In recent years, whole-house customization and custom home furnishings have become very popular in the home improvement industry. There are significant differences between the two, but many small partners are confused. What are the differences between whole-house customization and custom home furnishings? Next, I will take you to understand.

The difference between whole house customization and custom furniture

Whole house customization is a home customization solution that integrates furniture design, customization, installation, and other services. Whole house customization is the exclusive furniture of consumers manufactured by furniture companies on the basis of large-scale production and according to the design requirements of consumers, and is aimed at hard-fitting.　

Customized furniture refers to the process of home decoration, combining the house decoration style in advance, designing wardrobes, wall cabinets, bookcases, shoe cabinets, decorative cabinets, cabinets, and other furniture, and communicating according to customer preferences. The size is reserved in advance, and the perfect size combination is achieved after decoration and furniture size, and then produced and installed by professional furniture manufacturers.　

From the above, we can see that the whole house custom furniture is worth a complete solution. Second, custom furniture is more biased towards a process, from appointment to door-to-door installation of the entire customization process. So the two are different.

Misunderstanding of whole house customization

Myth 1: Since it is customized, you don’t need to worry about anything.

Many owners and friends have absolute trust in custom manufacturers, thinking that custom furniture is omnipotent. In fact, this is just one link in your entire decoration. It cannot exist in isolation, but must match all the items such as walls, walls, tops, floors, doors, door covers, etc. Therefore, when customizing wardrobes, it is necessary to visit the scene in person and communicate with the designer about the relevant details to avoid size mismatches in the later stage. Although the manufacturer will solve it later, it will still cause some trouble to itself, waste time or delay check-in.

Misunderstanding 2: Zero formaldehyde = no formaldehyde

Many custom wardrobe brands like the expression "zero formaldehyde" when describing the environmental friendliness of the board. In fact, this is not accurate enough, and it is easy to mislead consumers. Many users think that "zero formaldehyde" is equal to "no formaldehyde", but in fact they are two concepts in themselves. At present, there are two international standards for formaldehyde emission: E0 level and E1 level. China’s E0 level standard is basically equal to the European E1 level standard, which is equivalent to only 0.05 milligrams of formaldehyde per cubic meter. After high-quality boards are sealed, the formaldehyde inside is basically impossible to release, so zero formaldehyde is actually zero formaldehyde emission, not that the material itself has no formaldehyde.

Myth 3: Customization means unimaginative　

Many consumers believe that since it is customization, it should be done whatever they want. In fact, custom wardrobes, called customization, are actually dancing in shackles. Although they can solve problems such as irregular space and strict space utilization, they must still follow the production specifications. Take customizing a European-style sliding door wardrobe as an example. Choose the material + choose the color + choose the door panel shape + choose the line shape + choose other decorations + choose the space utilization plan in the cabinet + choose the hardware accessories. Basically, the whole wardrobe comes out, and the product cannot escape the shackles of the existing craftsmanship and shape.

Myth 4: The larger the wardrobe, the stronger the storage　

Many owners are prone to falling into the misunderstanding when customizing wardrobes: the larger the wardrobe, the more powerful the storage function. Although the volume of the wardrobe will affect the storage, we cannot unilaterally pursue large size, and it should be determined according to the size and characteristics of the room. Moreover, volume is not the only factor affecting the storage of the wardrobe. It is directly related to the structural design and component matching inside the wardrobe. When customizing the wardrobe, we should also pay attention to the structural design of the wardrobe.

Therefore, whether it is good or not, there are various opinions, but since custom home furnishing can become the mainstream, and even the trend that has been developing for more than 10 years, it shows that it is still very good!

If you want to inquire more about whole house customization, please continue to pay attention to China Whole Wood Network, or call the national unified service hotline: 400-850-0866.

The control of cinema leader Wanda Film (002739) may change.

On December 6, Wanda Film announced that the company’s indirect controlling shareholder, Beijing Wanda Cultural Industry Group Co., Ltd., and its wholly-owned subsidiary, Beijing Hengrun Enterprise Management Development Co., Ltd., and the company’s actual controller, Wang Jianlin, intend to transfer their combined 51% equity in Beijing Wanda Investment Co., Ltd. (hereinafter referred to as "Wanda Investment") to Shanghai Ruyi Investment Management Co., Ltd. (hereinafter referred to as "Shanghai Ruyi Investment").

Wanda Investment is the controlling shareholder of Wanda Film. Wanda Film said that if the above matters are finally implemented, it will lead to a change of control of the company.

In view of the uncertainties in the above matters, Wanda Film will suspend trading from the opening of the market on December 6, 2023 (Wednesday), and it is expected that the suspension time will not exceed 2 trading days. On the morning of December 6, the Shenzhen Stock Exchange has announced that Wanda Film plans to plan a change of control, and the stock will be temporarily suspended from the opening of the market on December 6. Trading will resume after the company discloses relevant announcements through designated media.

Shares have been transferred several times this year

Since the beginning of this year, Wanda Film has undergone several equity changes. According to the 2022 annual report, Wanda Investment directly holds 38.99% of Wanda Film’s shares.

In March, Wanda Investment’s concerted action, Wanda Culture Group, reduced its holdings of Wanda Film 43.5653 million shares through the block trade system, accounting for 1.999% of the company’s total share capital. In April, Wanda Investment announced a reduction plan to reduce its holdings of Wanda Film shares by no more than 65.38 million shares, accounting for 3% of the company’s total share capital.

Entering the second half of the year, Wanda Film’s equity transfer accelerated.

On July 10, Wanda Investment signed a share transfer agreement with Lu Lili, agreeing that Wanda Investment will transfer its holding of Wanda Film 180 million shares to Lu Lili, accounting for 8.26% of the company’s total share capital.

On July 17, Wanda Investment and its acting party, Xinxian Rongzhi Industrial Management Consulting Center (Limited Partnership) (hereinafter referred to as "Xinxian Rongzhi"), signed the "Share Transfer Agreement", and Wanda Investment transferred its holding of Wanda Film 177 million shares to Xinxian Rongzhi, accounting for 8.14% of the company’s total share capital.

After the transfer of the above agreement is completed, Wanda Investment holds 436 million shares of Wanda Film, with a shareholding ratio of 20%. Wanda Investment and its concerted actors together hold 673 million shares of Wanda Film, accounting for 30.9% of the company’s total share capital.

Before the proposed transfer of 51% of Wanda’s investment, on July 20, 2023, Wanda Culture Group had signed an Equity Transfer Agreement with Shanghai Ruyi Film and Television Production Co., Ltd. (hereinafter referred to as "Shanghai Ruyi Film and Television").

Wanda Cultural Group intends to transfer its 49% stake in Wanda Investment to Shanghai Ruyi Film and Television. After the transfer is completed, Wanda Cultural Group indirectly holds 222 million shares of Wanda Film through Wanda Investment, with a shareholding ratio of 10.2%. Wanda Cultural Group and its concerted actors directly and indirectly hold 460 million shares of Wanda Film, with a shareholding ratio of 21.1%.

According to Qichacha, as of December 6, Shanghai Ruyi Film and Television held a 49% stake in Wanda Investment, Beijing Hengrun Enterprise Management Development Co., Ltd. held 29.8%, Wanda Culture Group held 20%, and Wang Jianlin personally held 1.2%.

Wanda Film Industry Leader

Wanda Film has long been a leader in domestic theaters.

Lighthouse data show that since 2023, the national film box office has reached 51.45 billion yuan, of which Wanda cinema box office 8.94 billion yuan, far more than the second 4.481 billion yuan. Wanda cinema attendance 190 million, with an average of 15 people per game, all in a leading position in the industry.

Wanda Film also ranks first in the country all year round. Wanda Film’s cinemas and screens rank first in the industry. Since 2023, 9 of the top 30 cinemas in the country have been Wanda Studios.

According to the third quarter report of 2023, from January to September this year, Wanda Film’s domestic theaters achieved a box office of 6.22 billion yuan (excluding service fees), an increase of 67.6% year-on-year and 5.2% over the same period in 2019; the number of people watching movies 150 million, an increase of 68.7% year-on-year, an increase of 3.7% over the same period in 2019.

As of September 30, 2023, Wanda Film had 877 open theaters and 7,338 screens in China, including 709 directly-operated theaters, 6,159 screens, 168 light-asset theaters, and 1,179 screens. The company’s cumulative market share in the first three quarters was 16.5%.

"Post-80s" Colliming takes over

Shanghai Ruyi Investment, which plans to take over 51% of Wanda’s investment, and Shanghai Ruyi Film and Television, which previously took over 49% of Wanda’s investment, are both controlled by Ke Liming.

Shanghai Ruyi Film and Television is a subsidiary of China Ruyi Holdings Co., Ltd. (hereinafter referred to as "China Ruyi" 00136.HK), a Hong Kong-listed company. China Ruyi owns 100% of Shanghai Ruyi Film and Television. Tencent is one of the major shareholders of China Ruyi.

On December 6, Chinese Confucianism rose more than 9% in intraday trading, and its market value rose to HK $22 billion.

"Confucianism" can be called a dark horse in the film industry in recent years. According to Lighthouse data, Shanghai Confucianism Film and Television has produced 43 works in recent years, with a total box office of 17.677 billion yuan and a total box office of 7.434 billion yuan. These include well-known works such as "Hello, Li Huanying", "Vanished Her", "Walking Alone on the Moon" and "Send You a Little Red Flower".

Ke Liming’s other main body, Beijing Ruyi Xinxin Film Investment Co., Ltd., has also produced 5 works, with a total box office of 1.438 billion yuan, including "To the Youth We Will Eventually Die", "Small Times 4", "Old Boy’s Raptor Crossing the River" and other well-known works.

According to the financial report, Colliming is a post-80s generation, now 39 years old.He worked as a senior analyst at a hedge fund management company. He graduated from Griffith University in Australia with a bachelor’s degree in risk management in 2005 and a master’s degree in money and banking in 2006.

According to the delisted Shanghai Fukong previously disclosed, Ke Liming himself led some project personnel to join Huashi Film and Television Investment (Beijing) Co., Ltd. in March 2011. Ke Liming served as the general manager of Huashi Film and Television and filmed film and television works within the main body of Huashi Film and Television.

It was during this period that Ke Liming and his team participated in the planning and production of the movie "To Youth", the TV series "The Woman of the Swordsman Family", and the movie "Tiny Times 1 and 2" and many other works. In December 2012, Ke Liming left China Vision Film and returned to Ruyi Film as the general manager. Since then, Ruyi Film’s business has developed rapidly. It began to plan the TV series "No War in Peking" and the movie "Old Boy’s Raptor Crossing the River" that year, and achieved good responses.

1905 movie network news According to Cat’s Eye data, with the box office breaking through 140 million, Deng Chao’s personal film has accumulated more than 10 billion yuan and successfully joined the actor’s "tens of billions of box office club".

"Galaxy Tutoring School" has nearly 100 million yuan at the box office in the previous large-scale screening. After the official national release today, it has successfully helped Deng Chao’s total box office to pass the 10 billion mark. Deng Chao is the 9th 10 billion filmmaker in the Chinese film market, and the 4th Chinese 10 billion filmmaker after Wu Jing (12.209 billion), Shen Teng (11.013 billion) and Huang Bo (10.043 billion).

Deng Chao starred in the top ten films at the box office as follows:

1.33.86 billion

2.10.46 billion

3.8.13 billion

4.6.65 billion

5.6.48 billion

6.6.29 billion

7.5.39 billion

8. (voice) 324 million

9.3.05 billion

10.2.86 billion

Deng Chao has been in the film industry for 13 years since he participated in "Assembly" in 2007, and his film genres cover comedy, love, science fiction, plot and other dimensions. Among them, the release of "Mermaid" in 2016 became an important node in his box office history. The film had won the success of 3.386 billion that year.

In addition to the four Chinese male movie stars, the Marvel actors who have made tens of billions of box office in the Chinese market are: Scarlett Johansson (12.533 billion), Robert Downey Jr. (11.975 billion), Chris Evans (10.805 billion), Chris Hemsworth (10.28 billion), Mark Ruffalo (10.207 billion).

As of press time, the total box office of "Galaxy Tutoring School" has reached 143 million. The film is co-directed by Deng Chao and Yu Baimei, and tells the story of a father and son who span a long time to protect love and family.

"Running Man" ("Running Man" for short) was undoubtedly a shining star in the Chinese variety scene. From its first broadcast in 2014 to becoming a source of laughter after countless families’ dinners, "Running Man" has allowed audiences to witness a series of exciting, funny and touching moments. However, recently, another veteran member announced his withdrawal, causing countless fans to sigh. The joining of White Deer and Fan Chengcheng failed to prevent the star’s gradual decline. Is "Running Man" really reaching a bottleneck period?

1. The members withdrew again, causing the fate of the show to rise sharply

It is reported that the announcement of the retirement this time is one of the old members of "Running Man", whose humor and enthusiasm have greatly enhanced the show. The news quickly spread on social media and caused a huge response. Viewers expressed their disappointment and reluctance: "I feel that something is missing from the departure of the old member," one loyal viewer wrote on Weibo. Many people worry that such a change will leave the show with a lack of chemistry and a less natural atmosphere than in the past.

2. The show goes from peak to gradual cooling: there are obvious traces of personnel changes

The success of "Running Man" is no accident. Its core charm lies in the interaction and tacit understanding among the members. However, over time, the original members gradually withdrew and were replaced by fresh faces. However, these new members, although unique, have never been able to completely replace the old members in the hearts of the audience. Fan Chengcheng and Bailu are undoubtedly powerful entertainers, and they also contributed many highlights in the show, but overall, the show seems to have lost its original purity and joy.

3. The charm of old members: the reluctance of the audience

The veteran, who has announced his retirement, has become a classic in the hearts of audiences over the years of "Running Man." Every time he appears, he always provokes a burst of laughter and applause. His unique sense of humor and affinity make him a "seagogue needle" in the show. Audiences have deep feelings for these familiar faces, so when they leave, it is not just a blow to the show, but a test of audience emotions.

4. Bailu and Fan Chengcheng: Fresh blood is not enough to save established shows

The production team of "Running Man" had hoped to inspire new vitality by introducing young idols such as Bai Lu and Fan Chengcheng. Bai Lu won the love of many fans with his bright personality and solid acting skills; Fan Chengcheng’s addition also added a lot of freshness and excitement to the show. However, it turns out that relying solely on the personal charm of the new members is not enough to fully make up for the vacancy caused by the departure of the old members. In the face of huge variety show market competition, such adjustments seem to be a drop in the bucket.

5. The talent turnover of variety shows: a hidden concern that cannot be ignored

The replacement of artists is the norm in the entertainment industry, but for a long-running variety show, the frequent change of core members is undoubtedly a huge challenge. On the one hand, new members need time to break in with the show, and on the other hand, the audience also needs time to accept and like these new faces. However, when the audience has become accustomed to the existence of old members, the addition of new members often brings discomfort and resistance, rather than expectation and joy.

6. Social media reverberations: Audience calls for authenticity

On social media, many viewers expressed concern about the current state of the show: "I hope the program team can plan the lineup of members more stably and in the long run, and do not treat the audience’s emotions as child’s play." Such voices reflect the audience’s appeal for the production idea of the show – hoping to maintain the original style and characteristics of the show, rather than changing frequently to meet the rapidly changing needs of the market.

7. The future of Running Man: How to regain lost luster

How to maintain the vitality of the show through the replacement of new and old members is a major challenge for the production team of "Running Man". Perhaps through more careful planning and production, the new members can build a deep emotional bond with the old audience, which is the key to the resurgence of "Running Man". Variety shows need freshness, but more importantly, they need a stable core team to support their long-term development.

8. Implications for the entire variety show industry

The phenomenon of "Running Man" has also triggered deep reflection on the entire variety show industry. Will frequent member changes have a negative impact on the overall quality of the show? Does the high mobility of stars mean that the life cycle of variety shows will be shortened? These are all questions that need to be reflected and discussed by industry insiders.

9. Rise and Fall: The Reality of the Variety Show Life Cycle

Every variety show has its own life cycle, from the initial novelty and popularity to the gradual lackluster and fall back, which is an inevitable process. The key lies in how to continuously innovate and debug during this process to maintain the audience’s interest and attention. For "Running Man", how to regain the lost innocence and enthusiasm will be the key to whether it can continue to attract audiences in the future.

10. Conclusion: Audience expectations and future prospects

Although "Running Man" faces many challenges, we still hope that it can rediscover the happy time that once accompanied countless audiences through continuous adjustment and innovation. After all, a successful variety show is not only a stage for stars, but also the emotional sustenance of the audience. I hope that in the days to come, we can continue to see the infinite joy and surprises that "Running Man" brings to us on the screen.

In this case, viewers must be patient and continue to support their favorite shows and stars. Mindful production and audience engagement may be the key factors that will make "Running Man" work out of its predicament.

Responsible editor:

Guo Fucheng

1905 movie network news On May 4, it was reported that international superstar Kwok Fu-shing was invited to serve as the ambassador of the 43rd Hong Kong International Film Festival (HKIFF43). Kwok’s acting career spans TV, film and stage. He is excellent in front of the screen, singing and dancing. At the same time, he is passionate about charity and charity. He is one of the few all-round artists in Hong Kong. With his international reputation and influence, he will work as an ambassador to promote film culture in Hong Kong and around the world.

　

"It is a great honour for Mr. Kwok Fu-shing to be invited to serve as the ambassador of the Hong Kong International Film Festival, which will open in mid-March next year. Mr. Kwok has a pivotal position in the film, music and performing arts industries and is a household name in Asia. He won the Hong Kong Film Awards for Best Actor in 2015 for" Blood in Search of Plum Plum ", which was also the closing film of the 39th Hong Kong International Film Festival. He also won the Taiwan Golden Horse Awards for Best Actor in 2005 and 2006 for his films" Three Forks "and" Father and Son "respectively. Mr. Kwok actively nurtures new directors and performing arts talents, and we believe that with his strong support and promotion, the message of Hong Kong Film and the Hong Kong International Film Festival will further gain global recognition."

　

"It is a great honor to be the ambassador of the 43rd Hong Kong International Film Festival and to contribute to the promotion of excellent films and film culture," said Mr. Kwok. "As we all know, the Hong Kong International Film Festival is an annual event that attracts many fans and industry people from all over the world to attend every year to share and watch good films in different styles. I hope everyone will support it."

　

Past Hong Kong International Film Festival Ambassadors:

HKIFF38-42 (2014-2018): Louis Koo

HKIFF35-37 (2011-2013): Miriam Yeung

HKIFF33 (2009): Karen Mok

HKIFF32 (2008): Samantha Cheng

HKIFF29-30 (2005-2006):Andy Lau

HKIFF27 (2003): SHINE

Introduction to the Hong Kong International Film Festival (HKIFF)

　

The Hong Kong International Film Festival (HKIFF) is one of the most prestigious film exchange platforms in Asia. Film industry professionals and fans from all over the world gather here to showcase new films and enjoy masterpieces.

　

The festival is the largest cultural activity in Hong Kong, with more than 230 works from over 50 countries screened at more than 10 major cultural venues in Hong Kong every year. Over the past seven years, the Hong Kong International Film Festival has produced and premiered a collection of short films by many famous Asian award-winning directors, including Hui Anhua, Kurosawa Qing, Jia Zhangke, Brie Yang Wen Dusa, Hideo Nakata, Cai Mingliang, Apica Bonweras Huagu, etc. From 2017, the Hong Kong International Film Festival will cooperate with Heyi Films to select two Chinese rookies to shoot feature films every year, which will be premiered in the world during the festival.

　

The festival showcases the diversity of Chinese-language films and discovers new blood in the Asian film industry. Fans can not only watch world-class films, but also have direct conversations with top filmmakers, visit exhibitions, attend celebratory parties and other exciting activities.The film festival attracts more than 300 Chinese and foreign media reports every year, making it a leading film distribution and exchange platform in Asia.

　

The 43rd Hong Kong International Film Festival (HKIFF43) will open in mid-March 2019.

　　Recently, the love inspirational film "10,000 Kilometers Promise" (hereinafter referred to as "10,000 Kilometers"), which was co-produced by Jay Chou and Wang Continental for the first time, has entered the post productin stage. The film is produced by Jay Chou and Lin Yijie, directed by emerging director Hong Yuyang Sincerely, and co-starred by Huang Yuan, Wang Continental and Lai Yayan. It tells the romantic story of the male protagonist who promises to run a 10,000-kilometer marathon within the specified time limit in order to help the female protagonist realize his dream, and in order to complete this goal, he ignites the struggle. This film is the first cooperation between Jay Chou and Wang Continental on the big screen. Wang Continental is even more confident that "the new film will not lose" My Girls’ Generation ", which attracts people’s expectations.　　

　　Jay Chou oversees the production of "10,000 Kilometers" as "Dream Spokesperson"

　　As Jay Chou’s production debut, talking about the original intention of supervising the production of "10,000 Kilometers Promise", he admitted that he was touched by the inspirational experience of his friend Lin Yijie’s marathon runner, "Lin Yijie’s experience is the best nutrient for the movie". In this film, Jay Chou is even more incarnated as a "dream spokesperson", hoping to let the audience see a hot-blooded movie with tears and ignition flying together, and pass on his beliefs step by step through the marathon spirit, inspiring young people to pursue their dreams bravely.

　　After "Initial D", "Unspeakable Secrets" and "Rooftop Love", Jay Chou experienced the stage of "acting and leading". In the movie "10,000 Kilometers", he transitioned from a performer in front of the stage to a behind-the-scenes producer of the movie. Therefore, Chairperson Chou is also looking forward to this film. The film only took two years to prepare. In order to faithfully present the dangers that the polar marathon may encounter, the desert, rainforest and sea in the film are all shot on the Silk Road in the Chinese mainland, Salt Lake in Utah, Utah Valley in the United States, and other places.　　

　　Wang Continental is confident that "he will not lose" Girls’ Generation "to star in" Running Hormones "

　　With the release of the pilot trailer, the shape of the marathon runner played by Wang Continental is eye-catching, and the exciting character is affectionately called "the running hormone" by fans. At the same time, in the exposed clip, a scene of Wang Continental and Huang Yuan scuffling in heavy rain and mud is also exciting. Wang Continental joked that the two were full of mud at the time, which really looked like they were shooting an epic action movie. Fortunately, the effect of the shooting was very good, "It’s finally worth eating dirt!"

　　In the first media interview in the mainland of the film, Wang Continental’s sentence "The new film is not inferior to" My Girls’ Generation "instantly whetted the audience’s appetite. Talking about his role in the film, Wang Continental confidently said that the characters in the film are completely opposite to Xu Taiyu’s school bully image, hoping that this film can let the audience see a new Wang Continent.　　

　　It is understood that the film "Ten Thousand Kilometers Promise" has an investment of over 100 million Taiwan dollars. It is produced by Jay Chou and Lin Yijie, and directed by emerging director Hong Yuanyang in good faith. Huang Yuan, Wang Continental, and Lai Yayan co-starred. It is reported that the film is also Wang Continental’s first appearance on the big screen after "My Girls’ Generation".

　　

Huang Jingyu

Ethan Ruan

Wei Chen

　　　 The European Cup on the other side of the ocean is still in full swing, and full of male hormones makes our fans switch back and forth between staying up late to watch football and going to work. Faced with the serious exodus of fan fans, this week’s "Make an appointment! Big Star" will usher in the most exciting and visually impactful task in history – rugby. President Ruan Jingtian led Wei Chen and Huang Jingyu back to school and played a confrontation with the North Second Foreign Rugby Team that only belongs to the king. Maybe it’s because the temperature is too high, or maybe it’s really getting old. Since the warm-up event, the IQ of the three beautiful men in the House of Everything has been offline. During the official game, Lao Ruan’s legs cramped and fell to the ground. How can the old president stand up and lead the members to protect the dignity of the House of Everything?
　　
　　Warm up before the game "Yushen" brother’s IQ is urgent
　　
　　Although he had only seen rugby before, the house of everything still bravely accepted the challenge of the client. In the face of professional North Second Foreign Football players, it is naturally essential to warm up before the game. During the warm-up mini-game, the "Yuchen" brothers not only couldn’t figure out the rules of the game, but also couldn’t even figure out the even and singular numbers, so they could only involve their teammates to accompany them to push-ups. No wonder the subtitle team couldn’t help but complain: Have you two not studied mathematics?! During the subsequent pitching practice, Huang Jingyu almost hit the camera teacher with a ball, and Wei Chen shouted: "Accurate! Too accurate!" Could this be the rhythm of breaking the can? " Yushen "Brother’s IQ shouldn’t be baked by the sun! President Xiaotian is still counting on taking the two of you to win this game!
　　
　　The battle was intense "old man" Ruan Jingtian fought until his legs cramped
　　
　　Don’t look at the warm-up before the game, everyone is still talking and laughing, but when the game officially starts, the moment the helmet is put on, the members of the House of Everything also become serious, you know that football represents the king’s sport. Sweat to your heart’s content, sparks from body collisions, a game that exudes youth hormones is going on under the scorching sun. Maybe the game is too intense, President Xiaotian’s leg is accidentally injured, and he is lying on the ground in pain. After being massaged and soothed by his teammates, Ruan Jingtian even made a joke about himself: he is old, but his spirit is okay. But looking at Xu Lu’s expression, you can know that the president’s injury is not light, and I wonder if Xiaotian can continue to insist on the next game? What will be the results of the House of Everything where the president is absent?
　　
　　How did the "Yushen" brothers turn into fellow sufferers? How is the injury of President Xiaotian? More stories about youth hormones continue, this Thursday at 8 pm Tencent video "Make an appointment! Big star", take you to experience a wonderful game that is not lost in the European Cup!

　　A few days ago, starring Chen Turin and Li Chengbin, Mao Zijun starred, Lai Meiyun and Zhang Zining starred, Xu Muchan starred in a special friendship, Chen Xiaodong and Zhang Li starred in a friendship, and Jiang Yiming, Wang Xichao, Yang Yi, Xie Chengze, Xie Zichen, Zhang Tianqi and other co-starring Oriental fantasy film "Hua Qiangu" released the theme song "Painting for Life", composed and sung by singer Xu Song. "Painting for Life" focuses on the cause and effect of love, and writes a touching love song based on the story. The protagonist experiences love, hate, and anger, and is torn between personal love and helping the world. Based on Oriental fantasy colors, the film presents the rich theme of growth, transformation and relief. After nine years of companionship, it invites audiences to join the long-term stay. The movie "Flower Thousand Bones" will be released nationwide on January 20.

　　Beautiful Melody Interpretation of Unparalleled Love

　　In the theme song released today (January 11), with the melodious sound of the piano, a peerless love began, from the encounter between the girl Hua Qiangu and the master Baizi painting, to the mutual understanding attracted by each other in getting along, and then to the irresistible love. Despite countless hardships and ups and downs in the six realms of common life and pure love, they were still in danger to deal with their fateful choices, and finally achieved the transformation of life. And Xu Song used short words to write the pounding and regret in the story, using the painting as a metaphor, from the pounding of "the figure is longing, only your voice is taken", the longing of "who can love without me", to the trap of "painting as a cage, sealing the destruction and praise of life", to the yearning of "ink dyed the sky", "rain shaded wilderness mound", until the conclusion of "lighting the long-lasting candle with a smile", with imaginative deep strokes to outline the thoughts of life. Combined with Xu Song’s gentle tone, he sings leisurely to connect the thousand-year-old immortal world and the current mortal world.

　　In terms of music, "Painting Life" describes the film style, uses a large number of classical musical instruments to arrange, and the whole song is antique, combining the beauty of the immortal world and the love of Hua Qiangu Baizi’s painting. Whether it is the delicate and elegant folk music, the magnificent and solemn orchestral ensemble, or the affectionate singing, they all highly resonate with the texture of the "Hua Qiangu" film. The melody is integrated with the tone of the story, and listening to this work alone can not only feel the expression of personal emotions, but also read the inspiration for the meaning of life. The songwriting of music genius Xu Song, the arrangement of Chinese classical charm, the melody of modern pop, and his own unique natural and profound singing voice make the whole music seamless and pull the listener into the peerless love song full of fate.

　　Take the painting as a thought and sing a fantastic love

　　In the promotional video released, introduced by the melody of singer Xu Song’s "Painting Life", Hua Qiangu and Baizi Painting began to become attached to their teacher, and an undetermined fate entanglement began. Hua Qiangu experienced a solo adventure, and finally stayed to become an apprentice for a long time, spending a quiet time with Baizi Painting, and then the storm broke out, and the disaster came. Hua Qiangu experienced love and hate, obsession and delusion in the arrangement of fate. As the melody of the song approached its climax, "Ink dyed the sky, missing like a trapped beast", the loss and greed, resentment and grievance given by fate pushed Hua Qiangu, who was once pure and happy, into the abyss of pain. Watching the loved ones leave one by one, the broken thoughts have been broken, even the pen and ink "painting life" in the song can no longer heal the scars in the hearts of Hua Qiangu and Baizi.

　　In the song, Xu Song sang about the love-hate entanglement between Hua Qiangu and Baizi Hua. He only hoped that the people in the six realms could not be trapped by their own obsessions. Suffering and bliss are all fate. If they are obsessed and persistent, they will only turn the brush that writes a better future into a cage that prohibits the soul. Near the release of the movie, the song "Painting Life" is even more exciting. In the movie, Hua Qiangu, Baizi Hua and a group of characters will write how this long life will be written.

　　The movie "Hua Qiangu" is produced by Tang Lijun as producer, Li Jinwen as producer, Zhang Chaoli as director, Zhu Yuhan as screenwriter, Zhang Wenbao as director of photography, Guo Yongren as action director, Li Zhou as director of modeling, Wang Jingjing as art director, A Kun as music director, Lin Aner as editing director, the film will be officially released on January 20, so stay tuned for this romantic fantasy love story.

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Citizens buy instant noodles in supermarkets. Photo by our reporter Yuan Tieli

　　The rise of online takeout has had a direct impact on instant noodles, and the consumer groups of the two are highly compatible. Many young people who used to live at home and live on instant noodles are the main force of online consumption. Now, you can wait for a meal after paying online, which is even easier than soaking instant noodles.

　　More importantly, online food delivery is obviously much better than instant noodles in terms of taste and meal size.

　　Online takeaway is developing rapidly, while the instant noodle industry is shrinking. Will online takeaway be the terminator of instant noodles?

　　Over the past few days, various institutions and platforms have been releasing big data on the takeaway industry, research reports on the takeaway industry, and white papers on catering takeout. From this information, it can be seen that the development of online takeout has indeed been very rapid in the past two years. On the contrary, the sales and performance of instant noodle giants have been shrinking year by year.

　　Recently, a reporter from Chongqing Morning Post conducted a survey of the instant noodle market in our city.

　　1 in 10 people order takeout once a day

　　According to iiMedia Research data, in the first half of 2017, the high-frequency client base that carried out online takeaway catering consumption at least once a week accounted for nearly 80%, of which 10.2% of online users consumed an average of one or more times a day.

　　That is to say, at least one in 10 people ordered takeout once a day.

　　Among these people who order food for takeout, the main group is middle-income white-collar workers. The data shows that among the high-frequency click groups for takeout, 82.3% of users have an income distribution of 3,000-10,000 yuan, and 7.1% of users have an income of more than 10,000 yuan.

　　And these people happen to like the Internet and stay at home, making them the main consumers of instant noodles.

　　According to China’s takeaway big data, the size of our country’s O2O takeaway market has exceeded 100 billion yuan in 2016, and it is expected to break through 700 billion yuan by 2020.

　　According to the statistics from the Ele.me food delivery platform, Ele.me has provided takeaway services for nearly one-tenth of the population in China, and has generated income for merchants with a cumulative 2 million +. It is expected that the penetration rate of takeaway users will reach 80% in 2020, and the user scale will reach 600 million.

　　Instant noodles are gradually falling out of favor

　　In contrast to the fission rise of online takeaway big data, the data of the instant noodle market can be said to be quite "ugly".

　　Data from the World Instant Noodle Association shows that in 2016, the Chinese mainland consumed 38.50 billion, down 17% year-on-year. Consumption reached 46.20 billion in 2013. Unity Group’s net profit in the first half of 2017 fell by 26.5% year-on-year, and instant noodles are falling out of favor in the Chinese market.

　　According to Nielsen statistics, Tingyi and Unified’s market share has occupied more than 70% of China’s instant noodle market for many years. But since last year, the financial reports of the two companies have been constantly reminding of risks, and the instant noodle business has been declining.

　　Last year, according to Nielsen’s statistics of 22 instant noodle companies across the country, nine of them experienced a decline in sales, and many brands have begun to adjust their business direction.

　　Supermarket instant noodle locations reduced by 30%

　　The reporter visited major supermarkets in our city yesterday and found that the instant noodles that used to occupy the prominent position of fast-moving consumer goods have been compressed to a relatively small position. And at the counter where the instant noodles are placed, some convenient fast food products such as self-heating instant rice and self-heating micro-hot pot are also placed.

　　"Now it has shrunk by a third," a promoter at the Golden Guanyin store in Carrefour told reporters. Not only has the area been reduced, but the sales of instant noodles are also much worse than before.

　　Afterwards, the reporter saw at Chongbai, New Century and Yonghui near Guanyin Bridge that the exhibition stands of instant noodles were indeed much smaller than before. However, there were many more varieties and brands of instant noodles than before.

　　In addition to the old-fashioned Master Kong and Unity, there are also South Korean Nongxin Xin Ramen, Baijia, Hewei, Yangyang, Tangdaren and other brands. In terms of taste, many new products have appeared.

　　■ statement

　　Consumers only bring instant noodles when they travel

　　Regarding the purchase of instant noodles, the reporter randomly asked some citizens, and most of them said that on the one hand, due to the same practice for many years, they rarely buy instant noodles due to health reasons; on the other hand, instant noodles are being replaced by takeaway and self-heating food.

　　"Now there is almost no need to buy instant noodles. Even if you want to have supper in the middle of the night, you can order food online, it is more convenient to deliver it to your home, and the taste is more moisturizing than instant noodles." One young man said he had indeed not bought instant noodles for a long time.

　　An aunt told reporters that for health reasons, she also reminds her children to eat less convenience food. However, every time she goes out, she still has to prepare some instant noodles to satisfy her hunger during the journey.

　　expert

　　The instant noodle market is not going away

　　Although the instant noodle industry has innovative products and flavors, it is still unable to fundamentally stop the impact of online takeout on the instant noodle market.

　　Professor Shen Hongbing of the School of Economics and Trade of Chongqing Technology and Business University believes that with the development of the Internet, the rise of takeout is inevitable, which reflects people’s higher requirements for quality of life and greater emphasis on health and nutrition.

　　Instant noodles have been popular for decades, but the production technology content of the industry itself is not high. However, big brands will still have a relative market, and the market structure will still be relatively stable.

　　"In the future, the market share of instant noodles will shrink greatly, but it will not disappear."

　　He believes that the overall technological innovation, scale innovation, and brand innovation of the instant noodle industry are all difficult, but fast food and fast food cakes are expanding rapidly. Therefore, these instant noodle companies can explore a lot of innovation space in the fields of fast-moving consumer goods and snack foods, and there is still a large blue ocean waiting to be developed.

　　Our reporter, Xu Ju

　　The Press Center of the Fifth Session of the 12th National Committee of the Chinese People’s Political Consultative Conference held a press conference at 14:30 on March 7 (Tuesday). Five members of the National Committee of the Chinese People’s Political Consultative Conference, Liu Changle, Feng Jicai, Su Shishu, Jackie Chan, Hai Xia, answered questions on promoting Chinese excellent traditional culture, cultivating and practicing socialist core values, flourishing and developing socialist literature and art, vigorously developing advanced socialist culture, and promoting Sino-foreign people-to-people and cultural exchanges.

　　On March 7, the Fifth Session of the 12th National Committee of the Chinese People’s Political Consultative Conference held a press conference on "CPPCC members talk about strengthening cultural confidence and telling the Chinese story well". Five members of the National Committee of the Chinese People’s Political Consultative Conference, Liu Changle, Feng Jicai, Su Shishu, Jackie Chan and Haixia, answered questions on promoting China’s excellent traditional culture, cultivating and practicing socialist core values, flourishing and developing socialist literature and art, vigorously developing advanced socialist culture, and promoting Sino-foreign cultural exchanges. The picture shows Jackie Chan, a member of the National Committee of the Chinese People’s Political Consultative Conference, answering questions from reporters. Xinhuanet/China Government Network, Zhai Zihe, photo

　　China Review Agency reporter:Jackie Chan, we know that you won the Academy Award for Lifetime Achievement last November and became the first filmmaker in China to receive this honor. I remember that your acceptance speech left a deep impression on me, especially when you mentioned that you are proud to be Chinese. I wonder if you could share with us how you felt at that time. Also, how do you think Chinese films can better go global? Thanks.

　　Jackie Chan:When I received the notification from the Oscars that I would win the Lifetime Achievement Award, first, I felt unconvinced, and second, I felt that I was too young to win this award. However, I also happily accepted it. Because I never thought that I would win this award, because forty years ago we made low-budget vulgar action movies. How could we win the award?! Whether it was the Golden Rooster Award, the Hundred Flowers Award, the Academy Award, or the Oscar, it was too far away. But for every play, at that time, we shot, for example, "Serpentine Tiaoshou" and "Drunk Fist". 250,000, 500,000 finished filming a play, a movie, that is, an empty space, a temple. And there is no plot, it is always what you see me doing, playing for half an hour, there is no plot. I will always shoot some characters that are not suitable for me. In the "Norwegian era" filming "Hero", many girls liked me, and I was surprised. How could girls like me, with big noses and small eyes. I finally made a name for myself, and I learned from Bruce Lee, I was not Bruce Lee at all, so none of them could succeed in that era.

　　I made an action comedy by myself, and I succeeded. I broke out of Asia, thinking it was okay. I flew to the United States for 16 hours, people looked at you, performed a set of boxing, went back, and played another set of kung fu. I can’t speak English, let’s go. My only purpose is to be an international superstar. Then I went to the United States to learn English, and I went to make some movies that were not suitable for me. I shot a young man born in the United States, who can’t speak English. They said you have to learn to beat someone down with one punch, how come you have already kicked 8 kicks, and that person is still standing there. As a result, according to their wishes, I didn’t have the strength to speak. No one watched the movie when it came out, not only did no one watch it in the United States, but no one watched it when I returned to the I gave up on the American market and still bought my own stuff. I continued to shoot some hard-working action movies without stunts or real kung fu. I broke my foot in the morning and started work in the afternoon. Regardless of whether the box office was good or not, I went to shoot with my heart.

　　56 years later, I received a call from Oscar asking me to win this award. I realized that if you insist on doing something, no matter whether anyone sees it or not, no matter whether anyone knows that you shoot with your heart, no matter whether it is all walks of life, one day someone will appreciate you. Today, Oscar came to me, not me. So if you insist on doing one thing, everything will come to you. My movie has been successful in many places. Many people say that you are our Chinese business card, giving me too much pressure. I said, how can I make better Chinese movies? In the process of making movies, I have also matured and grown up. When I was in Africa, all the children followed me. I said, it turns out that my actions can affect so many people. I will be more careful when making movies in the future. In addition to playing, I will also add Chinese culture. When I go to any occasion by myself, I will definitely wear a Tang suit to let people know that I am Chinese. In the last few months, I have to hold a meeting. The bosses of several major companies are waiting for me. My plane is late. I told my assistant if I can have a meeting again tomorrow. He said that everyone is waiting for you. "Rush Hour 4" and "Shanghai Noon" are now going to shoot 3. I said this will not work, that will not work. All of them listen to me, and everyone is OK. My assistant came over, big brother, you are awesome, you are awesome now. I said it’s not my cow, but today’s Chinese market makes me cow. Today, people from all over the world want to come to China to share this share. So, do one thing with your heart, there are 1.4 billion Chinese people, and our filmmakers will soon go better as long as they work hard, because more foreigners will cooperate with us to jointly promote Chinese culture to go global. As long as you work hard, all your dreams will come to you.