"Climber" box office nearly 700 million Wu Jing Jing Boran summoned Hu Ge

1905 movie network news, recently,After the first roadshow of the movie after the opening of Harbin, the director Li Rengang led the lead and starring Wu Jing, Zhang Yi, and Jing Boran rushed to the second stop in Shenyang non-stop. From Zhang Yi’s main venue to Jing Boran’s hometown, the continuation of yesterday’s warm exchange and interaction atmosphere, in addition toIn addition to the content of "father’s love", there is also a lot of attention to the high-flaming action scenes in the film. Wu Jing also said: "I was filming the scene of flying over the ice crack, and I always wondered how I could fly over and nail the crampons at the same time. I remember I took 19 shots with my leg injury."


This time, when he returned to his hometown to promote the new film, Jing Boran said with a smile: "I have learned secret techniques from Brother Angjing and Brother Zhang Yi." To support the film, Jing Boran’s 12-year-old mother powder was brushed 4 times in a row, thanking Jing Boran for bringing positive energy to young people. Because Zhang Yi and Jing Boran are both from Northeast China, fans at the roadshow also asked them to restore the "treasure" clip in Northeast dialect, which caused the audience to laugh. The three of them had a good relationship outside the play, and they also summoned Hu Ge from the air at the roadshow, which triggered Hu Ge’s humorous response.

 

Shenyang station road show opened box office breaking 600 million Jing Boran training drama photographed spit Zhang translation Northeast language confession


On the fifth day of the release of "Climber", the box office has approached 700 million yuan. During the roadshow at Shenyang Station, Jing Boran, who returned to his hometown, also felt the enthusiasm of his relatives in his hometown and the love and support for the movie. When it came to the shooting of the training ground in the film, some audiences were curious about how the real scene was completed. Jing Boran said that in order to create a sense of fatigue and realism, more than a dozen rounds of tire-towing training were carried out during the shooting of the scene, and then the sandbag equipment on the back of the weight exceeded 40 kilograms. Wu Jing also added: "The scene made Jing Boran vomit, and it took more than four hours to recover." The audience was distressed.

More viewers were moved by the "treasure" lines of the two mentors and apprentices in the film. Zhang Yi and Jing Boran, two Northeasterners, were also asked to restore the scene in Northeast dialect. Jing Boran opened his mouth: "What are you targeting me for?" The strong sense of contrast and authentic tone caused the audience to laugh. At the event, many young viewers took their parents to watch the movie together to feel the emotions of their parents’ era. Some viewers said: "I originally watched the first game in Beijing, but later took my parents back to Shenyang and went to the second brush." More mother fans who accompanied Jing Boran for 12 years, shouted excitedly on the spot, watched it four times, and were moved every time they watched it: "Thank you Jing Bao for filming such a work, which brings young people this positive climbing spirit."

 

Wu Jing Zhang Yi Jing Boran summons Hu Ge to "fit" "two captains" 13 years of reunion

The return of Jing Boran on the Shenyang roadshow of the movie "Climber" also means the integration of the two generations of climbers. Wu Jing, Zhang Yi, and Jing Boran also took photos with Hu Ge’s poster on the way to the roadshow, and remotely issued a call to fit. The three of them left messages on Hu Ge’s poster "He hasn’t come yet" "He hasn’t come again" "I’m here again, you still haven’t come", and the soul question finally got Hu Ge’s humorous response "It’s not easy for Hu to come", which also made netizens full of expectations for the four-person fit.

The cast of the whole film is super powerful, and it has also been well received and recognized by netizens after the release. In the film, Wu Jing and Zhang Yi’s two sparkling rivalry scenes also depict the emotional collision between Fang Wuzhou and Qu Songlin. Zhang Yi’s sentence "I respect you, I hate you" explains the "regret" and "entanglement" between the two people across 13 years. Regarding this scene, Zhang Yi also named it on the spot and said that it was the most memorable scene he had filmed: "When I saw Jing Boran lying there, and then I walked up to Brother Jing step by step, I was really sad." The enthusiastic audience at the scene also said: "You are also the climbers among the actors."

The film "Climber" was released simultaneously in North America and the United Kingdom. The film was produced by Tsui Hark and Zeng Peishan, written and directed by Li Rengang, and written by Alai. Wu Jing, Zhang Ziyi, Zhang Yi, Jing Boran, Hu Ge, Wang Jingchun, He Lin, Chen Long, Liu Xiaofeng, Qu Ni Tsering, Lavan Robb, and Dobj starred, and Jackie Chan starred in a friendship.

"Article 20" has attracted controversy, and Zhao Liying’s experiences in and out of the play are the same

This year’s Spring Festival situation is really good. After all, the quality of the New Year’s films released during the schedule is good, and the box office is also soaring like a broken bamboo. Among them, "Article 20" directed by Zhang Yimou has exceeded 700 million in the five days of its release, and the platform forecasts that the total box office has nearly 2 billion. Today, I also saw a hot search "Article 20 has fallen continuously at the box office", which is quite impressive for such a realistic genre.

The film was in full release, and the word-of-mouth box office was flying all the way, but there were always some people who couldn’t be idle, fearing that the world would not be chaotic, they would smear and lead wars for various films. Just now, I saw the topic of the female lead of "Article 20", making a big fuss with a photo of three actresses, and also intercepting some clips of the main creator’s interview to open up their lust.

I saw someone on the Internet saying, "Why isn’t Mary in C? Why is Zhao Liying in C?" Hearing this very familiar statement that seems to be questioning but actually leading to war, it really makes people look black. This is just one of the fashion blockbusters shot by the cast of "Article 20". Have you seen any other photos? The whole blockbuster takes every actor into account.

For example, this group photo of the whole crew. But from the photo, who is in the C position? Is it Director Zhang Yimou and male lead Lei Jiayin sitting in the center of the front row? Or is it the domineering sister-in-law in the middle of the back row – Takaha? Anyway, everyone has a mouth, and it makes sense to say it anyway.

In addition to the group photo of the three female protagonists above, anyone who buys a ticket and watches the film will not think about it blindly. Originally in the film, Hao Xiuping, the deaf and mute hard-working woman played by Zhao Liying, was a "weak person" who was cared for and protected, and such a position fits the plot of the film quite well. In addition, Gao Ye and Ma Li are unquestionably big sisters from the image, and it is understandable to take care of the little sister.

In fact, the starring order, the film category is also marked clearly, have seen the film know, or very fair and objective, the film official Douyin account released materials always to Lei Jiayin Ma Li family of three content, Zhao Liying video number is not much, but the data is very bright……

Film promotion must be accurate and effective. Looking at the entire "Article 20", all the leading actors are very good, but the biggest topic is undoubtedly Zhao Liying: first, this is the first collaboration between Zhao Liying and Zhang Yimou; second, Zhao Liying plays the deaf and mute, which is also her transformation and challenge at the performance level; third, Zhao Liying has a huge fan base, and fans will not only buy tickets themselves, but also work hard to promote Aidou’s works.

No one would miss this kind of good deed. Facts also proved that the movie materials related to Zhao Liying had gained extremely high popularity.

I have always despised some so-called self-media, always afraid that the world will not be messy, making the whole entertainment a mess. The box office explosion of "Article 20" must be the focus of ride on one’s coattails. Zhao Liying has a lot of popularity, and it is an indisputable fact that everyone wants to step on it to brush their sense of existence. But they ignore the facts and don’t care about the truth. What they want is traffic, or praise or smash, how to write it with attention, and expect to hear objective evaluation from them, it is really unlikely.

It has to be said that the fans did drive the pre-sale results of the film, and Zhao Liying’s high attention and hot topic will naturally drive the popularity of the film and help to arrange the film. You know, the spring season is definitely the king of the film, and the one who arranges the film wins the box office. Everyone knows this truth. At the same time, Zhao Liying’s subversive performance in the film can indeed attract more audiences, which not only strengthens the attraction of the film in terms of theme, but also triggers more ticket-buying expectations through the story behind the character.

Putting aside all the disputes, the film only saw the real chapter after it was released. "Article 20" has indeed had a lot of word-of-mouth, whether it is the creative method of Zhang Yimou, or the performances of a group of leading stars including Lei Jiayin and Ma Li, it has received a lot of praise. Especially Hao Xiuping, played by Zhao Liying, is not only a very important story line that is close to "just defense" in the play, but also the arc of this character in the midst of misery has touched thousands of viewers.

For an actor, playing a deaf-mute person is not only about learning sign language hard, but also about interpreting the inner world of the character through eyes, expressions and body language in a silent performance. Hao Xiuping, played by Zhao Liying, is indeed washed away from the simplicity of the lead in terms of shape, but in terms of performance, it is to understand the hearts of the characters. Her always frightened and angry eyes are the most powerful indictment of the bullying around her.

The part where Hao Xiuping jumped off the building was particularly impressive. The weak woman standing on the rooftop of the building had messy hair, red eyes, and blue veins. She was forced to a dead end. Although she did not want to give up her husband and daughter, she had to die to seek justice and law, and jumped from the upstairs without hesitation… This moment was really heart-piercing.

Of course, a movie can sell well, it is not by one person, it is the credit of all the creators. Especially after the film is released, it is all up to the audience and the market to test. For actors, it is the greatest duty to interpret their roles with heart and do their best to promote the roadshow. The same is true for Zhao Liying, who not only brought a breakthrough performance, but also promoted "Article 20" on Weibo, which has more than 90 million fans, from pre-sale to public release to hot release. It is indeed a strong help for the film.

Counting Zhao Liying’s career path, she debuted in 2006 and has always been conscientious and diligent. In 2013, she played the heroine for the first time in "The Legend of Lu Zhen" and harvested the Golden Eagle Muse of that year, fully opening a new chapter in her career. Over the years, she has starred in "Hua Qiangu" and "The Biography of Chu Qiao", which has brought fire to the fairy drama; after the drama of the Republic of China era began, she starred in "The Old Nine Doors". The novel’s IP drama became popular, and she starred in "Do You Know Whether You Should Be Green, Fat, Red and Thin"; the main melody era arrived, and she starred in "The Wind Blows Half Summer" and "Happiness to Thousands of Families"… Some netizens concluded that Zhao Liying’s TV dramas have completely collected "princes and generals, scholars, farmers, industry and commerce, and immortals and demons". She has indeed been working hard to broaden her breadth and depth at the performance level.

Nowadays, Hao Xiuping in "Article 20" has been wronged, but in reality, the black theory about Zhao Liying in "Article 20" continues. In and outside the play, she seems to be the weak person who needs to be protected and proven. How can we repay her with a fair and objective innocence? The clear person clears itself, let’s pay more attention to the movie, pay attention to the efforts and diligence of the actors, and don’t be distracted by boring fictional topics.

[Focus on people’s livelihood, keep warm and ensure supply] Numerical intelligence empowers China Electric Power Technology to provide technical support for keeping warm and ensuring supply – State-ow

With the opening of the central heating curtain, many places have officially entered the "heating time". China Electric Technology’s digital intelligence solutions are widely used in energy, power and other industries to provide technical support for keeping warm and supply, and to send "warm happiness" to the people.

Walking into the smart heating network dispatching command center, on one side of the large screen, the total amount of steam supply, total steam consumption, total heat supply, total heat consumption, energy consumption analysis, alarm information, etc. The on-site staff monitored the data and carefully recorded the operating indicators… This is the "smart brain" of Shiyan City’s winter heating.

"Compared with traditional heating, smart heating emphasizes the application of emerging technologies such as the Internet of Things and big data." According to technical experts from China Electric Technology, the company’s innovative "TECO Industrial Internet + Smart Heating Network" not only performs digital intelligent transformation of pipelines, equipment, meters, control and regulation equipment in the heating system, but also introduces technologies such as the Internet of Things and big data. It independently develops the DataKeeper industrial data platform and builds more than 20 models such as a network hydraulic calculation model, a heating load prediction model, and a cost accounting model, allowing the dispatching center to accurately and real-time understand every aspect of heating, and even provide services more efficiently according to the needs of each household.

Make the heating system smart. "This’source-network-station-household ‘intelligent scheduling mode makes the heating station start and stop with one click, unattended, and promotes the refined and energy-saving operation of the heating system." According to technical experts from China Electric Technology, the system meets the smart heating demand of the 860-ton/hour steam heating system, reducing the heat consumption per unit area by nearly 10%, reducing the heating network loss by 12%, and comprehensively improving the heating capacity and service level.

"The power supply of the system is normal, so we can rest assured. The weather is so cold, we dare not have any problems with heating." In the cold winter, electric heating, as an efficient and environmentally friendly heating method, is increasingly accepted by the majority of users.

In order to protect the safe conversion of each kilowatt-hour of electricity, the intelligent inspection system of power plants supported by China Electric Power Technology has realized the digital upgrade of inspection work and made full preparations for the peak heating electricity consumption in winter.

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In the fuel area, the intelligent inspection system can calculate the cross-sectional volume of the coal pile on the belt before and after entering the coal drop pipe, compare the coal volume passing through the inner belt per unit time, and determine whether the phenomenon of coal blocking and coal spilling occurs. The management staff will be notified as soon as possible to deal with it. The addition of multi-dimensional sensing technologies such as video and laser allows the symptoms of belt tearing to be detected in time at the early stage. In the production area with a more difficult environment, intelligent machines, intelligent cameras, thermal imaging online temperature measurement equipment and video intelligent analysis are "stationed" 24/7, not only to achieve "visible" temperature measurement, but also to solve the annoying "running and dripping" problem with intelligent IoT technology.

Gas is ignited, electricity becomes heat, and these energy sources have "traveled" thousands of miles when they are used. In the process of electricity and gas transmission, they often pass through the transit hub – the station valve chamber. For the station valve chambers that are often built in remote areas, China Electric Technology uses digital technology to build an intelligent sensing system to solve the needs of buried pipeline leaks "not visible", gas leaks "not audible", and manual quick judgment.

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"The station valve chamber plays an important role in the networking and control regulation of long-distance pipelines, but over time, there will be leaks and leaks." According to technical experts from China Electric Technology, manual inspections often encounter problems such as real-time monitoring difficulties and difficulty in judging hidden dangers. The self-developed positioning-type vibration optical fiber senses the environmental status around the pipeline in real time, and sends an early warning signal in time when there is an external force touch. The positioning-type temperature measurement optical fiber senses the temperature change of the pipeline in real time, and judges and locates the leakage of gas and liquid in the pipeline. Industrial auscultation microphones, sonographs, etc., extract mechanical voiceprints in real time, intelligently judge the status and fault type of equipment, and fully safeguard the safety of energy pipelines.

[Editor in charge: Yu Zhaojun]

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Zhao Liying’s new drama "Savage Growth" is completed, and the three highlights are exciting and worrying

The post-85s super-first-line small flower who urgently needs to be transformedZhao Liying, filming the new drama "Savage Growth",After nearly five months, after traveling to Ningbo and Harbin, it was announced that it was finished. Subsequently, the star Zhao Liying wrote that "it lived up to the dream in her heart and did not live up to the favor of the times".

The drama tells the story of a grass-roots heroine’s entrepreneurial growth. In the 1990s, the heroine Xu Banxia, who started a business from scratch, made a career in the steel industry where men gathered together with her unique vision and courageous personality. Finally, she achieved success.

Zhao Liying, who has been popular for so many years, is well known to everyone. She was born in a small rural area in Langfang, Hebei. Her cultural level is not high, and her family background is not superior in the entertainment industry at all.A true grassroots background, all the way to becoming the current top big starIn this drama, the heroine also needs to overcome obstacles all the way from scratch until she becomes an entrepreneur. Therefore, everyone is looking forward to Zhao Liying’s performance in this drama.What kind of drama-chasing experience can it bring?

So far, it can be seen from some of the content in the poster and Reuters photos taken by netizens.This show really has a lot of highlights.

The most eye-catching place is what everyone finds most intuitively from the stills and posters, each of which fills the atmosphere.

There is no need to deliberately check that the background of the plot is the 1990s, and the audience can see the unique texture and fabric of clothes belonging to that era.It is very reminiscent of the era that people remember.

In the poster released by the official for the first time, Zhao Liying kept a big retro wave, held a black umbrella, and wore a pure black coat. She looked into the distance thoughtfully, and her red lips were very beautiful. However, this character poster did not reveal more details, but from several other character posters, the audience could get more information. Vintage fan, lace tablecloth draped over furniture,It takes minutes to bring back the audience’s memory to the last century.

There are also many Reuters photos that have been exposed. It can be seen that each of Zhao Liying’s clothing styles has been restored to retro posters. Red berets and green coats are not worn by ordinary people now, but they are full of retro style.

The second bright spot was that the drama was adapted from a novel by Anai, and it was a popular topic of female entrepreneurship that fit the social hotspot.

The female theme is about to flood, but there are very few who can become various leaders. The drama defines itself as the entrepreneurial path of female entrepreneurs. The audience does not want to see the various choices of family and love contradictions, but wants to see the heroine focused on her career. Because the original novel has been read by many readers, the heroine in the book is an ambitious woman who grabs meat from the mouths of a group of men like wolves and tigers. She has feelings and righteousness, and more importantly, she values interests. Love is just an accessory in her life.This kind of feeling simply doesn’t satisfy the audience too much.

The third thing that made everyone stand out was definitely the actors they saw.

Among the old boys of TF, Lei Jiayin and Guo Jingfei have both become famous, and Li Guangjie is missing. Maybe this drama is his turning point. Liu Wei, Ke Lan, Ren Zhong, and Wang Jinsong are all good actors.

There is another more conspicuous place.It just takes a long time to shoot.The current number of episodes is tentatively set at 36 episodes, which is not a particularly long episode. It took nearly 5 months. They all say "slow work and meticulous work",If the filming takes longer, everyone feels that the crew is meticulously crafting.

But the problem is that every bright spot is always reassuring.

The first bright spot that everyone sees is about clothing.Exquisite clothing is too easy to put the cart before the horse, such as "Qingping Le", the legendary pearl makeup, a perfect replica of the Song Dynasty era, and what kind of state it finally presents is obvious to all.In recent film and television works, there are countless examples of people who have fallen into this excessive attention to detail and forgotten the true place to work.

The second bright spot is the so-called female theme, which was specially given to him as "China’s first female business war drama"

Having installed the first installment means that you want to be the first in the industry. But everyone is well aware of this matter, it is easy to happen"The thunder is loud and the rain is small", "I took off my pants, but you only showed me this"The scene.

Moreover, the author of the original novel, Anai, has been adapted into several novels of film and television dramas, such as "Great Rivers and Great Rivers" and "Meet the Season", all of which give people a bad feeling.

The third one seems to be a good and reliable group of actors, but whether they can have a wonderful chemical reaction is another matter.

It’s not that you haven’t seen a TV series with good actors, but good actors don’t necessarily equal good dramas.A good actor is not a necessary condition for a good drama.

Everyone can indeed see that there are many bright spots in this drama. It is precisely because of its bright eyes that it always makes people feel worried that they can meet the standards. But at least, their existence means that even if this drama does not become a national hit, it will still be nominated for some awards.

You are kidding! Xingyue L has such a big discount. If you miss it, you will lose a lot!

No, the discount of Xingyue L’s 618 activity is really amazing! The motivation is good, and the price is so favorable. I feel that I can’t miss it! Let’s talk about this car. It’s a high-value responsibility and a million-dollar sales responsibility in Geely’s high-end series, and the double king is not a hollow reputation.

It is equipped with a 1.5T high-performance engine, with a maximum power of 120kW, a maximum torque of 255N·m and a maximum horsepower of 163 horses. Among them, Xing Yue L and He are the champions of China fuel SUV and car respectively, and their strength is evident.

As the representative of China Automobile, who wants to experience such a powerful car? I hesitated before, but now this offer is really attractive.

I think there is a super big benefit in the live broadcast room of the anchor today! If you replace the car in June, you can not only enjoy the replacement subsidy of 15,000 yuan provided by China Star, but also the government subsidy of 7,000 yuan. Calculate, you can enjoy a total of 22,000 yuan of government-enterprise dual replacement subsidies! This kind of preferential strength is simply exciting!

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Xiong Dailin said that Gu Tianle was not as good as Guo Fucheng, and was given a scarf by the "second generation of rich"


group photo of the main creator


Xiong Dailin
 

AngelaBaby


AngelaBaby, Xiong Dailin
 
 
        Movie Network News(Photo/Qian Jia Yiwen/Xie Yawei) On January 4, the hilarious comedy "Flower Field 2010" held a press conference in Beijing, starring Huang Baiming with Xiong Dailin and Angelababy Yang Ying, as well as his own son, screenwriter Huang Zihuan. Xiong Dailin claimed to be "scared" by Gu Tianle’s cool, and even joked that "Gu Zai" and Guo Fucheng are two types of men, and there is no comparison; although Xiong Dailin and Angelababy at the scene, one is dignified and the other is lively, but the two in the film are very shocking. In order to "apologize" to the two beautiful women, Huang Ziheng sent them warm scarves at the scene; and Huang Baiming is confident that the "Flower Field 2010", which will be released on February 10, will surpass Zeng Zhiwei’s "Seventy-Two Tenants" at the box office.
 
Xiong Dailin says Koo Tianle and Guo Fucheng can’t compare to Angelababy’s denial of affair with Chan Weiting

        Although "Flower Field 2010" gathered many heavyweight actors such as Huang Baiming, Wu Junru, Gu Tianle, Zheng Zhongji, etc., but at the press conference that day, Huang Baiming only brought Xiong Dailin and Angelababy to the scene. The two beautiful women were both models, and the way they appeared was also like a catwalk. Xiong Dailin wore a black sandy skirt dress, elegant atmosphere, Angelababy short skirt with small coat, capable and lively, two beautiful women of different temperaments appeared one after another, competing for the show.

        In the film, Xiong Dailin plays the fake princess and his "royal brother", King Gu Tianle of the Flower Field Kingdom, who has a lot of opposite scenes. Talking about the cooperation with the recognized "handsome man" in the entertainment industry, Xiong Dailin claims to be "scared" by the other party, "He is indeed very stylish, but he is cool in private, and I don’t dare to approach him." When the host asked who is more stylish than Guo Fucheng, Xiong Dailin first showed a sweet smile on his face, and then responded, "They are different types and cannot be compared." Some time ago, when Angelababy, who had a breakup rumor with Chan Weiting, was asked about it, he joked that the two have always been friends, and there is no such thing as breaking up or breaking up, saying that he now puts work first and has not considered falling in love.


Huang Zihuan presents a scarf to Xiong Dailin


AngelaBaby brings the scarf sent by Huang Zihuan.
 

"Rich second generation" Huang Zihuan sent a scarf on the spot, Huang Baiming exposed that the kissing scene was taken advantage of by Wu Junru

        The screenwriter Huang Ziheng used to be the screenwriter of "Ip Man", and he showed his talent at a young age. He also has another identity, which is Huang Baiming’s son. At the scene, Huang Zihuan was jokingly called "the second generation of talented rich" by the host, which made Huang Baiming quickly say: "I am definitely not rich!" In the film, Xiong Dailin and Angelaby, two beautiful women, both had a scene of falling into the water in winter and suffered a lot. In order to apologize to them, Huang Zihuan sent them a warm scarf on the spot, and put it on for Xiong Dailin by himself, and also told them to take care of their health.

        Father Huang Baiming and Wu Junru in "Flower Field 2010" is the fifth time to cooperate, because they think they are like "old husband and wife", Huang Ziheng specially added a kiss scene between the two in the script, which also became the first "breakthrough" performance of the screen partner, but Huang Baiming "disagreed" with this, first joking that "the kiss scene is cheap for Wu Junru", and then said that the cooperation between him and Wu Junru is very tacit, the two are too familiar, and there is no feeling in the kiss scene, but this time the quarrel scene has a breakthrough, and it has become a quarrel while singing Rap.

Huang Baiming


Huang Baiming’s son, Huang Zihuan, is also the screenwriter of the film
 
The film has spent over a million to create a fashionable costume drama, and Huang Baiming is confident that he can win Zeng Zhiwei at the box office

        The costume director of "Hanada Yushi 2010" is Yu Jiaan, who has served as the art director for films such as "City of Glass" and "Go Left and Go Right". He has put a lot of effort into the costume design. The entire film costs more than 1 million, and the starring clothing fabrics are all from Italy. Fashion elements such as fur, rivets, fluorescent bright colors, leopard print, bows, etc. can be seen everywhere in the film, while "Sportsman" Koo Tianle is unexpectedly portrayed as a popular cartoon character of the day – "Red Wolf" in "Pleasant Goat and Grey Taro", "Hanada" This time is both luxurious fashion and full of cute cartoon colors.
 
        In 2009, "Happy Event at Home 2009" won the box office championship of the Hong Kong New Year stall. For the box office prospects of "Flower Field 2010", Huang Baiming is very confident, and he is even more willing to give a "gauntlet" to his friend Zeng Zhiwei. "Because" Flower Field 2010 "is a costume opera, the story is more imaginative, and it will be funnier and better looking than last year’s" Happy Event at Home 2009 ". Compared with" Seventy-two Tenants "in the same period, at least in Hong Kong, I am confident to win against Zeng Zhiwei."

[Movie Network]www.1905.com Exclusive manuscript, please indicate the source when reprinting.

Xiao He has revealed sharp corners

In mid-December, the expert demonstration meeting of domestic BIM whole-process application cases was held in Guangzhou. Academicians, experts and entrepreneur representatives from the field of engineering construction gathered at the Guanglianda Smart Construction and South China Headquarters Base Project (hereinafter referred to as "Guanglianda South China Headquarters Base") to demonstrate the value of the project as a domestic BIM whole-process application case and the industry can learn from the promotion and give high praise.

Ding Lieyun, academician of the Chinese Academy of Engineering, professor of Huazhong University of Science and Technology, chief scientist of the National Digital Construction Technology Innovation Center, Xing Feng, academician of the Chinese Academy of Engineering and vice president of Guangzhou University, Wang Tiehong, former chief engineer of the Ministry of Housing and Urban-Rural Development, Wang Guangbin, professor and doctoral tutor of Tongji University, Li Qiming, professor and doctoral tutor of Southeast University, Deng Mingsheng, chief expert of China Construction Eighth Engineering Bureau Co., Ltd., chairperson of the Building Information Technology Committee of Guangzhou Municipal Construction Science and Technology Commission, He Guanpei, chief engineer of the digital strategy of Guangzhou Pearl River Foreign-funded Building Design Institute, Chen Xianrui, chairperson and party secretary of AVIC Plaza Construction Group, Cui Guoyou, chairperson of Henan Wufang Design Institute, and other academicians and experts and entrepreneurs attended the demonstration.

ImageFetcher (1).jpgDomestic BIM whole process application sharing

As a demonstration project of the National Digital Construction Technology Innovation Center for technology application and model innovation, Guanglianda South China Headquarters has piloted the development and application of domestic independent BIM platform software, actively expanded the application scenarios of domestic BIM software in the whole life cycle of engineering projects, and built a whole-process domestic BIM software product ecosystem, setting a benchmark and boosting confidence for industry enterprises to carry out the whole-process digital application.

Practice the digitalization of the whole process of BIM and develop its own and easy-to-use top software

The construction of Guanglianda South China Headquarters Base adopts the EPC (General Contracting) model and integrates BIM (Building Information Modeling), prefabricated, green construction and other construction technologies, which is a comprehensive practice of the concept of "digital architecture".

Yuan Zhenggang, chairperson and president of Guanglianda Technology joint stock company, said that this project is one of the few typical projects in the construction field that uses completely self-developed domestic BIM software and platform to empower the whole life cycle of the construction industry. The main purposes of the whole process of BIM application practice include: first, to solve the problem of data standardization and integration; second, to promote the refinement of project management through the structuring of the business; third, to continuously improve the value of products through the deep integration of the business team and the software team, and to polish the top software that belongs to the Chinese people. This is the responsibility of Chinese technology companies and the glorious mission of helping the digital transformation of the construction industry.

In the whole process application of domestic BIM in Guanglianda South China Headquarters Base, based on the analysis of the business essence logic of the whole process of the project, identify the core business scenarios and build models and data unit frameworks accordingly to ensure the consistency and smooth flow of business, data and models. Through the digital analysis of business, the design, cost, production, quality, safety and other information are exchanged and shared, the mapping is established and the circulation is realized, and the business value scenario based on the BIM model is designed.

Facing product design, the project drives the response of building functions and the design of building modules and systems through the analysis of building product requirements. Each professional design determines the corresponding building standards, system configuration standards, product standards, and composition practice standards according to the splitting of modules and systems. With the help of localized BIM software integrated design and cost model, different design schemes and cost data are linked to determine the optimal product composition scheme and cost subject standard, and realize integrated forward design to ensure that the owner’s needs are met.

Facing engineering construction, through the detailed analysis of planning, safety and quality management and public resource management, and taking engineering tasks as the basic unit, the construction management planning focusing on time, space and people based on BIM model is realized. During the construction process, the integration of IoT (Internet of Things), AI (artificial intelligence) and other technical means, real-time and dynamic collection of human, machine, material, method, ring and other element information, to create a digital command cabin of intelligent construction site with digital-model linkage and virtual-real combination, tracking the status of the project site, and providing support for project decision-making.

Facing the construction operation and maintenance, the project first identifies and analyzes the needs of each major under different operating conditions during the design process, and avoids redundant and unreasonable system configuration in the design of each major. At the same time, the building requirements and standards, system configuration parameters, operation logic and operation strategy are integrated into the BIM model to ensure the complete undertaking of the operation and maintenance stage and the effective execution of the design intention. During the operation process, the operation strategy is dynamically optimized through the feedback of the actual operation effect.

Taking the business value scenario of domestic BIM application as the main line, through the interoperability of the whole process, the whole business line, the whole professional model and data, the construction of Guanglianda South China headquarters base will eventually form a set of demand-oriented, design-oriented breakthrough point, supported by refined process management and control, and integrated with scientific management mode, advanced business practices and digital technology application.

Deep application of domestic design software empowers the digital transformation of the construction industry

According to Yang Wei, vice president of Guanglianda Technology joint stock company, the successful application of the whole process of digitalization in Guanglianda’s South China headquarters base stems from Guanglianda’s professional accumulation and technical accumulation for more than 20 years. Guanglianda BIM series software has covered most of the business needs of the whole process of engineering construction, and even made important breakthroughs in the field of engineering design software where foreign software has a significant advantage.

Data-driven integrated design solutions lay the foundation for the whole process of digital construction. In 2022, Guanglianda released a digital design product set. The product set is based on the independent intellectual property graphics platform and is a full-professional BIM forward design solution product. Guanglianda’s South China headquarters base adopts digital design software and collaboration platform. Through the "cloud + end" collaboration model, it realizes the forward design of BIM and multi-professional collaboration of architecture, structure, electromechanical and other majors from the scheme, construction map to the deepening stage. It realizes the flow of models and data at each stage of design-calculation-construction. Through the seamless docking of design models and calculation models, the matching mapping of design and cost at each stage is established, and the cost control from the design source is realized.

Localized BIM + IoT + AI to realize visual management. The project sets up more than 200 intelligent hardware to perceive the real information happening on site, and matches the corresponding management scenarios through information aggregation. Based on the model, time, space and people focus are realized. Through built-in AI rules, based on real-time and on-site records of the construction process, the progress, safety and quality of the project site are automatically identified. Through the combination of virtual and real on site and BIM model, the visual management and data-aided scientific decision-making of the engineering site are realized.

Digital and intelligent technology to support intelligent construction. For on-site public resources, such as tower cranes, vertical elevators, material yards, roads, etc., the project uses digital and intelligent technology to achieve fine control and ensure better and more efficient multi-professional construction distribution. Taking the tower crane as an example, the type of lifting objects and lifting actions are built into the AI algorithm to carry out ergonomic analysis. Through the time-consuming analysis of various materials in each link of hoisting, the subsequent use time of the tower crane can be reasonably anticipated to ensure the progress is controlled. The project also linked the progress plan with the BIM model to establish a quality management and safety management system based on engineering tasks.

Based on data-driven integrated design solutions, as well as localized BIM, IoT, AI and other digital technologies, Guanglianda South China Headquarters Base has opened up the digital chain of the whole life cycle of the project, allowing data at all stages to generate "chemical reactions", and building application scenarios for data-driven decision-making in the whole process, laying the foundation for fully empowering the digital transformation of the construction industry.

Reach the industry’s leading level and can be widely used

During the demonstration, the expert group conducted an on-site inspection of Guanglianda’s South China headquarters base and listened to the report on the "Domestic BIM Whole Process Application Demonstration Report". Experts attending the meeting fully discussed and reached a consensus.

The expert group believes that Guanglianda’s domestic independent BIM platform software functions meet most of the business needs of the whole process of engineering projects. Compared with the existing foreign related software, it is more in line with the actual management of domestic engineering projects and has the conditions for localization. At the same time, it has reached the industry’s leading level and has the conditions for promotion and replication. It is recommended to promote application in the industry.

The expert group gave high praise to the domestic BIM whole-process application of Guanglianda South China Headquarters Base, as a demonstration project of domestic BIM whole-process application, to achieve full-professional, whole-process business communication, data communication, and model communication.

The successful holding of the demonstration pointed out the direction for the digital application of the whole process of BIM in the construction industry, opened a new channel for the large-scale application of domestic BIM series software in the construction industry, and also established confidence for industry enterprises to promote digital transformation and start the digital application of the whole process of construction projects. With the large-scale implementation of this technology, it is bound to accelerate the development of new concepts, new technologies and new models in the industry, which will deeply empower the digital transformation of the construction industry and help the high-quality development of the construction industry.

Whose pocket did the money you paid for the game end up in?

"We are like Apple in 1984, ‘when Apple had the revolutionary power to break IBM’s monopoly on the computing technology market.’ But now, ‘Apple is the behemoth it once accused of trying to control markets, stifle competition and stifle innovation.’"


This is a quote from a lawsuit filed by Epic Games against Apple. On August 14, Epic enabled a new payment system in the mobile game version of Fortnite to bypass Apple’s payment system, while also bypassing Apple’s 30% cut. Players can enjoy discounts if they use the new payment system to purchase items in the game.


The new payment system undoubtedly violated Apple’s App Store policies, and Apple responded quickly and aggressively by removing Fortnite entirely from the App Store. Epic was clearly well-prepared. Shortly after being taken down, Epic released a small video of "Fortnite", in which it mocked Apple from a former dragon slayer to a dragon, borrowing a meme from Apple’s famous 1984 MAC ad.


The classic 1984 Apple ad was about revolution and breaking IBM’s monopoly. But the video was more than a satire. Minutes after the video was released, Epic announced that it had filed a lawsuit against Apple.


The rivalry between the two sides is still escalating. Apple has taken down Epic’s developer account and iOS and MAC power builder. Epic claims this will prevent them from developing software for Apple’s platform, including Unreal Engine support for third-party developers on the iOS.

Fortnite offers iOS players a direct payment method to bypass in-app purchases. Image credit: Epic’s lawsuit against Apple
Benefit game of platform commission

More than a year ago, Tim Sweeney, a spokesperson for Epic’s platforms, published a tweet to the effect that Epic would consider lifting the exclusivity and putting its games on Steam if the gaming platform Steam could reduce the commission to 12%. Steam, the gaming platform with the largest number of users and games in the world, has its own high-quality services and a platform commission of up to 30%.


However, according to an annual survey called "All Things Valve Should Know 3.0": Since 2018, game developers, especially in the West, have become increasingly negative about Valve and Steam, and have begun to lose confidence in Steam. They do not believe that it is reasonable to pay 30% of the platform’s commission to the store.


Epic became the initiator of this battle for platform royalties. Previously, with the popularity of its games such as Fortnite, Epic established its own game platform, Epic Games Store, packaged all its games, and used ultra-low royalties as a means to attract game developers. From previous news, Epic did not intend to treat Steam as a competitor, but more to convey that it wanted to change the 30% cut of computer games (PC) platforms. From the original game developer Deep Silver’s announcement that "Metro 2033" would be exclusive to Epic for a limited time for one year, to the later announcement of a limited time exclusive to the Epic platform by popular game developers, and then to Ubisoft’s removal of "The Division Blockade 2" directly from Steam, game makers and platforms are using actions to demonstrate their views on the cut.


In 2019, at the E3 Electronic Entertainment Show in Los Angeles, visitors experienced the game Fortnite.


Is 30% reasonable?



The 30% platform commission is a traditional system, originally formulated by first-party console manufacturers such as Nintendo, Sony, and Microsoft. The financial resources of Nintendo, Sony, and Microsoft to operate platforms are unmatched by PC platform operations. They have also shown players that operating a PC-side platform, even a 12% commission, is also very profitable. Since the operation of the host platform and the operation of the PC platform are completely different from the difficulty level, it is indeed unreasonable for Steam to operate according to the platform commission of the host manufacturer.


Some netizens broke the relevant commission data of Tencent’s platform: if you just log in to Tencent’s platform, there will be a 30% commission; if you want to promote and use the server, the commission will increase to 50%~ 60%; if it is a mobile game, the commission will be 70%. In addition, the application treasure is 70%; the WeChat mini-game props internal purchase is 40%; the part of the single-day advertising revenue within 100,000 yuan, the developer can get 50% of it; the part of the single-day advertising revenue exceeding 100,000 yuan, the developer can get 30% of it. From this point of view, is the 30% commission not high?


In fact, this is not the case. In China, Tencent owns the vast majority of traffic, and even with a 70% cut, game developers or publishers earn more than many other platforms that take a 10% cut. The main reason why it is unreasonable to say that Steam’s 30% cut is that even in an ideal situation, the income of most profitable game companies is equivalent to the income of the platform, and even the income of the platform is higher than that of the game company. And online game platforms such as Steam,Neither do they have to bear the high costs associated with physical stores and logistics, nor do they have the obligation to help game companies promote their games, which has caused many game makers to be dissatisfied with the 30% cut in recent years.


For an indie game studio, such a high cut would pose a dilemma for the entire team.If the game is handed over to a large company for distribution, and the large company cooperates with Steam, it is equivalent to being drawn twice. And if the independent game team wants to log in to Steam by itself, it will encounter more resistance. On the one hand, Steam will not provide these studios with upfront funding, and it is difficult for an independent development team to complete the game independently without the help of the operating company. On the other hand, the promotion and marketing of the game is very important, and most independent studios do not have the ability to do the follow-up work themselves. In addition, for low-cost indie games, publishing on a high-traffic platform like Steam represents more opportunities, and the advantages outweigh the disadvantages than the high commission.


The fantasy video game website (IGN) has sorted out the sales data of major online sales platforms from dozens of information sources. Surprisingly, the data provided by the vast majority of sources is exactly the same, that is, 30% of the platform. Not only Steam and Apple, but also online sales platforms such as Microsoft, Sony, Google, Nintendo, and offline sales platforms such as Amazon and Walmart draw 30%.It can be seen that a 30% cut is a common practice in the industry and a major environment in the game business community.


Who will smoke and how?

In the eyes of most game developers, Epic played the role of a revolutionary pioneer, a "leading brother" who explicitly proposed that the 30% cut was unreasonable. However, in the eyes of players, this was not the case. Negative comments on Epic were widely circulated among players. In the eyes of many players, Epic was a speculator, doing things to occupy the market under the name of lowering the platform’s cut.


This phenomenon is very easy to understand, because the level of the platform does not affect the price of the game too much, players can not feel the intuitive benefits, and Epic as a latecomer, the player group is far less than the predecessor Steam, in the platform function and user experience are not as good as Steam, most Steam users are not surprising to Epic.


But there are still reasons to believe that Epic is determined to change the platform’s commission. A 12% commission will undoubtedly attract more and more games to the Epic platform, and Epic expands its player base through a large number of free games and benefits. The substantial benefits that low commissions bring to game developers will gradually emerge, and more outstanding studios in trouble can show their talents on the Epic platform.


In the new game market system, a model full of reform and innovation may be vacated, and Epic has become the person who raises the revolutionary banner, but whether it can become the ultimate winner remains to be seen.

(Li Meng is a master’s tutor at the School of Animation and Digital Art, Communication University of China; He Yucheng is a graduate student at the School of Animation and Digital Art, Communication University of China)

What are the differences between whole house customization and custom home furnishing?

In recent years, whole-house customization and custom home furnishings have become very popular in the home improvement industry. There are significant differences between the two, but many small partners are confused. What are the differences between whole-house customization and custom home furnishings? Next, I will take you to understand.

The difference between whole house customization and custom furniture

Whole house customization is a home customization solution that integrates furniture design, customization, installation, and other services. Whole house customization is the exclusive furniture of consumers manufactured by furniture companies on the basis of large-scale production and according to the design requirements of consumers, and is aimed at hard-fitting. 

Customized furniture refers to the process of home decoration, combining the house decoration style in advance, designing wardrobes, wall cabinets, bookcases, shoe cabinets, decorative cabinets, cabinets, and other furniture, and communicating according to customer preferences. The size is reserved in advance, and the perfect size combination is achieved after decoration and furniture size, and then produced and installed by professional furniture manufacturers. 

From the above, we can see that the whole house custom furniture is worth a complete solution. Second, custom furniture is more biased towards a process, from appointment to door-to-door installation of the entire customization process. So the two are different.

Misunderstanding of whole house customization

Myth 1: Since it is customized, you don’t need to worry about anything.

Many owners and friends have absolute trust in custom manufacturers, thinking that custom furniture is omnipotent. In fact, this is just one link in your entire decoration. It cannot exist in isolation, but must match all the items such as walls, walls, tops, floors, doors, door covers, etc. Therefore, when customizing wardrobes, it is necessary to visit the scene in person and communicate with the designer about the relevant details to avoid size mismatches in the later stage. Although the manufacturer will solve it later, it will still cause some trouble to itself, waste time or delay check-in.

Misunderstanding 2: Zero formaldehyde = no formaldehyde

Many custom wardrobe brands like the expression "zero formaldehyde" when describing the environmental friendliness of the board. In fact, this is not accurate enough, and it is easy to mislead consumers. Many users think that "zero formaldehyde" is equal to "no formaldehyde", but in fact they are two concepts in themselves. At present, there are two international standards for formaldehyde emission: E0 level and E1 level. China’s E0 level standard is basically equal to the European E1 level standard, which is equivalent to only 0.05 milligrams of formaldehyde per cubic meter. After high-quality boards are sealed, the formaldehyde inside is basically impossible to release, so zero formaldehyde is actually zero formaldehyde emission, not that the material itself has no formaldehyde.

Myth 3: Customization means unimaginative 

Many consumers believe that since it is customization, it should be done whatever they want. In fact, custom wardrobes, called customization, are actually dancing in shackles. Although they can solve problems such as irregular space and strict space utilization, they must still follow the production specifications. Take customizing a European-style sliding door wardrobe as an example. Choose the material + choose the color + choose the door panel shape + choose the line shape + choose other decorations + choose the space utilization plan in the cabinet + choose the hardware accessories. Basically, the whole wardrobe comes out, and the product cannot escape the shackles of the existing craftsmanship and shape.

Myth 4: The larger the wardrobe, the stronger the storage 

Many owners are prone to falling into the misunderstanding when customizing wardrobes: the larger the wardrobe, the more powerful the storage function. Although the volume of the wardrobe will affect the storage, we cannot unilaterally pursue large size, and it should be determined according to the size and characteristics of the room. Moreover, volume is not the only factor affecting the storage of the wardrobe. It is directly related to the structural design and component matching inside the wardrobe. When customizing the wardrobe, we should also pay attention to the structural design of the wardrobe.

Therefore, whether it is good or not, there are various opinions, but since custom home furnishing can become the mainstream, and even the trend that has been developing for more than 10 years, it shows that it is still very good!

If you want to inquire more about whole house customization, please continue to pay attention to China Whole Wood Network, or call the national unified service hotline: 400-850-0866.

Wang Jianlin’s big move! The class A share movie theater faucet may change hands, and the receiver is "post-80s"!

The control of cinema leader Wanda Film (002739) may change.

On December 6, Wanda Film announced that the company’s indirect controlling shareholder, Beijing Wanda Cultural Industry Group Co., Ltd., and its wholly-owned subsidiary, Beijing Hengrun Enterprise Management Development Co., Ltd., and the company’s actual controller, Wang Jianlin, intend to transfer their combined 51% equity in Beijing Wanda Investment Co., Ltd. (hereinafter referred to as "Wanda Investment") to Shanghai Ruyi Investment Management Co., Ltd. (hereinafter referred to as "Shanghai Ruyi Investment").

Wanda Investment is the controlling shareholder of Wanda Film. Wanda Film said that if the above matters are finally implemented, it will lead to a change of control of the company.

In view of the uncertainties in the above matters, Wanda Film will suspend trading from the opening of the market on December 6, 2023 (Wednesday), and it is expected that the suspension time will not exceed 2 trading days. On the morning of December 6, the Shenzhen Stock Exchange has announced that Wanda Film plans to plan a change of control, and the stock will be temporarily suspended from the opening of the market on December 6. Trading will resume after the company discloses relevant announcements through designated media.

Shares have been transferred several times this year

Since the beginning of this year, Wanda Film has undergone several equity changes. According to the 2022 annual report, Wanda Investment directly holds 38.99% of Wanda Film’s shares.

In March, Wanda Investment’s concerted action, Wanda Culture Group, reduced its holdings of Wanda Film 43.5653 million shares through the block trade system, accounting for 1.999% of the company’s total share capital. In April, Wanda Investment announced a reduction plan to reduce its holdings of Wanda Film shares by no more than 65.38 million shares, accounting for 3% of the company’s total share capital.

Entering the second half of the year, Wanda Film’s equity transfer accelerated.

On July 10, Wanda Investment signed a share transfer agreement with Lu Lili, agreeing that Wanda Investment will transfer its holding of Wanda Film 180 million shares to Lu Lili, accounting for 8.26% of the company’s total share capital.

On July 17, Wanda Investment and its acting party, Xinxian Rongzhi Industrial Management Consulting Center (Limited Partnership) (hereinafter referred to as "Xinxian Rongzhi"), signed the "Share Transfer Agreement", and Wanda Investment transferred its holding of Wanda Film 177 million shares to Xinxian Rongzhi, accounting for 8.14% of the company’s total share capital.

After the transfer of the above agreement is completed, Wanda Investment holds 436 million shares of Wanda Film, with a shareholding ratio of 20%. Wanda Investment and its concerted actors together hold 673 million shares of Wanda Film, accounting for 30.9% of the company’s total share capital.

Before the proposed transfer of 51% of Wanda’s investment, on July 20, 2023, Wanda Culture Group had signed an Equity Transfer Agreement with Shanghai Ruyi Film and Television Production Co., Ltd. (hereinafter referred to as "Shanghai Ruyi Film and Television").

Wanda Cultural Group intends to transfer its 49% stake in Wanda Investment to Shanghai Ruyi Film and Television. After the transfer is completed, Wanda Cultural Group indirectly holds 222 million shares of Wanda Film through Wanda Investment, with a shareholding ratio of 10.2%. Wanda Cultural Group and its concerted actors directly and indirectly hold 460 million shares of Wanda Film, with a shareholding ratio of 21.1%.

According to Qichacha, as of December 6, Shanghai Ruyi Film and Television held a 49% stake in Wanda Investment, Beijing Hengrun Enterprise Management Development Co., Ltd. held 29.8%, Wanda Culture Group held 20%, and Wang Jianlin personally held 1.2%.

Wanda Film Industry Leader

Wanda Film has long been a leader in domestic theaters.

Lighthouse data show that since 2023, the national film box office has reached 51.45 billion yuan, of which Wanda cinema box office 8.94 billion yuan, far more than the second 4.481 billion yuan. Wanda cinema attendance 190 million, with an average of 15 people per game, all in a leading position in the industry.

Wanda Film also ranks first in the country all year round. Wanda Film’s cinemas and screens rank first in the industry. Since 2023, 9 of the top 30 cinemas in the country have been Wanda Studios.

According to the third quarter report of 2023, from January to September this year, Wanda Film’s domestic theaters achieved a box office of 6.22 billion yuan (excluding service fees), an increase of 67.6% year-on-year and 5.2% over the same period in 2019; the number of people watching movies 150 million, an increase of 68.7% year-on-year, an increase of 3.7% over the same period in 2019.

As of September 30, 2023, Wanda Film had 877 open theaters and 7,338 screens in China, including 709 directly-operated theaters, 6,159 screens, 168 light-asset theaters, and 1,179 screens. The company’s cumulative market share in the first three quarters was 16.5%.

"Post-80s" Colliming takes over

Shanghai Ruyi Investment, which plans to take over 51% of Wanda’s investment, and Shanghai Ruyi Film and Television, which previously took over 49% of Wanda’s investment, are both controlled by Ke Liming.

Shanghai Ruyi Film and Television is a subsidiary of China Ruyi Holdings Co., Ltd. (hereinafter referred to as "China Ruyi" 00136.HK), a Hong Kong-listed company. China Ruyi owns 100% of Shanghai Ruyi Film and Television. Tencent is one of the major shareholders of China Ruyi.

On December 6, Chinese Confucianism rose more than 9% in intraday trading, and its market value rose to HK $22 billion.

"Confucianism" can be called a dark horse in the film industry in recent years. According to Lighthouse data, Shanghai Confucianism Film and Television has produced 43 works in recent years, with a total box office of 17.677 billion yuan and a total box office of 7.434 billion yuan. These include well-known works such as "Hello, Li Huanying", "Vanished Her", "Walking Alone on the Moon" and "Send You a Little Red Flower".

Ke Liming’s other main body, Beijing Ruyi Xinxin Film Investment Co., Ltd., has also produced 5 works, with a total box office of 1.438 billion yuan, including "To the Youth We Will Eventually Die", "Small Times 4", "Old Boy’s Raptor Crossing the River" and other well-known works.

According to the financial report, Colliming is a post-80s generation, now 39 years old.He worked as a senior analyst at a hedge fund management company. He graduated from Griffith University in Australia with a bachelor’s degree in risk management in 2005 and a master’s degree in money and banking in 2006.

According to the delisted Shanghai Fukong previously disclosed, Ke Liming himself led some project personnel to join Huashi Film and Television Investment (Beijing) Co., Ltd. in March 2011. Ke Liming served as the general manager of Huashi Film and Television and filmed film and television works within the main body of Huashi Film and Television.

It was during this period that Ke Liming and his team participated in the planning and production of the movie "To Youth", the TV series "The Woman of the Swordsman Family", and the movie "Tiny Times 1 and 2" and many other works. In December 2012, Ke Liming left China Vision Film and returned to Ruyi Film as the general manager. Since then, Ruyi Film’s business has developed rapidly. It began to plan the TV series "No War in Peking" and the movie "Old Boy’s Raptor Crossing the River" that year, and achieved good responses.