is different from the past. Maruko and her friends went out of Shimizu to travel to a wider world such as Osaka, Kyoto and Tokyo, and made six children from all over the world. Most importantly, Maruko met the first boy who liked her, Andre from Italy.

Six children from all over the world

　

They set off river lanterns, watched fireworks and caught goldfish together. Although they are still pure friendship, when they are squeezed by the crowd and try to hold each other’s hands, when Maruko persistently accompanies Andre in his search in order to fulfill his wish, and when Maruko gets rid of her little habit of sleeping late in order to send Andre to the plane, we can clearly see that Maruko is not the original Maruko, and she has grown up.

It’s not just Maruko who grew up. The cartoon characters who brought infinite joy to our childhood all completed their adult ceremonies on the big screen, but we didn’t find them.

Growth is not only a beautiful memory and a happy moment, but also a heavy price and tears of separation, such as the one shown in the mainland last year.

The poster of Doraemon: Walk with Me is full of emotion.

We all know that Doraemon is a cat-type intelligent robot sent by Daxiong’s great grandson from the 22nd century, with the purpose of helping Daxiong change his life, marry Bai Fumei and embark on the road to success. However, more than 2,000 episodes of cartoons have been broadcast, and there are 35 theatrical versions. Although Doraemon’s four-dimensional pocket has produced strange future props, it has not changed Daxiong’s fate of poor study, weak health and being bullied by Pang Hu and Xiaofu all day. However, "Walk with Me" is different, and we see the growth of Daxiong.

　

Doraemon’s future props

Because Doraemon should follow the egg, Shizuka fell in love with Chumu fir, but Chumu fir wanted Doraemon to eliminate this reaction, because he didn’t want to get Shizuka’s love through props. This made Daxiong deeply hit. He knew that he could no longer rely on the power of Doraemon, and he had to win Jingxiang back by his own efforts. This is Nobita’s first growth, and he understands that his destiny can only be changed by himself.

But the reality is cruel. Although Daxiong worked hard and studied hard, he got a duck egg because he made a mistake in the exam subjects. The frustrated Daxiong decided to give up Jingxiang because he didn’t want Jingxiang to suffer with himself in the future. This is Nobita’s second growth, and he began to learn to think for others.

Daxiong came to the future in Doraemon’s time machine and was trapped in the storm with Shizuka when he grew up. At the most critical moment, he relied on his wisdom to find a way to save Shizuka, who was dying. This is Nobita’s third growth. He changed his destiny by himself and made Jingxiang agree to propose marriage.

Daxiong got happiness, Doraemon must return to the 22nd century according to the procedure. In order to let Doraemon leave with peace of mind, Daxiong faced Pang Hu’s bullying alone, and stood up and fought to the end with his head held high no matter how the other party punched and kicked. This is Nobita’s fourth growth, and he has the courage and responsibility to face adversity alone.

　

Watching this children’s animation in the cinema, we were drowned in tears. Perhaps we cried not only because of the growth of Daxiong and the departure of Doraemon, but also because of our own lost youth and ideals. Even the hero who is like a salted fish has the courage to face up to his life. What reason do we have to choose to escape?

Similarly, there is crayon Shinchan slowly changing. In 2010, we saw the help of Nohara Shinsuke, which is different from the past.

　

Twenty years after Xiaoxin and his friends were brought by his future fiancee Minzi, a group of people were surrounded by the bride group sent by Minzi’s father. A bride to be married seized Xiaoxin and threatened Minzi. Unexpectedly, Xiaoxin used a rose to skillfully resolve the crisis and save her companions.

　

After seeing the playground of his childhood turned into ruins, Xiaoxin began to worry about his parents’ safety. He quickly ran home to confirm that his future parents were safe and sound, and he showed a knowing smile. We just found out that Xiaoxin, who seems heartless and mischievous, actually loves his parents deeply.

　

Xiaoxin made a big fuss about the wedding between Minzi and Feng, and resolutely wanted to get back his bride, and insisted on guarding her when Minzi was about to fall off the roller coaster. This is not the crayon Shinchan that we remember. He will grow up to be the coolest adult in the future.

Therefore, Cherry Maruko has a boyfriend, Daxiong can marry Jingxiang, and Crayon Xiaoxin has a fiancee. Looking at these childhood partners growing towards their dreams and future, what reason can we not urge ourselves to become better, stronger and more responsible adults?

　　At the beginning of the new year, it seems that all major brands have not returned to work, and there are almost no anecdotes in the new energy vehicle industry, and talking about stocks seems to be somewhat tricky. Therefore, we decided that the 9th issue will be the 1st issue of the Year of the Tiger # Talking about New Energy # live broadcast, and we will review the impressive new energy vehicles that @ Electric Taxi experienced in 2021. It doesn’t matter if we don’t catch up with our live broadcast. Today, we "replay" it for you in the form of an article, which may help you buy a car.

1.ID. family

Impressive reason: the products of old car companies have a strong "public taste".

　　The protagonist of our first issue # Taking Problems to Test Drive # is FAW-Volkswagen’s ID.4 CROZZ After nearly a week’s experience, we were deeply impressed by the design and calibration of this car.

　　I clearly remember that in the test drive video of ID.4 CROZZ at that time, we used the "reverse side of Tesla Model 3" to summarize the car as a whole. As a product of an old car company, the status of ID.4 CROZZ is completely different from that of any new energy brand that has emerged recently.

　　ID.4 CROZZ does not blindly emphasize the sense of science and technology in design, but compared with Volkswagen’s fuel model, it is still simple and much younger. The word "wisdom" surrounds everything from the exterior headlights to the ambient lights in the car. The breathing effect of the light belt can really feel the car talking to people in voice interaction. The application of AR-HUD makes the instrument panel smaller in size, but the gear lever with wonderful position is extremely simple to use. The selection of heat pump air conditioner adds reasons for northern users to choose it.

　　On the driving level, the models of the ID family are also full of "popular flavor". Here, by the way, we moved out another Volkswagen family model that we tested, ID.6 (both X and CROZZ have tested), because according to @ 京京京京京京京京 _, a 6/7-seat medium and large SUV like ID.6 is lighter to drive than ID.4. There is no doubt that the old-fashioned car companies have adjusted the chassis. The ID family car has made a balance between comfort and sports, which is similar to those well-known Volkswagen family cars, and the natural rear-drive layout of MEB platform also makes the front wheels of ID family cars more flexible.

　　The performance is even more interesting. Even if the powertrain with a similar value is put on the smallest model of the family ID.3, it still doesn’t give people the "sudden jump" that new energy vehicles should have, but it is close to the acceleration experience of fuel vehicles-even if the accelerator is stepped on the front, it will still accelerate step by step. This kind of calibration is actually more comfortable, especially at this stage of transition from fuel to new energy, which will not make consumers feel too much difference, except for obvious differences in hearing.

　　Finally, the spatial performance of ID.3 is also impressive, which is larger than any fuel vehicle of the same size, and only slightly worse than the SUV like ID.4 of the same family in the trunk.

2. Polar Star 2

Impressive reason: the sports attribute is full, and the luxury feeling goes deep into the bone marrow.

　　Polar Star 2 had a big official decline in 2021, and everyone thought it would become the rival of Model 3, but the sales volume was still unsatisfactory. After a test drive, we think the main reason why consumers don’t choose it is that they don’t know it …

　　First of all, the most impressive thing is still the driving level. The handling of Polar Star 2 does not lose Model 3 at all. The steering wheel is described as "where to play", and the compactness of the chassis is also in line with its luxurious positioning. When driving on the mountain road, Polar Star 2 will give people full confidence to attack the corner; And the advantages of cross-border posture in the field of vision make it an ideal urban transportation tool.

　　In terms of design, people are used to describing this strong Nordic minimalist style as "cold", but when you really use it, you will find that these visually cold designs are warm in use. Sitting in the car of Polar Star 2, although there are no grandiose leather and a lot of precious wood in sight, these environmental protection materials are not cheap at all with strong design skills. The metal nail decoration on the door panel, air conditioning knob, hollow gear lever, etc., are carefully designed in every detail, and even the warning sound of the turn signal has become an auditory enjoyment, not to mention the luminous polar star logo reflected on the glass canopy with full sense of ceremony.

3.

Impressive reason: the scientific and technological attributes are full, and the sense of luxury is slightly inferior to "true S-class".

　　Mercedes-Benz exerted a little too much force on EQS, which can be reflected in the design first. The 0.20Cd bow-shaped body with ultra-low drag coefficient makes EQS give other new energy vehicles a scare, but as an "S-class in the electric age", it seems that no brand has boldly taken the "5-door hatchback coupe" as its flagship model. By the way, the tailgate of EQS is the largest I have ever seen, and many adults will not even touch the close button after it is fully opened.

　　After arriving in the car, the oversized central control screen+passenger entertainment screen filled EQS’s sense of technology. The resolution and fluency of the two entertainment screens in the back row were as high as "no friends", and all the seats supported multi-mode seat massage. The LOGO of the Voice of Berlin can also be seen everywhere. All kinds of signs are telling us that this is a luxury flagship product. However, the rear seat space of EQS is not even comparable to the E-class fuel, which will undoubtedly reduce it a lot. Generally speaking, EQS is younger than S-class, and "masters" may not appreciate it, but "young masters" may have to struggle between EQS and Taycan.

4.mercedes-benz EQB

Impressive reason: except that the space is too small, it is basically an advantage.

　　Apart from the fact that the space is too small, it is basically an advantage. This is definitely not an excuse for EQB, because when most consumers in China buy a car, the space comes before other factors. As a 7-seat compact SUV based on GLB, after EQB adds a battery system to the chassis, the head space in the second row can be said to be very reluctant, and the third row can be imagined.

　　However, I believe that, just like the owners who buy GLB, what EQB owners need is not necessarily that married with children will go out with seven seats, but the luxury brought by Mercedes-Benz brand-the configuration of EQB can reach the top level of GLB. If compared with new energy products, EQB is also a product of an old car company. It does not lose any products of the same level in control, and it is even lighter than many 200,000-class compact fuel SUVs. If the terminal discount is touching enough, EQB should have good sales in the future.

5.krypton 001

Impressive reason: excellent chassis adjustment, intelligent but average experience.

　　Extreme krypton 001 always makes people feel that it is a product that has been born for a long time. In fact, it was all last year from naming to listing to delivery. This car was selected in #2022SCA Sina Car of the Year #, and we also took the opportunity to experience it. Before experiencing Krypton 001, this car was perfect in my mind, but I was a little disappointed after "running now", but it still did not prevent me from calling it a good car.

　　The main technical configuration of Krypton 001 is not cold to individuals. It takes a long time to wait for the optional variable light EC canopy and air suspension, and the air suspension is inevitably aging. Intelligent doors are not as smart as people’s brains, narrow spaces open slowly, and open spaces open instantly-imagine what happens when a bicycle or motorcycle comes quickly from behind?

　　The smoothness of the car machine is average in personal memory, of course, there is no right to speak without long-term use. Yamaha audio is not too amazing, but it is definitely up to the standard of luxury audio.

　　After a lot of talk, it’s either not good or just so-so, so why are you still willing to call it a good car? It is also brought by driving quality. The body of Krypton 001 is 2 meters wide (1999mm), but the steering is very sensitive and accurate, which makes its control very handy. The double wishbone front suspension makes it more sporty, and the CCD electromagnetic damping system can dynamically adjust the hardness when facing the road surface changes. During the site test drive, the speed of S winding the pile will not panic, and the elk test is absolutely 80km/h level. In addition, the space of this car can definitely meet the needs of most people, and it can also be defined as a "good car".

6.AITO asks the world M5

Impressive reason: continuous progress visible to the naked eye.

　　I believe that friends who pay attention to us are already very familiar with it. From the release of AITO brand, to the appearance of models, to the opening of pre-sale, and to the recent multi-round test drive, we have followed up and reported. As a model deeply empowered by Huawei, the highlights of AITO’s M5 are undoubtedly the "N-Axe", HarmonyOS HarmonyOS intelligent cockpit, HUAWEI SOUND, Drive ONE three-in-one motor, etc., but what impressed me about it is not these.

　　As I said just now, I watched this car "grow up", and I can obviously feel its progress bit by bit. Give some simple examples: the wireless charging function of mobile phone, the groove was originally very shallow, and the feedback from the experiencer was deepened; Because of the quality of the sound source, HUAWEI SOUND audio can’t exert its strength, so it cooperates with many apps in the later stage, and the other party can turn on the lossless high-quality sound source. In addition, the seat comfort and suspension support have also been obviously optimized.

　　The M5 has not been officially delivered. I believe that the final version will definitely be better than the current test drive, which is worth looking forward to.

7. Weilai ET5

Impressive reason: it meets the various requirements of young people at a relatively cheap price.

　　Weilai ET5 is a car that excites young people. For this reason, I paid a deposit of 2000 yuan (this is not an advertisement) on the day when the pre-sale was opened, but the deposit was refunded in seconds due to the license issue. Such a set of operations left a deep impression on me.

　　There are several reasons for impulsiveness. First of all, it has a high face value, which has passed down the family-style design, with an atmospheric appearance and simple interior-Weilai really has a "talent" for the creation of luxury. Secondly, it is a medium-sized car with the right size and standard, which will not feel big in private and selfish to parents. Finally, all kinds of configurations are full. The whole system has a dual-motor+four-wheel drive system, and the whole system comes standard with an intelligent driving assistance system. There are a variety of colors and styles from the outside to the inside. Of course, in the end, it falls on the price, and this car can also be affordable for many young people, especially after the BaaS battery rental scheme.

8. BYD dolphin

Impressive reason: outstanding design, walking artifact.

　　Unexpectedly, the harsh @ Cao Yukun _ gave a high evaluation of BYD Dolphin, a car that is mainly close to the people. First of all, the dynamic level, the whole car does not use the usual hard training at the same level, but becomes more comfortable, which will make the dolphins lose a lot of sports, but the advantage is that many consumers will feel suitable for walking, which is very flattering. And the dynamic performance, dolphins will not give people a sense of dizziness, only slightly inferior to the same level of cars.

　　In terms of design, compared with the Chinese style "Dragon Face", the design of dolphins is unique and has a completely different understanding from other models. The bright appearance lays a young tone, and the small designs of the air conditioning outlet, steering wheel and gear lever area in the interior also give this car more connotations, rather than simply stacking materials together. Such a smart interior, combined with a large screen carrying intelligence, completely conforms to the image of a walking artifact.

9.e-POWER

Impressive reason: the unique powertrain brings a wonderful car experience.

　　Besides pure electricity, plug-in, and extended range, can we buy new energy vehicles with other power forms? Yes, Nissan e-POWER is. The unique powertrain is impressive.

　　Nissan e-POWER is a sylphy in any case, but the difference is that the 1.2L three-cylinder engine it carries appears as a generator. Why not use the word "range extender"? Because it does not extend the range, there is no large battery to provide pure electric mode, only a small battery with less than 2 degrees is connected in series between the generator and the driving motor, which is more similar to a capacitor during driving. In a word, Nissan e-POWER is a new energy vehicle that can and can only burn oil.

　　Ever since, e-POWER’s car experience is very wonderful. From the interior point of view, e-POWER is a sylphy with extremely high configuration, and the selection of materials should slightly exceed the concept of "instead of walking". But what’s more important is the dynamic experience. Sylphy has always been favored by consumers for its low fuel consumption, but it is inevitable that it will be criticized for its weak power. e-POWER is completely different. At the same time of ultra-low fuel consumption, it also has the acceleration ability of trams, making up a big short board. Regardless of the reliability of the power system (it takes time to test), the "performance version of Sylphy" like e-POWER really smells good.

　　Unfortunately, due to the length of live broadcast, many models that impressed us in 2021 were not mentioned, such as BMW iX, Lantu FREE, Lantu Dreamer, Salon Jialong and other models seen at the auto show. Of course, there will be plenty of opportunities to chat with you about new energy vehicles in the future. If you want to listen to suggestions on buying a car or want to talk about it, please continue to pay attention to our # Talking about New Energy #.

Hongqi HS7 PHEV is equipped with the latest "super hybrid" technology of Hongqi brand, and cooperates with HDU35 high-efficiency hybrid special motor with the highest speed of 20,000 r/min. The maximum power reaches 358kW, which can explode strong power in a very short time. The acceleration time of the vehicle is only 6.8s per 100 kilometers. Combined with the excellent tracking performance of the front four-wheel drive system, it can help the vehicle to drive out of the muddy road easily and smoothly, and bring full confidence to the driver.

Red flag HS7 PHEV is a variety of driving modes.The plug-in hybrid system supports "4 engines and 8 modes", that is, pure electric front drive, pure electric rear drive, direct engine drive and hybrid drive, etc. It is not necessary to adjust one by one according to the field environment, just choose the driving mode, and all the rest will be controlled by the computer.The following are the power output and energy distribution in different modes:

Pure electric four-wheel drive/two-wheel drive mode：power take offMainly relying on the motor to provide power, in the pure electric four-wheel drive mode, the front and rear motors work together to output strong torque, which makes the vehicle have excellent acceleration performance and dynamic response, and can bring a quiet and rapid driving experience, which is suitable for low-speed driving on urban roads or scenes that require high quietness.

Energy distributionAccording to the driving state of the vehicle and the driver’s operation, the output power of the front and rear motors is intelligently distributed. For example, when driving smoothly, the power distribution of the front and rear motors is relatively balanced to ensure the stability of the vehicle; In the case of acceleration, climbing or high-speed cornering, the output power of the front and rear motors will be adjusted in real time according to the dynamic demand of the vehicle, for example, the power output of the rear motor will be increased to enhance the traction and handling of the vehicle.

Series four-wheel drive/two-wheel drive mode：power take offThe engine is mainly used to drive the generator to generate electricity, and the generated electricity is supplied to the motor-driven vehicle. At this time, the motor is still the main power source, and the power output characteristics are similar to those in pure electric mode, with good dynamic response and acceleration performance. This mode is suitable for the situation that the battery power is insufficient but still needs a certain power output, for example, when the battery power is gradually reduced during long-distance driving.Energy distributionThe output power of the engine is mainly used for power generation. According to the power demand of the vehicle and the state of the battery, the control system will automatically adjust the engine speed and power generation to ensure stable power supply to the motor. At the same time, according to the driving conditions of the vehicle, the electric energy will be reasonably distributed to the front and rear motors to ensure the dynamic performance and driving stability of the vehicle.

Energy recovery four-wheel drive/two-wheel drive mode：power take offWhen the vehicle is decelerating or braking, the motor is switched to the generator working mode, and the kinetic energy of the vehicle is converted into electric energy and stored in the battery. At this time, the power output is mainly used to achieve the braking effect, not to drive the vehicle forward. Through energy recovery, the utilization rate of energy can be effectively improved and the cruising range of vehicles can be increased.

Energy distributionIn the process of energy recovery, both front and rear motors will participate in kinetic energy recovery. The control system will dynamically adjust the energy recovery of the front and rear motors according to factors such as the braking intensity of the vehicle, the vehicle speed and the charging state of the battery. For example, when braking suddenly, the front and rear motors may recover energy with greater power; When slowing down slowly, the energy recovery power is relatively small to ensure the stability and comfort of braking.

Parallel four-wheel drive/two-wheel drive mode：power take offThe engine and motor work at the same time to provide power for the vehicle. In this mode, the advantages of engine and motor can be brought into full play, and powerful power output can be achieved. It is suitable for high-speed driving, overtaking and scenes requiring large power reserve, such as when overtaking quickly on the expressway.

Energy distributionAccording to the driving demand of the vehicle and the working state of the power system, the control system will adjust the energy distribution ratio between the engine and the motor in real time. Under normal driving conditions, the engine and the motor may jointly output power according to a certain proportion to give consideration to power performance and fuel economy; When a large power output is needed, such as sudden acceleration or climbing, the motor may provide a large auxiliary power to work with the engine to make the vehicle obtain stronger power performance.

The maximum power of the motor at the rear axle of the vehicle reaches 70kW, which can ensure the posture of the vehicle body in the state of rapid acceleration, the stability under complex working conditions and enhance the comfort. On the other hand, this setting is based on the four-bar rear suspension. Compared with some other suspension structures, it can give priority to locking the comfort foundation in effect and avoid the risk of mashup caused by complex adjustment. For example, in Altay, where the mountainous area accounts for one-third of the total area, the gravel road surface passing through the test drive often causes strong car body vibration and bumps. Thanks to the IDCS intelligent variable damping and shock absorption function carried by Hongqi HS7 PHEV, the whole car can monitor the road surface and car body posture in real time, automatically adjust the front and rear damping distribution, and realize a smooth and comfortable driving experience throughout the journey, thus enhancing the comfort and stability.

In terms of fuel consumptionThis car is equipped with a plug-in hybrid system consisting of a 2.0T engine and a motor, which ensures power performance and achieves better fuel economy through hybrid technology.245. In addition, it has a "four engines and eight modes" driving mode, which can switch between pure electric four-wheel drive/two-wheel drive, series four-wheel drive/two-wheel drive, energy recovery four-wheel drive/two-wheel drive and parallel four-wheel drive/two-wheel drive, and can automatically optimize power output and energy distribution according to different driving conditions, further reducing fuel consumption.

No matter how much power, space or long-lasting endurance stability far exceeds that of the same model, going out instead of walking or traveling by car is versatile and labor-saving, so we have to praise the light of domestic products.